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Arthur-Vincent Lourié, born Naum Izrailevich Luria (Russian: Наум Израилевич Лурья), later changed his name to Artur Sergeyevich Luriye (Russian: Артур Сергеевич Лурье, 14 May 1892 in Saint Petersburg - 12 October 1966 in Princeton, New Jersey) was a significant Russian composer. Lourié played an important role in the earliest stages of the organization of S...read more

Avant-Garde Classical russian contemporary classical 20th Century Classical

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Formes en l’air: a Pablo Picasso
5 Preludes for piano, Op. 1: Prelude No. 1
5 Preludes for piano, Op. 1: Prelude No. 5
5 Preludes for piano, Op. 1: Prelude No. 3
5 Preludes for piano, Op. 1: Prelude No. 2
5 Preludes for piano, Op. 1: Prelude No. 4
Valse
2 Kolibeln'ya (2 Berceuses) No. 1. Pussy-cat, don't go there...
Formes en l'air: No. 1
Royal' v detskoy: No. 4. Biaka
Royal' v detskoy: No. 6. Baj
Marche
Royal' v detskoy: No. 1. Farforowoe pastbitschsche
Two Mazurkas, Op. 7 (1912): II. Essoré
Two Mazurkas, Op. 7 (1912): I. Lent, languide
The Voice of the Muse
Formes en l'air: No. 2
Syntheses, Op. 16: I
5 preludes fragiles op. 1: prelude i
5 preludes fragiles op. 1: prelude iii
5 preludes fragiles op. 1: prelude iv
5 preludes fragiles op. 1: prelude v
5 preludes fragiles op. 1: prelude ii
Gigue
Formes En L'Air - No. 3
Royal' v detskoy: No. 5. Buka
Formes En L'Air - No. 2
Formes En L'Air - No. 1
Royal' v detskoy: No. 3. Paj
Royal' v detskoy: No. 2. Trepatschok
Royal' v detskoy: No. 7. Gribnoj doshdik
Toccata
String Quartet No. 2 - Allegro Moderato
Funeral Games in Honor of Chronos
Deux Poemes, Op. 8 (1908): No. 1
Formes en l'aire - à Pablo Picasso (1915) - III
Syntheses (1914): No. 3
Formes en l'air (1915): No. 3
Formes en l'air (1915): No. 1
Syntheses (1914): No. 2
Formes en l'air: No. 3
Syntheses (1914): No. 5
Syntheses (1914): No. 4
Formes en l'air (1915): No. 2
Syntheses (1914): No. 1
Deux Poemes, Op. 8 (1908): No. 2
Two Mazurkas, Op. 7: II. Essore
Formes en l'air for Piano: I
2 Poems for piano, Op. 8: No. 1
Two Compositions for Piano: II. A Phoenix Park Nocturne
Two Mazurkas, Op. 7: I. Lent, languide
Two Compositions for Piano: I. Berceuse de la chevrette
Formes en l'air for Piano: II
Syntheses, Op. 16: IV
Syntheses, Op. 16: II
Two Mazurkas, Op. 7: I. Lent, languide
Two Poems, Op. 8: II
Two Poems for Piano, Op. 8: I
Two Compositions for Piano: I. Berceuse de la chevrette
Syntheses, Op. 16: V
Troisieme Sonatine (1917)
Syntheses: No. 5. Mesure
Formes en l'air "a Pablo Picasso": III.
Syntheses: No. 4. Assez vite, mais toujour mesure
Syntheses: No. 1. Lent
Two Compositions For Piano (1936-38): I. Berceuse de la chevrette
Syntheses: No. 2. Moderement anime
Formes en l'air "a Pablo Picasso": I.
Two Compositions For Piano (1936-38): II. A Phoenix Park Nocturne
Syntheses: No. 3. Vite - Retenu - Anime
Formes en l'air "a Pablo Picasso": II.
Two Compositions For Piano (1936/38): II. A Phoenix Park Nocturne
Grecheskiye pesni na teksti iz
Two Compositions For Piano (1936/38): I. Berceuse De La Chevrette
Cinq Preludes Fragiles Op.1 - I. Lento
Cinq Preludes Fragiles Op.1 - V. Modere
Cinq Preludes Fragiles Op.1 - II. Calme, pas vite
Cinq Preludes Fragiles Op.1 - IV. Affabile
Cinq Preludes Fragiles Op.1 - III. Tendre, pensif
Deux Poemes op. 8 (1908): No 1
Deux Poemes op. 8 (1908): No 2
Formes en l'air (1915): No 1
Syntheses (1914): No 3
«5 хрупких прелюдий» для фортепиано, Оp. 1 № 2
Syntheses (1914): No 5
Syntheses (1914): No 1
Syntheses (1914): No 2
«5 хрупких прелюдий» для фортепиано, Оp. 1 № 4
«5 хрупких прелюдий» для фортепиано, Оp. 1 № 3
«5 хрупких прелюдий» для фортепиано, Оp. 1 № 1
Formes en l'air (1915): No 3
Formes en l'air (1915): No 2
«5 хрупких прелюдий» для фортепиано, Оp. 1 № 5
Syntheses (1914): No 4
Concerto da camera - V. Serenata
The Blackmore of Peter the Great - Ballet No.3: Hymn to Eros
The Blackmore of Peter the Great - Ballet No.1: The Dance of the Nig...
