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Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): I. Adagio religioso
Rodelinda, Regina dei Longobardi, ACT III, Scene 4: Aria: Se'l mio duol non è si forte (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido)
Rodelinda, Regina dei Longobardi: Overture
Rodelinda, Regina dei Longobardi, ACT I, Scene 1: Recitativo: Regina! (Grimoaldo/Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 6: Aria: Dove sei, amato bene? (Bertarido)
Trost Im Tranen, D120
Rodelinda, Regina dei Longobardi, ACT II, Scene 7: Duetto: Io t'abbraccio (Rodelinda/Bertarido)
Rodelinda, Regina dei Longobardi, ACT I, Scene 9: Recitativo: Unulfo, oh Dio! (Bertarido/Unulfo)
Rodelinda, Regina dei Longobardi, ACT I, Scene 2 & 3: Aria: Io già t'amai, ritrosa (Grimoaldo)
Rodelinda, Regina dei Longobardi, ACT I, Scene 7: Aria e recitativo: Ombre piante, urne funeste! (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 1: Aria: Ho perduto il caro sposa (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 2 & 3: Recitativo: Duca, vedesti mai più bel disprezzo? (Grimoaldo/Garibaldo)
Rodelinda, Regina dei Longobardi, ACT I, Scene 4: Recitativo: E tu dice d'amarmi? (Eduige/Garibaldo)
Rodelinda, Regina dei Longobardi, ACT I, Scene 4: Aria: Lo farò, diro spietato (Eduige)
Rodelinda, Regina dei Longobardi, ACT I, Scene 8: Aria: Morrai, sì, l'empia tua testa (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 6: Sinfonia e recitativo: Pompe vanne di morte! (Bertarido)
Rodelinda, Regina dei Longobardi, ACT I, Scene 9: Aria: Ah, signor, ti confesso (Unulfo)
Golgotha: Première Partie. N°4. La Sainte Cène - Adrian Thom
Jesus
Rodelinda, Regina dei Longobardi, ACT II, Scene 6: Aria: Ritorna, oh caro e dolce mio resoro (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 1: Aria: L'empio rigor del fato (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT I, Scene 6: Recitativo: Ma giunge Unulfo (Bertarido/Unulfo)
Golgotha: Première Partie. N°4. La Sainte Cène
Peterisms, Set II: Lusty Juventus
Peterisms, Set I: Rutterkin
Armide, Act 2, Scene 1: Invincible héros c'est par votre courage
Armide, Act 2, Scene 1: Le repos me fait violence
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Aria: Prigioniera hò l'alma in pena (Grimoaldo)
O Curlew, cry no more in the air
Rodelinda, Regina dei Longobardi, ACT I, Scene 5: Aria: Di Cupido impiego i vanni (Garibaldo)
Rodelinda, Regina dei Longobardi: Menuet
Rodelinda, Regina dei Longobardi, ACT I, Scene 8: Recitativo: Baci inutili e vanni (Garibaldo)
Rodelinda, Regina dei Longobardi, ACT III, Scene 2: Aria: Tra sospetti, affetti, et timori (Grimoaldo)
Schubert: Trost Im Tränen, D 120
Golgotha: Seconde Partie. N°9. Le Calvaire - Adrian Thompson
Schubert: Trost In Tränen, D 120
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Aria: Tirannia gli diede il regno (Garibaldo)
The cloths of Heaven
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Aria: Fra tempeste funeste e quest'alma (Unulfo)
The Beggar's Opera: Scene 13: Aria XVI: "Were I Laid On Greenland's Coast"
Rodelinda, Regina dei Longobardi, ACT III, Scene 8: Aria: Mio caro bene! (Rodelinda)
Rodelinda, Regina dei Longobardi, ACT III, Scene 2: Recitativo: O falso è Bertarido (Garibaldo/Grimoaldo)
I cried when the moon was murmuring to the birds
Pale brows, still hands and dim hair
Rodelinda, Regina dei Longobardi, ACT II, Scene 3: Recitativo: Rodelinda, è pur ver? (Grimoaldo/Rodelinda/Unulfo/Garibaldo)
Rodelinda, Regina dei Longobardi, ACT II, Scene 7: Recitativo: Ah, sì, ecco lo sposo (Rodelinda/Bertarido/Grimoaldo)
Rodelinda, Regina dei Longobardi, ACT II, Scene 1 & 2: Recitativo: Già perdesti, oh signora (Garibaldo/Eduige/Rodelinda)
Rodelinda, Regina dei Longobardi, ACT III, Scene 3: Aria: Chi di voi fù più infedele (Bertarido)
Golgotha: Seconde Partie. N°9. Le Calvaire
The Cloths of Heaven: The cloths of Heaven
Peterisms, Set II: Roister Doister
Trost in Tränen, D. 120
Peterisms, Set II: Roister Doister
Prologue: Bunyan in Prison
The Eternal Gospel, JW III/8: I. And So It Will Pass, as Written in the Scriptures!
