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Bereden Väg För Herran
Stille Nacht (Silent Night)
Greensleeves
The peacefull westerne winde
Can shee excuse my wrongs
Faine would I wed
Farewell unkind farewell
Faire, sweet, cruell
Like as the Lute
The lowest trees have tops
Quelle est cet odeur agreable?
Rest sweet Nimphs
My love hath vow'd
In Darknesse Let Mee Dwell
Harke all your ladies
Deare, if you change
Part I: Sinfonia
Bereden Vag for Herran
Am Strande (On The Bank)
Bereden vag for herran (Prepare a Way for the Lord)
Liebster Herr Jesu, wo bleibst du so lange, BWV 484 - Bist du bei mir, BWV 508 (attrib. to G.H. Stolzel): II. Bist du bei mir, BWV 508
3 Lieder, Op. 12: Liebst du um Schonheit (If You Love for Beauty's Sake), Op. 12, No. 4
6 Lieder Aus Jucunde, Op. 23: Geheimes Flustern Hier Und Dort (Mysterious Whispering Here And There), Op. 23, No. 3
3 Lieder, Op. 12: Er ist gekommen in Sturm und Regen (He came in Storm and Rain), Op. 12, No. 2
Harke all you ladies
Faire if you expect admiring
His golden locks
Two Songs from Hösthorn, Op. 13 (1938): I. En höstens kväll (An Autumn´s Evening)
Lorelei
Die Gute Nacht: Die Gute Nacht, Die Ich Dir Sage(When I Say Goodnight)
Monteverdi: Il Ritorno D'Ulisse In Patria - Act 1: Fermino I Sibili
Monteverdi: Il Ritorno D'Ulisse In Patria - Act 2: Vanne pur tu veloce
Monteverdi: Il Ritorno D'Ulisse In Patria - Act 5: Ogni Vostra Ragion
Am Strande
Sie liebten sich beide
Beim Abschied
Italien, H-U 157
Anon: Bereden väg för herran
Messiah, HWV 56: Part II: And with His stripes we are healed (Chorus)
Acte I - Scene 9 - Vitige -- Che bel contento sarette aurore
Bereden väg för Herran (Prepare the Way for the Lord), hymn
Crucifixus
Sie Liebten Sich Beide (They Both Loved Each Other), Op. 13, No. 2
Beim Abschied: Beim Abschied(On Parting)
3 Lieder, Op. 12: Warum willst du and' re fragen (Why must you ask others), Op. 12, No. 11
Quelle Est Cette Odeur Agreable? (Whence Is That Goodly Fragrance Flowing?)
Liebster Herr Jesu, wo bleibst du so lange, BWV 484 - Bist du bei mir, BWV 508 (attrib. to G.H. Stolzel): I. Liebster Herr Jesu, BWV 484
Messiah, HWV 56: Part I: Recitative: Thus saith the Lord (Bass)
Messiah, HWV 56: Part II: Aria: Thou art gone up high (Bass)
Messiah, HWV 56: Part II: Behold the Lamb of God (Chorus)
Messiah, HWV 56: Part II: Let us break their bonds asunder (Chorus)
Messiah, HWV 56: Part I: Aria: The people that walked in darkness have seen a great light (Bass)
Die Mainacht
Die gute Nacht, die ich dir sage
Liebst du um Schönheit
Ansturm
Warum sind denn die Rosen so blaß
Waldseligkeit
Lobgesang
Licht in der Nacht
Italien
Warum willst du and're fragen
Erntelied
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Interlude
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Villes
Bergeslust
Der Erkennende
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Fanfare
Dämmrung senkte sich von oben
Laue Sommernacht
Quelle Est Cette Odeur Agreable? (Whence Is That Goodly Fragrance Flowing?)
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Phrase
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Marine
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Parade
Ich wandle unter Blumen
O Lust, o Lust
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Départ
Britten: Les Illuminations pour soprano et orchestre à cordes (Poésies par Arthur Rimbaud): Antique
Verlust
Er ist gekommen in Sturm und Regen
Musicke of Sundrie Kindes: Faire, Sweet, Cruell (Fair, Sweet, Cruel)
Clara Schumann - Am Strande
In Darkness let me Dwell
Liebster Herr Jesu, wo bleibst du so lange, BWV 484 - Bist du bei mir, BWV 508 (attrib. to G.H. Stolzel): I. Liebster Herr Jesu, BWV 484
French Christmas Carol: Quelle est cet odeur agréable?