The Blackmore of Peter the Great - Ballet No.2: The Appearance of th...
Concerto da camera - IV. Fantasia
Concerto da camera - I. Entrata
Concerto da camera - VI. Epilogo
Concerto da camera - II. Aria
Concerto da camera - III. Intermezzo
Concerto da Camera for Violin and String Orchestra: VI. Epilogo
The Blackmore of Peter the Great - Introduzione: Lento
The Blackmore of Peter the Great - Les Adieux: Prйlude de Concert
The Blackmore of Peter the Great - Coda
Concerto da camera - VI. Epilogo
Concerto da camera - II. Aria
Masques (Tentations) Op.13 - IV. Dans une mystère profonde et calme
Masques (Tentations) Op.13 - VI. Très lente, calme (Mouvement d'une marche fu...
Quatre Poèmes Op.10 - IV. Ironies
The Blackmore of Peter the Great - Ballet No.4: Amor's Aria
The Blackmore of Peter the Great - Game of Dice: Allegro
The Blackmore of Peter the Great - Dance of the Skomorochs (Harlequins)
Concerto da camera - III. Intermezzo
The Blackmore of Peter the Great - Toccatina
Synthèses Op. 16 - IV. Assez vite, mais toujours mesuré
Estampes Op.2 - II. 'Les parfums, les couleurs et les sons se repondent'
Concerto da Camera - 1. Entrata. Allegro capriccioso, ma non rubato
Suite for String Quartet - 4. Marche funèbre
Suite for String Quartet - 2. Choral
Suite for String Quartet - 1. Prélude
Concerto da Camera - 2. Aria. Lento
Concerto da Camera - 3. Intermezzo. Languido, quasi Adagio
Estampes Op.2 - I. Crepuscule d'un faune
Concerto da Camera - 4. Fantasia. Allegro molto
Suite for String Quartet - 3. Hymne
Cinq Preludes Fragiles, Op. 1: No. 1. Lento
Cinq Preludes Fragiles, Op. 1: No. 4. Affabile
Cinq Preludes Fragiles, Op. 1: No. 2. Calme, pas vite
Cinq Preludes Fragiles, Op. 1: No. 5. Modere
Cinq Preludes Fragiles, Op. 1: No. 3. Tendre, pensif
2 Kolibeln'ya (2 Berceuses): N
Две композиции для фортепиано (1936/38) - II. A Phoenix Park Nocturne
Две поэмы, Оp. 8 № 2 (1908)
Две мазурки, Op. 7 (1912) - I. Lent, Languide
Две композиции для фортепиано (1936/38) - I. Berceuse De La Chevrette
Formes en l'air № 2 (1915)
A Phoenix Park Nocturne
Синтез № 2 (1914)
String Quartet No.3 - I. Prélude
Formes en l'air № 3 (1915)
Синтез № 1 (1914)
Две поэмы, Оp. 8 № 1 (1908)
Синтез № 3 (1914)
Синтез № 4 (1914)
Formes en l'air № 1 (1915)
Две мазурки, Op. 7 (1912) - II. Essoré
Синтез № 5 (1914)
Essoré
Lent, languide
Deux Poemes op. 8 (1908) No 1
Deux Poemes op. 8 (1908) No 2
No. 2
Concerto da Camera for Violin and String Orchestra: VI. Epilogo
Masques (Tentations) Op.13 - VII. Pâmé, avec désire croissant
Synthèses Op. 16 - I. Lent
Greek Songs (Book I): I. Lament of Adonis
Greek Songs (Book 2): III. Erotic fragment
Greek Songs (Book 2): V. Waiting
Syntheses (1914) - No. 1
Cinq Préludes Fragiles Op.1 - II. Calme, pas vite
Synthèses Op. 16 - III. Vite (aigu)
Greek Songs (Book 2): VI. Erotic fragment
Duo for Violin and Viola - IV.
Troisième Sonatine (1917)
String Quartet No. 3 - IV. Marche Funèbre
Greek Songs (Book I): V. From wedding songs
Quatre Poèmes Op.10 - I. Spleen
No. 3
Cinq Préludes Fragiles Op.1 - III. Tendre, pensif
Greek Songs (Book I): II. Erotic fragment
Synthèses Op. 16 - V. Mesuré
Estampes Op.2 - I. Crépuscule d'un faune
No. 4
Greek Songs (Book 2): I. From wedding songs
String Quartet No. 3 - I. Prélude
Estampes Op.2 - II. 'Les parfums, les couleurs et les sons se répondent'
Formes en l'aire - à Pablo Picasso (1915) - I
Cinq Préludes Fragiles Op.1 - I. Lento
Greek Songs (Book I): VI. Payers to Aphrodite
Masques (Tentations) Op.13 - II. Caché, avec une ironie suave
Duo for Violin and Viola - I.
