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Aaron Cassidy is a composer currently based in Huddersfield, England. His music is gaining increasingly widespread exposure, with performances in the United States, Mexico, Austria, the Netherlands, Croatia, England, France, Sweden, Switzerland, Germany, New Zealand, and Australia. His music can be characterized by an uncompromising dedication to instability and fragmentation. The received wisdom...read more

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Top Tracks of Aaron Cassidy

The Crutch of Memory
Second String Quartet
Asphyxia
Metallic Dust
I, purples, spat blood, laugh of beautiful lips
songs only as sad as their listener
A/grammatical study for three (quasi-)independent players [2002/2008]
What then renders these forces visible is a strange smile
String Quartet (2002)
A Way of Making Ghosts (2018-20): Self-portrait, 1996
Because they mark the zone where the force is in the process of striking
The wreck of former boundaries (2016) alto saxophone solo
The wreck of former boundaries (2015) contrabass solo
A republic of spaces (2019)
A Way of Making Ghosts (2018-20): Self-Portrait, Three Times, Standing (15.3.1991-20.3.1991)
The Wreck of Former Boundaries
The wreck of former boundaries (2015) electric lap steel guitar and electronics
A Painter of Figures in Rooms
Being itself a catastrophe, the diagram must not create a catastrophe
Asphyxia: asphyxia
Second String Quartet (2010)
I, for Example...
Memento/Memorial (Version for Musette)
Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion)
And the scream, Bacon's scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion)
Asphyxia (2000)
Three Studies for Figures at the Base of a Crucifixion: I. What Then Renders These Forces Visible Is a Strange Smile
The Wreck of Former Boundaries (Version for Clarinet)
Being Itself a Catastrophe, the Diagram Must Not Create a Carastrophe
string quartet
Three Studies for Figures at the Base of a Crucifixion: Because they mark the zone where the force is in the process of striking
Three Studies for Figures at the Base of a Crucifixion: Being itself a catastrophe, the diagram must not create a catastrophe
I, Purples, Spat Blood, Laugh Of Beautiful Lips (2006)
The Crutch Of Memory (2004)
Metallic Dust (1999)
Songs Only As Sad As Their Listener (2006)
Three Studies - What Then Renders These Forces Visible Is A Strange Smile (2008)
Three Studies - Because They Mark The Zone Where The Force Is In The Process Of Striking (2008)
Three Studies - Being Itself A Catastrophe, The Diagram Must Not Create A Catastrophe (2009)
Aaron Cassidy - Second String Quartet (2010)
the green is either
Three Studies for Figures at the Base of a Crucifixion: III. Being Itself a Catastrophe, the Diagram Must Not Create a Catastrophe
Three Studies for Figures at the Base of a Crucifixion: II. Because They Mark the Zone Where the Force Is in the Process of Striking
Because They Mark the Zone Where the Force Is in the Process of Striking (Live)
What Then Renders These Forces Visible Is a Strange Smile (Live)
Memento/Memorial
Three Studies for Figures at the Base of a Crucifixion: When then renders these forces visible is a strange smile
What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion)
a/grammatical study for three (quasi-)independent players
Ten Monophonic Miniatures (3 first)
"the green is either"
Three Studies For Figures At The Base Of A Crucifixion: What Then Renders These Forces Visible Is A Strange Smile
A Republic Of Spaces
memento memorial
Second String Quartet [2010]
And the scream
Memento/Memorial (Version for Oboe)
THEGREFG síntomas Derrame Cerebral ICTUS en DIRECTO
Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion) excerpt
the misprision of transparency
Ten Monophonic Miniatures for solo pianist
I, for example, ... (2017) for electronics
"the green is or"
String Quartet: excerpt
What then renders these forces visible is a strange smile (2008) for solo trumpet
Self-portrait, 1996 (2020)
Because they mark the zone where the force is in the process of striking (2008) for solo trombone
The wreck of former boundaries: alto saxophone solo
A Way of Making Ghosts: Self-portrait, 1996
The wreck of former boundaries: electric lap steel guitar and electronics
The Crutch of Memory (2004) for solo indeterminate string instrument
A Way of Making Ghosts: Self-Portrait, Three Times, Standing (15.3.1991-20.3.1991)
The wreck of former boundaries: contrabass solo
What then renders these forces visible is a strange smile (or, Second Study for Figures at the Base of a Crucifixion)
Being itself a catastrophe, the diagram must not create a catastrophe (2009) for oboe/musette/English horn and E-flat/B-flat/bass clarinets
I, purples, spat blood, laugh of beautiful lips (2006) for voice (with live, computer-generated pitch material
metallic dust (1999) for amplified bass clarinet
The wreck of former boundaries (version for clarinet in B-flat)
songs only as sad as their listener (2006) for solo trombone
Asphyxia, for Soprano Saxophone (1999)
Self-Portrait, Three Times, Standing (15.3.1991-20.3.1991) (2019)
I purples, spat blood, laugh of beautiful lips
Memento/Memorial (solo musette)
Memento / Memorial: memento/memorial
asphyxia (2000) for solo soprano saxophone
I, for example, ... (2017)
Miniatures
String Quartet No.1 - 2002
What the renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion)
A Painter of Figures in Rooms (2011–12)
Three Studies: Because they mark the zone where the force is in the process of striking
Three Studies: What then renders these forces visible is a strange smile
Three Studies: Being itself a catastrophe, the diagram must not create a catastrophe
Three Studies - Being Its
The wreck of former boundaries (2015) - contrabass solo
A painter of figures in rooms (2012)
Three Studies - Because T
a/grammatical study for three (quasi-)independent players (2002/2008)
A Way Of Making Ghosts: Self-Portrait
A Way Of Making Ghosts: Self-Portrait, Three Times, Standing
A Way Of Making Ghosts. I. Self-portrait, 1996
Memento/Memorial (solo oboe)
"The Green is Or" (2002)
I, purples, spat blood, laugh of beautiful lips (excerpt)
"The Green is Or" (2002)
I, purples, spat blood, laugh of beautiful lips (excerpt)
Ten Monophonic Miniatures ( 2002 - 03, Ian Pace)
Metallic Dust (1999 Carl Rosman)
The Misprision of Transparency (2001)
"The Green is Either" (2002 -03, Ensemble Surplus)
A/Grammatical Study for 3 (Quasi)-Independent Players (2002)
The wreck of former boundaries (complete version)
I, for Example.
Being itself a catastrophe the diagram must not create a catastrophe
The Pleats of Matter
Aaron Cassidy: Second String Q
T O X I N
String Quartet No. 1
String Quartet No. 2
What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Cruxifiction)
Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion)
Three Studies for Figures at the Base of a Crucifixion - What then renders these forces visible is a strange smile
zero panorama
Three Studies for Figures at the Base of a Crucifixion - I. What then renders these forces visible is a strange smile
Ten Monophonic Miniatures
Crutch of Memory
Three Studies for Figures at the Base of a Crucifixion - III. Being itself a catastrophe, the diagram must not create a catastrophe
The Green Is Either - 7insts - 2002-03
Three Studies for Figures at the Base of a Crucifixion - II. Because they mark the zone where the force is in the process of striking
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