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Akira Rabelais (born March 28, 1966) Los Angeles-based composer and author, was born in the spring on his mothers birthday and grew up on a racehorse ranch in South Texas. Studied at Bennington College and the California Institute of the Arts with Bill Dixon and Tom Erbe. He writes 'Argeïphontes Lyre' and has collaborated with various musicians including Stephan Mathieu, David Sylvian, Harold Bud...read more

ambient experimental contemporary classical minimalism electronic

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Notturno
and the permanence of smoke or stars
Gymnopedie No.1
Pe Loc
Buciumeana
1382 Wyclif Gen. ii. 7 And spiride in to the face of hym an entre of breth of lijf.
Notturno (Loverly)
Aposiopesis
1390 Gower Conf. II. 20 I can noght thanne unethes spelle that I wende altherbest have rad.
then the substanceless blue
Gymnopedie No.3
Berceuse
Gymnopedie No.2
Rythme Bulgare
1559 W. Cuningham Cosmogr. Glasse 125 Within which draw an other Circle, a finger bredth distant.
1440 Promp. Parv. 518/2 Wawyn, or waueryn, yn a myry totyr, oscillo.
1671 Milton Samson 1122 Add thy Spear, a Weavers beam, and seven-times-folded shield.
1483 Caxton Golden Leg. 208 b/2 He put not away the wodenes of his flessh with a sherde or shelle.
Aphorisming, Third
m2s M7s (fragmented)
Gnossienne Troisième
seduced by the silence
where to let our scars fall in love
Aphorisming, First
Première Gnossienne
Cinquième Gnossienne
with the gift of your small breath
Gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer sworn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency.
Premiere Gnossienne
Quatrième Gnossienne
Saraband No. 2
A La Recherche Du Temps Perdu
Cinquieme Gnossienne
M2s Broken & Together
comme un ange enivré d'un soleil radieux
in a cadence of vanishing
Instructi Politic
night dances through heaven's black amnesia
surface of soft steps, violets whisper
3 of 15
and emptiness over eyes
Rhythme Bulgare
as fingers trace around the rim of a colourless sky
1382 Wycliff Gen. ii. 7
4 (Edit III)
a door opens backwards
Troisieme Gnossienne
Pourtant, sous la tutelle invisible d'un ange
Impromptu in second person
IC3
Notturno (loverly remix)
Quatrieme Gnossienne
Chronosynclastic
Retrouve l'ambroisie et le nectar vermeil
Et dans tout ce qu'il boit et dans tout qu'il mange
Catalan Solids
which alters when it alteration finds
Cnámv Cáca - V
(Gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer swrn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency)
Il joue avec le vent, cause avec le nuage
Gymnopadie No. 1
Pleure de le voir gai comme un oiseau des bois
M25 M75 (fragmented)
M25 Broken and Together
Gymnopadie No. 3
Aphorisming First
Sono Jikanni Kakehashiga Umareru
star to every wandring worth's unknown
Saraband No.2
1440 Promp. Parv. 5182 Wawyn, or waueryn, yn a myry totyr, oscillo.
Aphorisming Third
1318663, 1318697, 1318699
Du Côté De Chez Swann - Il Y a Bien Des Années ... Dans Le Silence Du Soir
Within Bending Sickle's Compass Come
if error and upon me proved
577 -dD(1318661)
Hollywood
Milton Samson 1122
Troisiome Gnoissienne
Gymnopadie No. 2
Palinode I
Et l'esprit qui le suit dans son pèlerinage
577-Dd (1318661)
Du Côté De Chez Swann - Les Lieux ... Comme Les Années
(Gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer sworn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency.)