Act III Scene 2: The Pilgrim in Prison (Pilgrim)
Rodelinda, Regina dei Longobardi, ACT II, Scene 3: Aria: Spietati, io vi giurai (Rodelinda)
More Than A Song
The Curlew: Pale brows, still hands and dim hair
Serenade Op. 31 - Prologue
The Beggar's Opera: Scene 13: Aria XV: "My Heart Was So Free"
We Shall Stand
Ford Focus 2.5 RS500 Mark 2 Top Gear Review Jeremy Clarkson
Chopcherry
Der Vatermörder D10
Rutterkin
I wander by the edge of this desolate lake
Serenade Op. 31 - Elegy
Serenade Op. 31 - Nucturne
Interlude
Serenade Op. 31 - Dirge
Serenade Op. 31 - Pastoral
Away to Twiver
The bachelor
A Midsummer Night's Dream Op. 64, ACT ONE: Well, go thy way (Oberon/Puck)
I declare
Rodelinda, Regina dei Longobardi, ACT II, Scene 7: Recitativo: Non ti bastò, consorte (Rodelinda/Bertarido)
Menuet
Rodelinda, Regina dei Longobardi, ACT II, Scene 1 & 2: Aria: De' miei scherni per far le vendette
Rodelinda, Regina dei Longobardi, ACT III, Scene 8: Coro: Doppo la notte oscura (tutti senza Bertarido)
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Recitativo: Unulfo, Garibaldo, in questo seno (Grimoaldo/Unulfo/Garibaldo)
Rodelinda, Regina dei Longobardi, ACT III, Scene 1: Aria: Quanto più fiera tempesta freme (Eduige)
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Recitativo: Massime così indegne (Unulfo/Garibaldo)
Rodelinda, Regina dei Longobardi, ACT III, Scene 1: Recitativo: Del german nel periglio (Eduige/Unulfo)
Rodelinda, Regina dei Longobardi, ACT II, Scene 7: Aria: Tuo drudo è mio rivale (Grimoaldo)
Rodelinda, Regina dei Longobardi, ACT III, Scene 1: Aria: Un zeffiro spirò (Unulfo)
Rodelinda, Regina dei Longobardi, ACT III, Scene 4: Recitativo: Non temere, Signore! Germano! (Eduige/Rodelinda)
Les Illuminations, Op. 18: IV. Antique
A Sad Song
Les Illuminations, Op. 18: III. Phrase
Rodelinda, Regina dei Longobardi, ACT II, Scene 5: Aria: Con rauco mormorio (Bertarido/Eduige)
Les Illuminations, Op. 18: VI. Marine
Rodelinda, Regina dei Longobardi, ACT III, Scene 8: Recitativo: Ecco ti innanzi il reo (Unulfo/Eduige/Grimoaldo/Bertarido/Rodelinda)
Sir John In Love, Op. 4: Act I: Orchestral Introduction - What Hoa, What Hoa! (Shallow, Sir Hugh Evans)
Ludlow and Teme - I. When smoke stood up from Ludlow
Ludlow and Teme - II. Far in a western brookland
Ludlow and Teme - III. 'Tis time, I think, by Wenlock town
The Beggar's Opera: Act 2 No 07. Dialogue. Dear Mrs Coaxer, you are welcome (Macheath)
The Beggar's Opera: Act 2 No 05. Dialogue. What a fool is a fond wench! (Macheath)
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): IX. Andante sostenuto assai
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): III. Recitativo
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): V. Andante
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): VI. Allegro un poco agitato
The Beggar's Opera: Act 2 No 05. Dialogue. What a fool is a fond wench! (Macheath)
Der Vatermörder, D. 10
Nachtgesang, D. 119
Don Gayseros I, D. 93 no. 1
Der Geistertanz, D. 15a
Act III Scene 1: I buy the truth! (Pilgrim, Pontius Pilate, Usher, Lord Hate-Good, Envy, Superstiti
Die Betende D102
Trost Im Tranen
Adelaide D95
Lied der Liebe D109
Trost "An Elisa" D97
Lied aus der Ferne D107
A Cottager
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto
Symphony No. 2 In B Flat Major, Op. 52, "Lobgesang" (Hymn Of Praise): VIII. Chorale: Andante Con Mo
The Beggar's Opera, ballad opera- Scene 13. Aria 16- Were I laid on Greenland's Coast [Part 2]
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con mot
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): IX. Andante sostenuto assai
