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Top Tracks of モートン・フェルドマン

Nature Piece 4

For Bunita Marcus: Mm. 1270-1372

Piano Piece 1952 - Version 2

Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III

Rothko Chapel 5

Palais de Mari

Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet

For Bunita Marcus (1985): page 2

For Bunita Marcus (1985): page 1

For Bunita Marcus (1985): page 3

For Bunita Marcus (1985): page 4

For Bunita Marcus (1985): page 5

Coptic Light

For Bunita Marcus (1985): page 6

Jackson Pollock (1950-51) for two Cellos: V Painting on Glass

Intermission 1

For Bunita Marcus (1985): page 33

Piano and String Quartet

For Bunita Marcus: Mm. 767-991

For Bunita Marcus (1985): page 8

For Bunita Marcus (1985): page 7

Something Wild in the City: Mary Ann's Theme

for Philip Guston: I. Pt. 1

For Bunita Marcus: Mm. 558-766

For Bunita Marcus: Beginning-M. 289

For Bunita Marcus (1985): page 9

Samoa: I. —

Triadic Memories: I

For Bunita Marcus: Mm. 290-557

2 Pianos

Christian Wolff in Cambridge

Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I

For Bunita Marcus (1985): page 16

For Bunita Marcus: Mm. 992-1269

Illusions: I. Very Fast

Piano Piece 1955

For Bunita Marcus (1985): page 18

Illusions: III. Very Fast

Intermission 2

Two Pieces for Clarinet and String Quartet (1961) - No 2 [Version 2]

For Bunita Marcus (1985): page 11

For Bunita Marcus (1985): page 10

For Bunita Marcus (1985): page 19

For Bunita Marcus (1985): page 13

Two Pieces for Clarinet and String Quartet (1961) - No 1 [Version 2]

Triadic Memories: III

Illusions: II. Slow & Tranquil

For Aaron Copland

Intermission 3

Piano Piece (to Philip Guston)

Triadic Memories: IV

For Bunita Marcus: Mm. 1373-End

Piano Trio: Beginning

For Bunita Marcus (1985): page 17

For Bunita Marcus (1985): page 29

For Bunita Marcus (1985): page 32

Patterns in a Chromatic Field: Pp. 1-8

Illusions: IV. Very Fast

For Bunita Marcus (1985): page 15

For Bunita Marcus (1985): page 14

Piano

For Philip Guston: I. —

Jackson Pollock (1950-51) for two Cellos: II Pollock Paints

Intermission 4

For Bunita Marcus (1985): page 12

Intermission 5

Nature Piece 2

Piano Trio: P5 S2 M2 B1

Piano Trio: P9 S1 M9 B1

Piece for Violin and Piano

Triadic Memories: II

For Bunita Marcus (1985): page 35

Extensions III

2 Intermissions: No. 2, —

2 Intermissions: No. 1, —

For Bunita Marcus (1985): page 31

For Bunita Marcus (1985): page 21

Triadic Memories: VII

Samoa: III. —

For Bunita Marcus (1985): page 36

The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A

For Philip Guston: II. —

Two Instruments (1958)

Intermission 5 (1952)

Piano (1977)

Triadic Memories: VI

String Quartet No. 1: I. Pages 1-12

Rothko Chapel

Three Voices: (1)

For Bunita Marcus (1985): page 30

For Bunita Marcus (1985): page 34

For Bunita Marcus (1985): page 20

Variations

Three Pieces for Piano (II)

Nature Piece 3

Nature Piece 1

Three Pieces for Piano (I)

Intermission 6

Projection I (1950)

Three Voices: (3)

Vertical Thoughts I

Durations 2 (1960)

Rohtko Chapel 1

For Bunita Marcus (1985): page 23

Why Patterns?

Patterns In A Chromatic Field

For Bunita Marcus (1985): page 25

Piece For Four Pianos

Durations No. 2 (1)

Chorus & Instruments II

For Bunita Marcus (1985): page 26

Samoa: IV. —

Composition for Cello & Piano: No. 8, —

For Bunita Marcus (1985): page 27

For Bunita Marcus (1985): page 22

For Bunita Marcus (1985): page 28

Two Pianos

Piano, Violin, Viola, Cello (1987): 2

Composition for cello & piano

Palais De Mari (for Francesco Clemente) [1968]

Triadic Memories: Page 38, System 4, Measure 3

Triadic Memories: V

Triadic Memories: Page 25, System 1, Measure 3

Triadic Memories, Pt. 3

String Quartet No. 1: IV. Pages 31-40

String Quartet No. 1: III. Pages 21-31

String Quartet No. 1: II. Pages 12-21

Patterns in a Chromatic Field: Pp. 9-15

For Bunita Marcus: For Bunita Marcus: IV

Piano, Violin, Viola, Cello (1987): 1

Triadic Memories: Pickup Modes No. 21 - Arr. for Guitar

The Sin of Jesus: Cue IV - IV A, very soft

Triadic Memories: Pickup Modes No. 7 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 13 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 22 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 11 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 30 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 35 - Arr. for Guitar

