Track : I. Leave the Old: 10) Be self-sufficient
Artist : Ian Pace
Album : Unknown
I. Leave the Old: 10) Be self-sufficient by Ian Pace from album Unknown
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They're Writing Songs Of Love, But Not For Me (-----)
By : Ian Pace
Boy Wanted (-------)
Blah, Blah, Blah (---)
Innocent Ingénue Baby (-------)
II. Clean the Mind: 13) Change mindweeds into mental nourishment
I. Leave the Old: 9) Become the spur of the moment
Prologue: Five Momente im Leben des Franz Schubert (Five Moments in the Life of Franz Schubert): II. Der Gefährliche Freund (The Dangerous Friend): II. Der Gefährliche Freund (The Dangerous Friend)
Love Is Here To Stay (First Version - Not Published As A Part Of Either Set)
Shall We Dance? (-------)
II. Clean the Mind: 18) Continue in calmness
III. Alter the Consciousness: 29) Merge it into overpowering emotion
Dixie Rose (-------)
IV. Prepare the New: 34) Express everything straight on
I'd Rather Charleston (------)
Wait A Bit, Susie (------)
Verdi Transcriptions, Book 1: I Due Foscari: Tace il vento
A-N-N-A Blossom-Time: You
Tract II: The Light Gleams
A-N-N-A Blossom-Time: A-N-N-A Blossom's Book of Chinese Proverbs
Verdi Transcriptions, Book 1: Giovanna d'Arco: So che per via
A-N-N-A Blossom-Time: Cut-Up
A Yardstick to the Stars - 5
A-N-N-A Blossom-Time: 1, 2, 3
Piano Concerto No. 6 (-----)
III. Alter the Consciousness: 21) Adapt yourself to stimuli
Louisiana: Yearning
Das Leonora Notenbuch (1988), IV. Always Very Free; Nimble
By : Clare Hammond
Piano Étude No. 1 (1995), Presto energico
Shalimar, Op.177
By : Alan Hovhaness
Fugaces
By : Stephane Horeczko
Piano Sonata No. 2, "Concord, Mass., 1840-1860": III. The Alcotts
By : Yvar Mikhashoff
Piano Sonata No. 2, "Concord, Mass., 1840-1860": II. Hawthorne
Piano Sonata No. 2, "Concord, Mass., 1840-1860": I. Emerson
Waves
By : Katrina Krimsky
Apparitions
Rainbow Valley
By : Eve Egoyan
For Cornelius
Hommage à RILEY - REICHlich verGLASSt
By : Steffen Schleiermacher
Twelve Soundscapes Inside the Piano: On the Highway
Twelve Soundscapes Inside the Piano: In the Mine
