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Alfonso Ferrabosco (Alfonso Ferrabosco (I); his son, Alfonso Ferrabosco the younger was also a composer) (baptised 18th January 1543 – 12th August 1588) was an Italian composer. While mostly famous as the solitary Italian madrigalist working in England, and the one mainly responsible for the growth of the madrigal there, he also composed much sacred music. He also may have been a spy for Elizabe...read more

Classical baroque renaissance early music composer

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Top Tracks of Alfonso Ferrabosco

Fantasia à 4 for 4 Viols, Lute

Peccantem me quotidie, Ch. 52

The First Tuning: II. Coranto

The First Tuning: I. Almaine

The Third Tuning: IV. Coranto

The First Tuning: III. Coranto

The Third Tuning: I. Almaine

The Third Tuning: II. Galliard

The Third Tuning: III. Coranto

Lute Fantasia No. 5

In Nomine à 5 III

So Beauty on the Waters Stood

The Spanish Pavan

Lessons for 1, 2 & 3 Viols: Prelude 2 (Page 34)

Lessons for 1, 2 & 3 Viols: Galliard – Coranto II (Page 25)

Lessons for 1, 2 & 3 Viols: Almaine – Coranto II* (Page 31) - Radio Edit

Lute Fantasia, No. 5

Lessons for 1, 2 & 3 Viols: Galliard – Coranto IV (Page 11) - Radio Edit

A Pavin (De la musique a jouer)

Dovehouse Pavan

So, So, Leave Off This Last Lamenting Kiss

Four Note Pavan

In nomine I ( instrumental)

Lessons for the Lyra-Viol

UT, RE, MI, FA, SOL, LA - Fantasía a tres

01-Dolci ire (madrigal a 5) C 140

Pavan and Fantasie for lute

Ferrabosco, Pavin For Three Lyra Viols

Four-Note Pavan

Questi ch'indizio fan del mio tormento

Why stays the bridegroom

Interdette speranze, a 6

Dolci ire C140 ( à 5 voix)

Auprès de vous C81 ( à 5 voix)

So, so breake off this last lamenting kisse

Lute fantasia no 5

In nomine No 6 & Fantasia nr.6, [Hesperion XXI, Jordi Savall]

I saw my Lady weeping

03-In nomine I (instr.)

02-Aupres de vous (chanson a 5) C 81

The Spanish Paven

Peccantem me quotidie C52 ( à 5 voix)

Quoniam tu, Domine

Four-note pavan & Fantasia nr.2, [Hesperion XXI, Jordi Savall]

Hexachord fantasy (Part 2)

Fantasy for 4 Viols in F Major

III. Tertia pars. Qui fundasti terram ( à 5 voix)

II. Secunda pars. Extendens caelum ( à 4 voix)

I. Prima pars. Benedic anima mea ( à 5 voix)

IV. Quarta pars. Qui emittis fontes ( à 5 voix)

VIII. Octava pars. Quam magnificata sunt ( à 3 voix)

Lessons for Lyra-Viol: Lesson 8 - Coranto

Dovehouse pavan & Almaine, [Hesperion XXI, Jordi Savall]

Fantasia nr.6, 1, 10 & 3, [Hesperion XXI, Jordi Savall]

Interdette speranze

04-Peccantem me quotidie (motet a 5) C 52

The Nightingale so pleasant and so gay

Thirsis enjoyed the graces

Hexachord fantasy (Part 1)

V. Quinta pars. Rigans montes ( à 4 voix)

In Nomine I (Instr.)

VI. Sexta pars. Saturabuntur ligna campi ( à 5 voix)

VII. Septima pars. Posuisti tenebras ( à 5 voix)

Lessons for Lyra-Viol: Lesson 17 - Coranto

Da Pacem, Domine

In Nomine a 5 (VdGS no.2)

Fantasia 'Di sei bassi,’ NYp, Drexel 4302, p.255, no. 45

Ultimi Miei Sospiri

Lessons for Lyra-Viol: Lesson 19 - Galliard

- The Spanish Pavan -- English Lute Duets (1987) -- A110-ODETTE-LUTEDUET-CN-YT

Ut re mi fa sol la

Sound out My Voice. Sobre Palestrina

X. Decima pars. Emittes spiritum tuum ( à 5 voix)

IX. Nona pars. Draco iste ( à 5 voix)

Lessons for Lyra-Viol: Lesson 9 - Coranto

Fantasia in G Final

Fantasie a 6 Bassi

Fantasia nr.24, 5, 7 & 9, [Hesperion XXI, Jordi Savall]