For Bunita Marcus (1985): page 24

Durations 2 (Realization 1)

For Bunita Marcus: I. The Beginning

Jackson Pollock (1950-51) for two Cellos: IV Detail of Paintings

For Philip Guston: IV. —

For Philip Guston: VI. —

Projection 1 - Graphic, Solo, 1950

Extensions 3

Nature Piece 5

For Philip Guston: VIII. —

For Philip Guston: III. —

For Philip Guston: IX. —

Piano Piece 1952

Piano Piece 1956 A

Piano Piece 1956 B

For Philip Guston: VII. —

Last Pieces (I)

For Philip Guston: V. —

Last Pieces (I)

For Philip Guston: V. —

Piano Piece (1952)

Triadic Memories: Page 19, System 4, Measure 1

Triadic Memories: Page 34, System 3, Measure 4

Two Pieces for Clarinet and String Quartet (1961) - No 2

Triadic Memories: Page 30, System 4, Measure 1

Triadic Memories: Page 44, System 1, Measure 1

Clarinet & String Quartet (1983)

Two Pieces for Clarinet and String Quartet (1961) - No 1

Last Pieces (IV)

Projection III (1951)

Intersection I (1951) [First Recording]

Projection V (1951)

Orchestra

The Viola In My Life: I

Feldman: Bass Clarinet and Percussion

Piano Trio: P11 S3 M8 B1

String Quartet No. 1: VII. Pages 56-71

String Quartet No. 1: IX. Pages 86-92

Intermission No. 4 - Arr. for Guitar

Triadic Memories, Pt. 2

String Quartet No. 1: VI. Pages 49-55

Piano Trio: P15 S2 M6 B1

Patterns in a Chromatic Field: Pp. 16-20

Piano Trio: P16 S1 M4 B1

3 Pieces for String Quartet: No. 3, —

Piano Trio: P17 S1 M8 B1

String Quartet No. 1: VIII. Pages 71-86

Triadic Memories: Pickup Modes No. 8 - Arr. for Guitar

Three Voices: (6)

String Quartet No. 1: V. Pages 40-49

3 Pieces for String Quartet: No. 1, —

Two Pieces for Cello and Piano: I. Allegro

For Bunita Marcus: For Bunita Marcus: II

3 Pieces for String Quartet: No. 2, —

Structures

Samoa: II. —

Jackson Pollock: II. Pollock paints

Routine Investigations

A Very Short Trumpet Piece - Arr. for Guitar

Triadic Memories: Pickup Modes No. 17 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 32 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 33 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 1 - Arr. for Guitar

Triadic Memories I

Triadic Memories: Pickup Modes No. 15 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 19 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 26 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 36 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 2 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 34 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 36 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 2 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 31 - Arr. for Guitar

Triadic Memories: Pickup Modes No. 34 - Arr. for Guitar

Jackson Pollock: VI. Painting on glass (second sequence)

Illusions pt. 4

Rothko Chapel 3

Rothko Chapel 2

Rothko Chapel 4

Last Pieces (II)

Samoa: V. —

The Sin of Jesus: Cue V Solo Cello

Why Patterns? (1978)

Piano and Orchestra

Cello Sonatina: I. Allegro

Composition for Cello & Piano: No. 2, —

Sonatina

Voice, Violin And Piano (feat. Joan Labarbara)

Intermission VI (4)

The Sin of Jesus: Cue I - Cue III Ending at A

The Sin of Jesus: Cue VI

The Sin of Jesus: A

Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: V

Patterns in a Chromatic Field: Pages 35-45, Measures 793-864

Patterns in a Chromatic Field: Pages 1-19, Measures 1-387

Patterns in a Chromatic Field: Pages 46-51, Measures 865-1045

Cello Sonatina: II. Larghetto cantabile e tranquillo

For Stockhausen, Cage, Stravinsky and Mary Sprinson

Patterns in a Chromatic Field: Pages 27-34, Measures 559-792

2 Pieces: No. 1, Allegro

Patterns in a Chromatic Field: Pages 52-63, Measures 1046-1166

Patterns in a Chromatic Field: Pages 20-26, Measures 388-588

Piano Piece (to Philip Guston) [1963]

Vertical Thoughts 4 (1963)

2 Pieces: No. 2, Slow

Cello Sonatina: III. Allegro grazioso

Intermission VI (3)

For Philip Guston: X. —

Piano (4 hands)

Three Clarinets, Cello And Piano (1971)

Morton Feldman (1926-1987): Madame Press Died Last Week At Ninety

The King of Denmark

Triadic Memories, Pt. 1

Piano Trio: P44 S1 M1 B1

Piano Trio: P31 S4 M2 B1

Piano Trio: P38 S1 M1 B1

Piano Trio: P41 S1 M1 B1

Piano Trio: P29 S1 M2 B1

Piano Trio: P35 S4 M9 B1

Untitled Film Music: City

For Bunita Marcus: II. Church Bells, 1

In Search of an Orchestration