Track : Maritime Rites: Program Introduction (Soft Shoulder)
Artist : Alvin Curran
Album : Alvin Curran: Maritime Rites
Maritime Rites: Program Introduction (Soft Shoulder) by Alvin Curran from album Alvin Curran: Maritime Rites
Duration : 1 minutes & 16 seconds.
Listener : 21 peoples.
Played : 28 times and counting.
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Maritime Rites: Program Introduction (Improvisation)
By : Alvin Curran
Ice, Dew, Food, Crew, Ape
Big Bad Guy (feat. Domenico Sciajno)
Mama calas (feat. Domenico Sciajno)
Erat verbum john (feat. Ali Momemi, Kristin Miltner)
Sotto voce (feat. Domenico Sciajno)
Sh'ma yisra'el
By : Jacob Druckman
Paean
Animus IV
Short Presentation of the 1948 Sackbut: The Sackbut Blues, Followed by a Noisome Pestilence
By : Hugh Le Caine
Embellie, For Solo Viola (1981
By : Iannis Xenakis
PLAYTHING Sound Character
By : Maryanne Amacher
Sound Characters Composed for "Synaptic Island" & "A Step Into It, Imagining 1001 Years"
Subharmonische Mixturen [III]
By : Oskar Sala
Transmutation
Mixturtrautonium
Mixturtrautonium AGITATO
Mixturtrautonium MEDITATION
Musique stéréo pour orchestre électronique en cinq parties : III.
Musique stéréo pour orchestre électronique en cinq parties : IV.
Resonances: Concerto for Mixture-Trautonium and Electronic Orchestra: Ostinato
Suite for Mixture-Trautonium and Electronic Percussion: Meditation
Musique stéréo pour orchestre électronique en cinq parties : V.
Musique stéréo pour orchestre électronique en cinq parties : II.
Resonances: Concerto for Mixture-Trautonium and Electronic Orchestra: Concertando
Resonances: Concerto for Mixture-Trautonium and Electronic Orchestra: Fugato
Suite for Mixture-Trautonium and Electronic Percussion: Improvisation for Electronic Percussion
Musique stéréo pour orchestre électronique en cinq parties : I.
I Am Sitting in a Room, Part I
By : Alvin Lucier
I Am Sitting in a Room, Part II
Ulf Langheinrich Rmx
Duet
By : Milton Babbitt
Post-partitions (piano: Robert Miller)
Philomel, Section I, Part 1
An Elizabethan Sextette: Your Face, Your Tongue"
Swan Song No. 1 (2003)
My Ends Are My Beginnings: II.