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): II. Allegro moderato maestoso
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): III. Recitativo
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): V. Andante
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): VI. Allegro un poco agitato
Act IV Scene 2: The Lord is my Shepherd (Voice of a Bird, Pilgrim, The 3 Shepherds, Messenger)
Entr'acte —
Act IV Scene 2: The Shepherds of the Delectable Mountains: Who so dwelleth … (First Shepherd, Thi
An Laura, Als Sie Klopstocks Auferstehungslied Sang D115
Don Gayseros III D93 No 3
Verschwunden sind sie Schmerzen auf den Sieg der Deutschen D8
Die Schatten D50
Schubert: Lied Der Liebe, D 109
Serbate, o Dei custodi D35
Andenken D99
Ballade, D. 134
An Laura, als sie Klopstocks Auferstehungslied sang, D. 115
Andenken, D. 99
Trost. An Elisa, D. 97
Lied der Liebe, D. 109
The Beggar's Opera: Act 3 No 36. Dialogue. So, it seems, I am not left to my choice (Macheath/company)
Sehnsucht, D. 123
Die Schatten, D. 50
Trost In Tränen D120
Der Geistertanz D15
Nachtgesang D119
Der Geistertanz D15a
Don Gayseros, D 93 - Nachtens Klang Die Süsse Laute
Andenken (Mathisson), D. 99
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): X. Allegro non troppo
Les illuminations, Op. 18: I. Fanfare
Les illuminations, Op. 18: VII. Interlude
Les illuminations, Op. 18: V. Royaute
Nocturne, Op. 60: VI. She Sleeps On Soft, Last Breaths
Sir John In Love, Op. 4: Act I: Vere Is Dat Knave Rugby? (Dr. Caius)
Nocturne Op. 60 - She sleeps on soft, last breaths
Nocturne Op. 60 - Midnight s bell goes ting, ting.
Les Illuminations Op. 18 - Phrases
Nocturne Op. 60 - On a poet s lips I slept
Nocturne Op. 60 - Encinctured with a twine of leaves
Les Illuminations Op. 18 - Interlude
Les Illuminations Op. 18 - Royaute
Serenade Op. 31 - Hymn
Dialogue - What a fool is a fond wench ! (Macheath)
hNocturne Op. 60 - Wat is more gentle
Verschwunden sind die Schmerzen, canon for 3 male voices ("Auf den Sieg der Deutschen"), D. 88
Nocturne Op. 60 - Below the thunders of the upper deep
Les Illuminations Op. 18 - Marine
Serenade Op. 31 - Sonnet
Les Illuminations Op. 18 - Parade
Nocturne Op. 60 - But than night when on my bed I lay
Serenade Op. 31 - Epilogue
Les Illuminations Op. 18 - Fanfare
Nocturne Op. 60 - When most I wink
Janácek: The Eternal Gospel - 4: All this the angel told me at my vigil
Janácek: The Eternal Gospel - 1: And so it will pass, as written in the scriptures!
Janácek: The Eternal Gospel - 2: See the angel flying, silently soaring
Frech und froh II
Ritter Kurts Brautfahrt
Frech und froh I
Beherzigung
Der Geistertanz I ("Die bretterne Kammer"), song for voice & piano (first version, fragment), D. 15
Les Illuminations, Op.18: Royaute
Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): X. Allegro non troppo
The Eternal Gospel, JW III/8: II. See the Angel Flying, Silently Soaring
Act I: Wilt thou revenge … ? (Pistol)
serbate, o dei custodi (metastasio), 3rd version, d. 35
Act I: Ahem (Anne Page)
The Eternal Gospel, JW III/8: IV. All This the Angel Told Me at My Vigil
Ballade ("Ein Fräulein schaut"), song for voice & piano, D. 134 (Op. posth. 126)
Act I: How now, mine Host of the Garter (Bardolph, Nym, Pistol)
La clemenza di Tito: Tu, infedel, non hai difeso
The frostbound wood
Bethlehem Down
Noct, Op.60: Encinctured With The Twine Of Leaves
Act I: Episode
Act I: How now, what does Master Fenton here? (Page)
On Wenlock Edge - IV. Oh, when I was in love with you
Robert Schumann: Minnespiel Op 101 - Meine Töne still und heiter
On Wenlock Edge - II. From far, from eve and morning
Robert Schumann: Minnespiel Op 101 - Mein schöner Stern!