Quatriome Gnossienne
july_10th_2006
1390 Glower Conf. II. 20
À L'ombre Des Jeunes Filles En Fleurs - Car Il Était Celui ... Il Navigue
À L'ombre Des Jeunes Filles En Fleurs - Nos Désirs Vont ... Qui L’avait Réclamé
L'enfant déshérité s'enivre de soleil
(void) 01
(Void) 12
Et s'enivre en chantant du chemin de la Croix
ii
Sarabande No.2
Troisième Gnossienne
Notturno (Lovely Remix)
(void) 04
Le Côté De Guermantes - Mais, Dans Les Autres ... La Princesse De Guermantes
(void) 09
Rhytme Bulgare
(void) 02
1559 W. Cunningham Cosmogr. Glasse 125
(void) 03
Peloc
Gymnopédie No. 1
(void) 10
M2s Broken and Together
Pferdente
Untitled
Le Côté De Guermantes - Mais Ça M’amuse ... Des Goûts Flatteurs Pour Elle
iii
Sodome Et Gomorrhe - C’était Une Femme Charmante ... Menaçant
Le Temps Retrouvé - À Ce Moment Même ... Avec Moi
(Void) 15
Quatrieme Gnossienne - E. Satie (Gnossiennes 1890)
Sodome Et Gomorrhe - Et Ce Mouvement Gracieux ... Me Recevoir
(void) 05
(void) 14
La Fugitive - Parfois, au crépuscule ... sur ce passé
(void) 11
Trisieme Gnossienne
Mas Broken & Together
(void) 07
Gymnopédie No. 2
(void) 08
Saiyan Etude No. 6
iv
Gymnopédie No. 3
La Prisonnière - Ma Jalousie S’apaisait ... Avec Moi
Le Temps Retrouvé - Si Je M’étais Toujours ... Le Temps Perdu
(void) 06
v
1483 Caxton Golden Leg. 208b/2
Sarabande No. 2
(void) 13
7. Et l'Esprit qui le suit dans son pèlerinage
2. L'Enfant déshérité s'enivre de soleil,
1390 Gower Conf. II. 20
Et s'enivre en chantant du chemin de la croix,
L'Enfant déshérité s'enivre de soleil,
Three Minutes of Fifteen Seconds
M2s Broken and Together - B. Bartok (Microcosmos 1926 - 1937)
Insrtucti Politic
6. Et s'enivre en chantant du chemin de la croix,
Berceuse - E. Satie (Enfantillages Pittoreques 1912)
1390 Gower Conf. II. 20 I Can Noght Thanne Unethes Spelle That I Wende Altherbest Have Rad
1318663, 181869, 131869...
M25 M75(fragmented)
1340 Gaw. & Gr. knt 471 Wel by-commes such craft vpon cristmasse
IC 3
Saraband No.2 - E. Satie (3 Sarabandes 1886)
Aposiopesis - V. Carté
1440 Promp. Parv. 518/20
Palinode II
Aphorisming Second
Notturno - B. Bartók
Berceuse - E. Satie
(Gorgeous Curves Lovely Fragments Labyrinthed On Occasions Entwined Charms, A Few Stories At Any Longer Swrn To Gathered From
1318663,1318697,1318699...
1440 Promp. Parv. 518 / 20
Et s'enivre en chantant du chemin de la croix;
1318663,1318692,1318699
A L Recherche du Temps Perdu
Aphorisming,first
Pe loc - B. Bartok (Roumanian Folk Dances 1915)
Première Gnossienne - E. Satie
disjectimembrapoetaeeatelich
1559 W. Cuningham Cosmogr. Glasse 125 Within Which Draw An Other Circle, A Finger Bredth Distant
M2s M7s (Fragmented) [Microcosmos, 1926-1937]
577-dD
Buciumeana - B. Bartok (Roumanian Folk Dances 1915)
1382 Wyclif Gen. ii. 7 and Spiride in the Face of Hym a an Entre of Breth of Lijf
1483 Caxton Golden Leg. 208b / 2
Blue Sky
Aphorisming,third
Buciumeana - B. Bartók
Aphorisming, Second
Notturno (loverly remix) - B. Bartók
1440 Promp. Parv. 518-2
Notturno - B. Bartok (Microcosmos 1926 - 1937)
