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Top Tracks of Akira yamamichi

Absolute Threshold Test

Topography I - V (Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field)

Topography I To V

Pomposity

Phenomenized Soundscapes

Renzo Pianoforte

Rhythmic Fission Edit

Drawing

Picked-up

Chronological Phase

Appreciation Of Emptiness

Variations Of Pulse Beats, Infrasound Edit

Magnetic Field + Wire Preparation

Pulse Beat 3

Deep Reverb Edit

Aresic And Old Debt

Interference In Microphony

Variations Of Pulse Beats - Rhythmic Fission Edit

Variations Of Pulse Beats, Subway Soundscape Edit

Pulse Beat 2

Pulse Beat 1

Subway Soundscape Edit

Phenomenized

Feedback Throughout VCF I

Feedback Throughout VCF II

Variations Of Pulse Beats - Infrasound Edit

Variations Of Pulse Beats - Subway Soundscape Edit

Works For Pulse And Percussions - Pulsatile

Variations Of Pulse Beats - Deep Reverb Edit

Variations Of Pulse Beats - Pattern Recognition Model Edit

Works For Pulse And Percussions - Prototype Of Electro-Acoustic Jazz

The Sonance To Be Aware Of Silence - Processed Piano 1

Variations Of Pulse Beats, Rhythmic Fission Edit

Variations Of Pulse Beats, Pattern Recognition Model Edit

Pattern Recognition Model Edit

Infrasound Edit

Untitled

topography I - V

Pulse Beats 2

Pulse Beats 1

Pulse Beats 3

Feedback Throughout Vcf 2

Works For Pulse And Percussions, Prototype Of Electro-Acoustic Jazz

Pulsatile

Variations Of Pulse Beats, Deep Reverb Edit

Works For Pulse And Percussions, Pulsatile

FETISH AUDIO-FELT I

Fetish Audio-Felt 1

Untitiled 3

Feedback Throughout Vcf 1

Prototype of Electro-acoustic Jazz

The Sonance To Be Aware Of Silence, Processed Piano 1

magnetic field+wire preparation

Topography IV: Crystal Frequency

Topography III: Dead Mine

Interference Microphny

Untitiled 1

Untitiled 2

processed pianoⅰ

works for pulse and percussions 6. prototype of electro-acoustic jazz

Untitled 1

Untitled 3

Topography I: Sand Dust

Topography II: Limestone Cave

Topography V: Magnetic Field

Processed Piano 1

2 subway soundscape edit

5 deep reverb edit

Topography I-V: Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field

Topography I - V V (Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field)

4 pattern recognition model edit

3 rhythmic fission edit

the sonance to be aware of silence 8 processed piano 1

OPPRECIATION OF EMPTINESS

Topography I - V (Sand Dust/Limestone Cave/Dead Mine/Crystal Frequency/Magnetic Field)

Untitled 2

Topography I — V (Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field)

Prototypt Of Electro-Acoustic Jazz

Topography I-V (Sand Dust · Limestone Cave · Dead Mine · Crystal Frequency · Magnetic Field)

Topography I To V [Sand Dust Limestone Cave Dead Mine Crystal Frequency Magnetic Field]

15

variations of pulse beats 1 infrasound edit

Topography I-V (Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field)

Processed Piano Ⅰ

Topography I — V (Sand Dust Limestone Cave Dead Mine Crystal Frequency Magnetic Field)

Intereference In Microphony

[untitled]

Rhymic Fission Edit

7 Pulsatile

Processed Piano

Untitled II

Interference

Renzo Pianof

Untitled III

Appreciation

Untitled I

Fetish Audio

Chronologica

Topography I To V [Sand Dust / Limestone Cave / Dead Mine / Crystal Frequency / Magnetic Field]

Topography I to V (sand dust limestone cave dead mine crystal frequency magnetic field)

Fetish Audio Felt I

Interference In Microphany

The Sonance To Be Aware Of Silence - Processed Piano

Fetish Audio-felt

Pulse Beats (Part 3)

Topography I To V (Sand Dust Limestone Cave Dead Mine Crystal Frequency Magnetic Field)