Track : Concerto for Orchestra No. 2, Op. 40: II. Andante
Artist : Robin Holloway
Album : Unknown
Concerto for Orchestra No. 2, Op. 40: II. Andante by Robin Holloway from album Unknown
Duration : 0 minutes & 0 seconds.
Listener : 2 peoples.
Played : 3 times and counting.
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Variation 14
By : Robin Holloway
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
III. Toccata, Intermezzo and Fugue
II. Melody
I. Prelude
No. 4. Fig Tree in Leaf
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
Trio for Horn, Cello and Piano: I. Liberamente
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
Gilded Goldbergs, Part I, First Set: Aria: G major
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
Window VI - Slow Movement -
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
Trio for Horn, Cello and Piano: II. Poco allegro
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
II. Pesante con forza -
The Bee From Fantasy Studies, Op. 13
By : Alec Rowley
I. Allegro ritmico
A Downland Suite: II. Elegy (arr. A. Rowley)
