Track : Later in the Same Scene... (Examples 84-87)
Artist : Deryck Cooke
Album : An Introduction to Der Ring des Nibelungen
Later in the Same Scene... (Examples 84-87) by Deryck Cooke from album An Introduction to Der Ring des Nibelungen
Duration : 2 minutes & 22 seconds.
Listener : 1 peoples.
Played : 1 times and counting.
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Freia's Motive Has Two Independent Segments... (Examples 88-91)
By : Deryck Cooke
Of All Great Musical Compositions... (Examples 1-4)
The Fundamental Symbol... (Examples 5-11)
Returning Now To The Nature Motive... (Examples 6, 12-16)
A Number Of Further Motives... (Examples 5, 17-21)
There Are One or Two Motives... (Examples 162-168)
Along Another, More Complex Line... (Examples 69-72)
In Act Two of "Walküre"... (Examples 69, 73-75)
Returning Now to Act Two of "Walküre"... (Examples 76-79)
Love Is Another of the Central Symbols... (Examples 80-83)
When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98)
A Little Later in This Interlude... (Examples 99-103)
The Other New Motive... (Examples 104-109)
One Further Motive Belongs... (Example 121)
A Second, Much Smaller Family... (Examples 22-25)
So Much For Nature. (Examples 26-38)
The Characters in Whose Lives... (Examples 115-120)
The cause of the deterioration...
Freia's Motive has two independent segments...
Later in the same scene...
Love is another of the central symbols...
Returning now to Act Two of "Walküre"...
In Act Two of "Walküre"...
Along another, more complex line...
The basic motive associated with the spear...
Two further motives...
Several other motives...
The other transformation...
So much for nature.
A second, much smaller family...
Returning now to the Nature Motive...
The fundamental symbol...
Of all great musical compositions...
The Basic Motive Associated With The Spear... (Examples 62-68)
A little later in this interlude...
Closely Associated With Gutrune's Motive... (Examples 136-140)
One Further Motive Connected... (Examples 158-161)
These Motives of Alberich and Mime... (Examples 169-171)
Quite a Number of the Subsidiary Motives... (Examples 172-176)
In the Final Scene of Götterdämmerung... (Examples 181-183)
When Fasolt, in Scene Two of "Rhinegold"...
Now If We Return... (Examples 189-191)
This Masterly Way... (Examples 192, 193)
The label 'Flight'...
The Other Transformation... (Examples 45-48)