Track : Mass in D: XIV. Pleni Sunt (Allegro pesante)
Artist : Gunther Schuller
Album : John Knowles Paine: Mass in D
Mass in D: XIV. Pleni Sunt (Allegro pesante) by Gunther Schuller from album John Knowles Paine: Mass in D
Duration : 1 minutes & 34 seconds.
Listener : 2 peoples.
Played : 2 times and counting.
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Seven Studies on Themes of Paul Klee, No. 1: Antique Harmonies
By : Gunther Schuller
Suite: I. Prelude
Mass in D: I. Kyrie (Maestoso)
Arabesque
Eine Kleine Posaunenmusik: III. Scherzo: Vivace
Mass in D: XVIII. Dona Nobis (Andante tranquillo)
Eine Kleine Posaunenmusik: II. Recitative: Broadly, Freely
Eine Kleine Posaunenmusik: IV. Chorale: Lento
Eine Kleine Posaunenmusik: V. Allegro energico
I. Adagio
Adagio
II. Recitative: Broadly, freely
Quartet for Double Basses, II. Allegro scherzando
Mass in D: XIII. Sanctus (Grave)
Mass in D: XII. Et Vitam Venturi (Intermezzo-Fuga: Allegro molto)
Quartet for Double Basses, I. Allegro
Concerto da Camera
Quartet for Double Basses, III. Adagio
Romantic Sonata for Clarinet, Horn, and Piano: Vivace
Romantic Sonata for Clarinet, Horn, and Piano: Adagio
Romantic Sonata for Clarinet, Horn, and Piano: Adagietto
Posh: III. Posh
By : Mohammed Fairouz
For Victims: I. Prologue: The House of Justice
Sonata for Solo Violin "Native Informant": I. Lyric Sketch
Sonata for Solo Violin "Native Informant": II. Rounds
Sonata for Solo Violin "Native Informant": III. For Egypt
Sonata for Solo Violin "Native Informant": IV. Scherzo
Sonata for Solo Violin "Native Informant": V. Lullaby of the Ex Soldat
III. Waltzing at the Abyss: Gingerly, but always moving along
By : Stephen Hartke
Tituli: III. Columna rostrata
IV. Cancel My Rumba Lesson: 2 Left Feet
Sonatina-Fantasia: Giubilante
Act II Scene 8: Good heavens! One o'clock! (The Count, Loiseau, the wives)
The Horse with the Lavender Eye: II. The Servant of Two Masters
Post-modern Homages: Sonatina-Fantasia
Post-modern Homages: Template
Act II Scene 8, "Courtyard of the Inn, Saturday morning"
Act II Scene 4: Oh look! Isn't that him? (The wives, later Mme. Carre-Lamadon alone)
Act II Scene 3, "Wednesday, suppertime": Oh, look, how lovely (All)