1559 w. cuningham cosmogr
Aphorisming, first - V. Carté
1440 Promp. Parv. 518/20 Wawyn, or Waueryn, Yn a Myry Totyr, Oscillo.
Aposiopesis - V. Carte (Aposiopesis 1999)
Gymnopedie No.1 - E. Satie
M25 Broken & Together
Gymnopedie No. 1
- Pe loc - B. Bartok -- Eisop
Aphorisming, third - V. Carté
Aphorisming first - V. Carte (Book of Aphorisming 1988)
Gymnopedie No.3 - E. Satie (3 Gymnopedies 1888)
Quatrième Gnossienne - E. Satie
Premiere Gnossienne - E. Satie (Gnossiennes 1889)
1483 Caxton Golden Leg. 208b/2 He Put Not Away the Wodenes of His Flesh With a Shrede or Shelle.
Gymnopedie No.3 - E. Satie
Gymnopedie No.2 - E. Satie
1382 Wyclif Gen. ii. 7 And Spirid
Gymnopedie No. 2
1483 caxton golden leg. 208b_2
Gymnopedie No.1 - E. Satie (3 Gymnopedies 1888)
I
1440 promp. parv. 518_20
1559 W. Cuningham Cosmogr. Glasse 125
Gymnopedie No. 3
m2s M7s (fragmented) - B. Bartok (Microcosmos 1926 - 1937)
Troisieme Gnossienne - E. Satie (Gnossiennes 1890)
Aphorisming third - V. Carte (Book of Aphorisming 1988)
Troisième Gnossienne - E. Satie
Rythme Bulgare - B. Bartók
Gymnopedie No.2 - E. Satie (3 Gymnopedies 1888)
Cinquième Gnossienne - E. Satie
on the little in-betweens
Rythme Bulgare - B. Bartok (Microcosmos 1926 - 1937)
Promp. Parv. 518/20
Caxton Golden Leg. 208b/2
A.M. Station Austin
Notturno (loverly remix) - B. Bartok (Microcosmos 1926 - 1937)
M2s Broken & Together - B. Bartók
Cinquieme Gnossienne - E. Satie (Gnossiennes 1889)
L'Enfant Desherite S'enivre De Soleil,
Toilet and windrell
(gorgeous curves lovely fragme
Notturno - B. Bartok (Microcos
Autumn two thousand six
every tone is the prism(layered remix)
Y Si El Alma Sa Me Cayó Por Qué Ma Sigue Es Esqeleto?
1483 caxton golden leg. 208 b-
(gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer sworn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency)
W. Cuningham Cosmogr. Glasse 125
Et L'Esprit Qui Le Suit Dans Son Pelerinage
À la recherche du temps perdu
Saraband No.2 - E. Satie
2. L'Enfant déshérité s'enivre de soleil
1318663, 1318697, 1318699...
1671 Milton Samson 1122 Add Thy Spear, a Weaveers Beam, and Seven-Times-Folded Shield.
Se tourner et tourner
m2s M7s (fragmented) - B. Bartók
Glower Conf. II.20
Pe loc - B. Bartók
A.M. Station Los Angeles
Troisieme Gnossienne - E. Sati
Wycliff Gen. ii.7
Gymnopedie No.1 - E. Satie (3
1559 W. Cunningham Cosmogr. Gl
Los Angeles
幽霊が正しい言葉かどうかはわかりませんが、それは間違いなくこの世界のものではありません
Gymnopedie No.2 - E. Satie (3
Gorgeous Curves Lovely Fragments
Gymnopedie No.3 - E. Satie (3
Side A
6. Et s'enivre en chantant du chemin de la croix
1483 Caxton Golden Leg. 208 B-2
Gorgeous curves lovely fragments labyrinthed on occasions entwined charms, a few stories at any longer swrn to gathered from a guileless angel and the hilt edges of old hearts, if they do in the guilt of deep despondency
暖かく満足のいく記憶の中で失われました
Cinquieme Gnossienne - E. Sati
Rythme Bulgare - B. Bartok (Mi
Gorgeous curves lovely fragments ...
October 23rd, 2007
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