On Wenlock Edge - III. Is my team ploughing?
Les illuminations, Op. 18: I. Fanfare
Les illuminations, Op. 18: VII. Interlude
Les illuminations, Op. 18: V. Royaute
Nocturne, Op. 60: VI. She Sleeps On Soft, Last Breaths
Sir John In Love, Op. 4: Act I: Vere Is Dat Knave Rugby? (Dr. Caius)
Don Gayseros II, D. 93 no. 2
Les illuminations, song cycle for high voice & strings, Op. 18: Phrase
Serenade, for tenor, horn & strings, Op. 31: 4. Dirge (Anon. 15th Century)
Spanische Liebeslieder, Op.138 - Weh, Wie Zornig Ist Das Madchen
Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet (Keats)
Schubert: Verschwunden Sind Die Schmerzen, D 88
Schubert: Die Betende, D 102
Schubert: Der Geistertanz, D 15A
Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral (Cotton)
Schubert: Andenken #1, D 99
Serenade, for tenor, horn & strings, Op. 31: Prologue
An Laura, als sie Klopstocks Auferstehungslied sang D115 (Matthisson)
Schubert: Trost #1, D 97 - An Elisa
Schubert: Der Vatermörder, D 10
On Wenlock Edge - II. From far, from eve and morning
Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne (Tennyson)
Les illuminations, song cycle for high voice & strings, Op. 18: Marine
Schubert: Don Gayseros, D 93 - Don Gayseros, Don Gayseros
Les illuminations, song cycle for high voice & strings, Op. 18: Fanfare
Robert Schumann: Minnespiel Op 101 - Mein schöner Stern!
Schubert: Adelaide, D 95
Serenade, for tenor, horn & strings, Op. 31: 3. Elegy (Blake)
Les illuminations, song cycle for high voice & strings, Op. 18: Royauté
Schubert: Der Geistertanz, D 15
Schubert: Ein Jugendlicher Maienschwung, D 61
Les illuminations, song cycle for high voice & strings, Op. 18: Interlude
Schubert: Ballade, Op. 126, D 134
Les illuminations, song cycle for high voice & strings, Op. 18: Antique
Serenade, for tenor, horn & strings, Op. 31: 5. Hymn (Jonson)
On Wenlock Edge - III. Is my team ploughing?
Schubert: Lied Aus Der Ferne, D 107
Schubert: Don Gayseros, D 93 - Nachtens Klang Die Süsse Laute
Songs of Zhivago: No. 3. Soul
The Beggar's Opera, ballad opera- Scene 13. Aria 16- Were I laid on Greenland's Coast [Part 1]
Test Podcast
Rodelinda, Regina dei Longobardi, ACT II, Scene 4: Recitativo: Sì, sì, fellon, t'intendo e non m'inganno (Unulfo)
Les illuminations, Op. 18: I. Fanfare
Serenade, Op. 31: II. Pastoral
Rodelinda, Regina dei Longobardi, ACT III, Scene 5: Aria: Pastorello d'un povero armento (Grimaldo)
Rodelinda, Regina dei Longobardi, ACT II, Scene 5: Recitativo: Ah, no; che non m'inganna la voce (Eduige/Bertarido/Unulfo)
The Pilgrim's Progress: Act I, Scene 2. The House Beautiful (Pilgrim, 3 Shining Ones, Interpreter, Chorus)
Serenade, Op. 31: I. Prologue
Les illuminations, Op. 18: II. Villes
Rodelinda, Regina dei Longobardi, ACT III, Scene 5: Recitativo: Fatto inferno è il mio petto (Grimoaldo)
Rodelinda, Regina dei Longobardi, ACT II, Scene 6: Recitativo: Vive il mio sposo? (Rodelinda/Unulfo)
Les illuminations, Op. 18: VII. Interlude
Les illuminations, Op. 18: V. Royaute
Rodelinda, Regina dei Longobardi, ACT III, Scenes 6 & 7: Recitativo: Che miro? (Garibaldo/Grimoaldo/Bertarido/Rodelinda)
Rodelinda, Regina dei Longobardi, ACT III, Scene 8: Recitativo: Sposa, figlio, sorella, amici, oh Dio! (Bertarido)
Rodelinda, Regina dei Longobardi, ACT III, Scene 3: Recitativo: Ma non sò che dal remoto balcon (Bertarido/Unulfo)
Nocturne, Op. 60: VI. She Sleeps On Soft, Last Breaths
Sir John In Love, Op. 4: Act I: Vere Is Dat Knave Rugby? (Dr. Caius)
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