Lessons for 1, 2 & 3 Viols: Prelude 1 (Page 34)

Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17)

Lessons for Lyra-Viol: Lesson 17 - Allmaine

Ferrabosco: The nightingale so pleasant and so gay

06-Secunda pars. Extendens caelum (4 voix)

IV. Quarta pars. Qui emittis fontes ( а 5 voix)

05-Psalmus CIII - Benedic anima mea C 8-18. Prima pars. Benedic anima mea (5 voix)

Dovehouse Pavan (II)

In Nomine No 1 (I)

Hexachord Fantasy No 1 (II)

Solo e pensoso (I)

Fuerunt mihi lachrime (I)

V. Quinta pars. Rigans montes ( а 4 voix)

II. Secunda pars. Extendens caelum ( а 4 voix)

Domine, non secundum peccata nostra C32 ( à 6 voix)

Ad Dominum cum tribularer

Ut re mi fa sol la à trois violes

Exaudi Domine orationem meam

Fantasy No 3 (II)

Fantasy No 14 (II)

Pavan in C (II)

Fantasy No 16 (II)

Lessons for Lyra-Viol: Lesson 19 - Coranto

Hexachord Fantasy No 2 (II)

Di sei bassi (I)

In Nomine No 2 (I)

Fantasy No 8 (II)

Fantasy No 6 (II)

Three almains in C (II)

Peccantem me quotidie C52 ( а 5 voix)

I. Prima pars. Benedic anima mea ( а 5 voix)

Auprиs de vous C81 ( а 5 voix)

Quel sempre acerbo C177 ( à 6 voix)

Bruna sei tu, ma bella C122 ( à 5 voix)

XI. Undecima pars. Cantabo domino ( à 6 voix)

A Canzonetta (Composer: Alfonso Ferrabosco)

Pavin (Composer: Alfonso Ferrabosco)

Fantasia (Composer: Alfonso Ferrabosco)

Tell me, o love

Four note pavan & Fantasia nr.2, [Hesperion XXI, Jordi Savall]

II. Four-Part Fancyes: Fantasia (No. 8)

II. Four-Part Fancyes: Fantasia (No. 14)

IV. Four-Part Fancyes: Fantasia (No. 9)

IV. Four-Part Fancyes: Fantasia (No. 5)

Lessons for 1, 2 & 3 Viols: Almaine – Coranto III (Page 1)

VII. Six-Part Consorts: In Nomine A 6

V. Five- & Six-Part Consorts: Four-Note Pavan

IV. Four-Part Fancyes: Fantasia (No. 24)

II. Four-Part Fancyes: Fantasia (No. 2)

I. Five-Part Dances: Dovehouse Pavan

Peccantem me quotidie

III. Five- & Six- Part Consorts: In Nomine A 5

IV. Four-Part Fancyes: Fantasia (No. 7)

II. Four-Part Fancyes: Fantasia (No. 4)

V. Five- & Six-Part Consorts: Fantasia (No. 2) A 6

I. Five-Part Dances: Almaine

III. Five- & Six- Part Consorts: Fantasia (No. 3) A 6

VI. Four-Part Fancyes: Fantasia (No. 3)

V. Five- & Six-Part Consorts: Fantasia (No. 2) A 6

I. Five-Part Dances: Almaine

III. Five- & Six- Part Consorts: Fantasia (No. 3) A 6

VI. Four-Part Fancyes: Fantasia (No. 10)

Prelude: In nomine

Lessons for 1, 2 & 3 Viols: Almaine – Coranto IV (Page 3)

Lessons for 1, 2 & 3 Viols: Almaine – Coranto II* (Page 31)

Lessons for 1, 2 & 3 Viols: Almaine – Coranto V (Page 12)

Lessons for 1, 2 & 3 Viols: Pavan – Coranto (Page 14)

Lessons for 1, 2 & 3 Viols: Prelude 3 (Page 35)

Lessons for 1, 2 & 3 Viols: Galliard – Coranto III (Page 2)

Lessons for 1, 2 & 3 Viols: Galliard – Coranto IV (Page 11)

Lessons for 1, 2 & 3 Viols: Galliard – Coranto II* (Page 30)