Greek Songs (Book I): IV. Garden of Nymphs
Duo for Violin and Viola - III.
Greek Songs (Book 2): II. From wedding songs
Greek Songs (Book 2): IV. Erotic fragment
Masques (Tentations) Op.13 - III. Avec une grâce fragile
Quatre Poèmes Op.10 - II. Caprices
Greek Songs (Book I): III. Hymnal fragment
Masques (Tentations) Op.13 - I. Nuagé, suave
Cinq Préludes Fragiles Op.1 - V. Móderé
Formes en l'aire - à Pablo Picasso (1915) - II
Masques (Tentations) Op.13 - VI. Tres lente, calme (Mouvement d'une marche funebre)
Duo For Violin And Viola - IV
Masques (Tentations) Op.13 - II. Cache, avec une ironie suave
Duo For Violin And Viola - I
Formes en l'aire - а Pablo Picasso (1915) - III
Duo For Violin And Viola - III
Formes en l'aire - а Pablo Picasso (1915) - I
Duo For Violin And Viola - II
Masques (Tentations) Op.13 - IV. Dans une mystere profonde et calme
Concerto da Camera for Violin and String Orchestra: VI. Epilogo
Formes en l'aire - а Pablo Picasso (1915) - II
Masques (Tentations) Op.13 - V. Etrange, charme
Masques (Tentations) Op.13 - I. Nuage, suave
Masques (Tentations) Op.13 - III. Avec une grace fragile
Duo For Violin And Viola - I
Syntheses, Op. 16: No. 4. Assez vite, mais toujours mesure
Formes en l'aire - а Pablo Picasso (1915) - III
Quatre Poemes Op.10 - I. Spleen
Masques (Tentations), Op. 13: No. 2. Cache, avec une ironie suave
Concerto da Camera - 5. Serenata. Moderato
Syntheses Op. 16 - IV. Assez vite, mais toujours mesure
Quatre Poemes Op.10 - IV. Ironies
Quatre Poemes, Op. 10: No. 1. Spleen
Masques (Tentations), Op. 13: No. 4. Dans une mystere profonde et calme
Masques (Tentations) Op.13 - VII. Pame, avec desire croissant
Quatre Poemes Op.10 - II. Caprices
The Blackmore of Peter the Great, Orchestral suite - Ballet No.2: The Appearance Of The Silver Egg
Formes en l'aire - а Pablo Picasso (1915): No. 3
The Blackmore of Peter the Great, Orchestral suite - Ballet No.1: The Dance Of The Night And The Wind
Duo For Violin And Viola - III
The Blackmore of Peter the Great, Orchestral suite - Ballet No.3: Hymn to Eros
Estampes, Op. 2: No. 2. 'Les parfums, les couleurs et les sons se repondent'
Concerto da Camera: I. Entrata: Allegro capriccioso, ma non rubato
Syntheses, Op. 16: No. 1. Lent
Concerto da Camera: III. Intermezzo: Languido, quasi Adagio
The Blackmore of Peter the Great, Orchestral suite - Coda
Concerto da Camera - 6. Epilogo
Formes en l'aire - а Pablo Picasso (1915): No. 2
Masques (Tentations), Op. 13: No. 6. Tres lente, calme (Mouvement d'une marche funebre)
Masques (Tentations), Op. 13: No. 5. Etrange, charme
Estampes, Op. 2: No. 1. Crepuscule d'un faune
Masques (Tentations), Op. 13: No. 1. Nuage, suave
Masques (Tentations), Op. 13: No. 7. Pame, avec desire croissant
Syntheses Op. 16 - III. Vite (aigu)
Masques (Tentations), Op. 13: No. 3. Avec une grace fragile
Syntheses Op. 16 - V. Mesure
Formes en l'aire - а Pablo Picasso (1915) - I
Quatre Poemes, Op. 10: No. 3. Autoportrait
Duo For Violin And Viola - II
Masques (Tentations) Op.13 - IV. Dans une mystere profonde et calme
The Blackmore of Peter the Great, Orchestral suite - Toccatina
String Quartet No. 3 - III. Hymne
Concerto da Camera for Violin and String Orchestra: VI. Epilogo
String Quartet No. 1 - II. Grave
Syntheses Op. 16 - I. Lent
The Blackmore of Peter the Great, Orchestral suite - Game of Dice: Allegro
Syntheses, Op. 16: No. 2. Moderement anime
Formes en l'aire - а Pablo Picasso (1915) - II
Concerto da Camera: II. Aria: Lento
Syntheses Op. 16 - II. Moderement anime
Masques (Tentations) Op.13 - V. Etrange, charme
Masques (Tentations) Op.13 - I. Nuage, suave
String Quartet No. 1 - I. Tres Lent
Masques (Tentations) Op.13 - III. Avec une grace fragile
The Blackmore of Peter the Great, Orchestral suite - Les Adieux: Prélude de Concert
String Quartet No. 3 - II. Choral
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