VII. Six-Part Consorts: Fantasia (No. 6) A 6

Pavan and Alman a 5

Domine, non secundum peccata nostra C32 ( а 6 voix)

Lessons for Lyra-Viol: Lesson 9 - Galliard

Four Notes Pavan

Varietie of Lute Lessons, 1610: Fantasia No. 5. Composed by the most artificiall and famous Alfonso Ferrabosco of Bologna

X. Decima pars. Emittes spiritum tuum ( а 5 voix)

VI. Sexta pars. Saturabuntur ligna campi ( а 5 voix)

XI. Undecima pars. Cantabo domino ( а 6 voix)

Susanne un jour (I)

Fantasy No 2 (II)

In Nomine thro all parts (II)

In Nomine No 2 (II)

Bruna sei tu, ma bella C122 ( а 5 voix)

Lessons for Lyra-Viol: Lesson 8 - Pavin

III. Tertia pars. Qui fundasti terram ( а 5 voix)

Dolci ire C140 ( а 5 voix)

VIII. Octava pars. Quam magnificata sunt ( а 3 voix)

IX. Nona pars. Draco iste ( а 5 voix)

VII. Septima pars. Posuisti tenebras ( а 5 voix)

07-Tertia pars. Qui fundasti terram (5 voix)

Peccantem Me Quotidie (Motette À 5)

-IV. Quarta Pars. Qui Emittis Fontes

Psalmus Ciii: Benedic Anima Mea -I. Prima Pars. Benedic Anima Me

-III. Tertia Pars. Qui Fundasti Terram

-II. Secunda Pars. Extendens Caelum

Quinta pars. Rigans montes (4 voix)

Septima pars. Posuisti tenebras (5 voix)

Sexta pars. Saturabuntur ligna campi (5 voix)

Octava pars. Quam magnificata sunt (3 voix)

Decima pars. Emittes spiritum tuum (5 voix)

Psalmus CIII - Benedic anima mea C 8-18. Prima pars. Benedic anima mea (5 voix)

Quarta pars. Qui emittis fontes (5 voix)

Secunda pars. Extendens caelum (4 voix)

Tertia pars. Qui fundasti terram (5 voix)

Tertia pars. Qui fundasti terram (5 voix)

Four-Part Fancyes : Fantasia N°10

I. Five-Part Dances: Almaine (Ferrabosco)

V. Five- & Six-Part Consorts: Four-Note Pavan (Ferrabosco)

III. Five- & Six- Part Consorts: In Nomine A 5 (Ferrabosco)

-VII. Septima Pars. Posuisti Tenebras

I. Five-Part Dances: Dovehouse Pavan (Ferrabosco)

Auprès De Vous (Chanson À 5)

-VI. Sexta Pars. Saturabuntur Ligna Campi

-V. Quinta Pars. Rigans Montes

IV. Quarta pars. Qui emittis f

VII. Septima pars. Posuisti te

Alfonso Ferrabosco the Elder (1543-1588) - Fantasia 'Di Sei Bassi’ from the Sambrook Manuscript, New York. NYp, Drexel 4302, p.255, no.45 (ca.1613-19)

A Pavin (De la musique à jouer)

III 5 & 6-Part Consorts_In Nomine A 5

Fantaisie n. 24

IV 4-Part Fancyes_Fantasia No.24

Fantasy "Vias Tuas": 2nd Movement

De Lamentatione Jeremiae Prophetae for 5 voices

Nuntium vobis fero de supernis

17-Domine, non secundum peccata nostra (motet a 6) C 32

Five-Part Dances : Almaine

Five-Part Dances : Dovehouse Pavan

Fantasia [no.14]

Fantasia [no. 4]

1St Tuning - Almaine

Fantasia [no. 2]

Fantasia [no. 8]

Susanne un jour

Four-Part Fancyes : Fantasia N°4

Four-Part Fancyes : Fantasia N° 14

Four-Part Fancyes : Fantasia N°2

Like Hermit poore (Emma-Lisa Roux, voice and lute)

Have You Seen but a White Lily Grow? (Arr. for Voice & Piano by Peter Warlock)

Varietie of Lute Lessons, 1610: Pavin No. 6

Five & Six-Part Consorts : In Nomine A 5

Decantabat populus Israel, a 6

Fantasia [no. 9]

Fantasia [no. 24]

Fantasia [no. 5]

Fantasia [no. 3] a 6

Fantasia [no. 7]

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