Messiah, HWV 56: Part I: Recitative: Thus saith the Lord (Bass)
Singe, Seele, Gott zum Preise (German Aria No.5), hymn, for soprano & continuo, HWV 206
Künft' ger Zeiten eitler Kummer (German Aria No.1), hymn for soprano & continuo, HWV 202
Italien (Italy): Italien
Messiah, HWV 56: Part II: Aria: Thou art gone up high (Bass)
Süsse Stille, sanfte Quelle (German Aria No.4), hymn for soprano & continuo, HWV 205
Like As The Lute: Like As The Lute Delights
Messiah, HWV 56: Part II: Behold the Lamb of God (Chorus)
Acis and Galatea, oratorio, HWV 49: (Hush, ye pretty warbling quire)
Flammende Rose, zierde der Erden (German Aria No.9), hymn for soprano & continuo, HWV 210
Süsser Blumen Ambraflocken (German Aria No.3), hymn for soprano & continuo, HWV 204
Messiah, HWV 56: Part II: Let us break their bonds asunder (Chorus)
Das zitternde Glänzen (German Aria No.2), hymn, for soprano & continuo, HWV 203
Pensieri notturni di filli (Nel dolce dell'oblio), cantata for soprano, recorder & continuo, HWV 134
Die ihr aus dunkeln Grüften (German Aria No.7), hymn for soprano & continuo, HWV 208
In den angenehmen Büschen (German Aria No.8), hymn for soprano & continuo, HWV 209
Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207
Lau Sommernacht(Warm Summer Night)
Messiah, HWV 56: Part I: Aria: The people that walked in darkness have seen a great light (Bass)
Messiah, HWV 56: Part I: Aria: The people that walked in darkness have seen a great light (Bass)
Ah, chi mi dice mai - Donna Elvira
John Dowland / His golden locks
John Dowland / In darkness let mee dwell
6 Lieder, Op. 1: Warum sind denn die Rosen so blass (Why are the Roses so pale), Op. 1, No. 3
12 Seguidillas: No. 7. Si dices que mis ojos
Die gute Nacht, die ich dir sage (When I Say Goodnight)
9 German Arias, HWV 202-210: Die ihr aus dunkeln Gruften, HWV 208
12 Seguidillas: No. 5. Como ha de resolverse
Hanflings Liebeswerbung, Op. 20, No. 3, D. 552
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 1. Mignon's Lied
9 German Arias, HWV 202-210: Kunft ger Zeiten eitler Kummer, HWV 202
12 Seguidillas: No. 3. Acuerdate, bien mio
12 Seguidillas: No. 2. De amor en las prisiones
9 German Arias, HWV 202-210: Susser Blumen Ambraflicken, HWV 204
12 Seguidillas: No. 11. Las mujeres y cuerdas
Der Erkennende (He who recognizes)
6 Lieder, Op. 9: Die Mainacht (May Night), Op. 9, No. 6
4 Lieder: Waldseligkeit (Forest Bliss)
12 Seguidillas: No. 12. Mis descuidados ojos
En hostens kvall (An Autumn's Evening), Op. 13b: I. En hostens kvall (An Autumn´s Evening)
5 Gesange (text by R. Dehmel): Lobgesang (Song of Praise)
9 German Arias, HWV 202-210: Das zitternde Glanzen der spielenden Wasser, HWV 203
5 Lieder, Op. 10 (text by J. von Eichendorff): Bergelust (Longing for the Mountains), Op. 10, No. 5
9 German Arias, HWV 202-210: Singe Seele, Gott zum Preise, HWV 206
6 Lieder, Op. 9 (text by F.G. Klopstock): Die fruhen Graber (The Early Graves), Op. 9, No. 4
4 Lieder: Licht in der Nacht (Light in the night)
Beim Abschied (On Parting)
4 Lieder: Ansturm (Onslaught)
5 Lieder, Op. 10 (text by N. Lenau): Vorwurf (Reproach), Op. 10, No. 2
5 Lieder, Op. 10 (Anonymous lyricist): Nach Suden (To the South), Op. 10, No. 1
Dammrung senkte sich von oben (Dusk Sinks From Above)
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 4. Getrennte Liebe
Abschied, Op. 89: No. 3. —
4 Lieder: Erntelied (Harvest Song)
Die Zeit, Op. 13, No. 5, J. 97
12 Seguidillas: No. 9. El que quisiera amando
Italien (Text: Franz Grillparzer)
12 Seguidillas: No. 1. Cesa de atormentarme
En hostens kvall (An Autumn's Evening), Op. 13b: II. Om till din badd (If To Your Bed)
Abschied, Op. 89: No. 1. —
12 Seguidillas: No. 4. Preparame la tumba
Acis and Galatea, HWV 49b: Recitative and Aria
Ich hatte viel Bekummernis, BWV 21: Aria: Seufzen, Tranen, Kummer, Not
9 German Arias, HWV 202-210: Flammende Rose, Zierde der Erden, HWV 210
12 Seguidillas: No. 6. Muchacha, y los verguenza
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 6. Lied beim Rundtanz
9 German Arias, HWV 202-210: In den angenehmen Buschen, HWV 209
Fichtenbaum und Palme (Fir Tree and Palm)
Ich wandle unter Blumen (I wander among the flowers)
9 German Arias, HWV 202-210: Susser Stille, sanfte Quelle, HWV 205
9 German Arias, HWV 202-210: Meine Seele hort im Sehen, HWV 207
Mass in B Minor, BWV 232: Confiteor
Mass in B Minor, BWV 232: Agnus Dei
5 Lieder, Op. 10 (Anonymous lyricist): Nach Suden (To the South), Op. 10, No. 1
Mass in B Minor, BWV 232: Qui sedes ad dextram Patris
Mass in B Minor, BWV 232: Et in Spiritum sanctum Dominum
Dammrung senkte sich von oben (Dusk Sinks From Above)
Jubilate: Fornimmer at Herren…
Mass in B Minor, BWV 232: Credo: Et resurrexit tertia die (Chorus)
Mass in B Minor, BWV 232: Domine Deus
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 4. Getrennte Liebe
Mass in B Minor, BWV 232: Credo in unum Deum
Abschied, Op. 89: No. 3. —
4 Lieder: Erntelied (Harvest Song)
Mass in B Minor, BWV 232: Et incarnatus est
Mass in B Minor, BWV 232: Gloria: Quoniam tu solus Sanctus (Bass)
Mass in B Minor, BWV 232: Benedictus (Tenor)
Mass in B Minor, BWV 232: Agnus Dei (Alto)
Mass in B Minor, BWV 232: Benedictus
Jubilate: Ara vare Fadrenom
Mass in B Minor, BWV 232: Crucifixus
Mass in B Minor, BWV 232: Dona nobis pacem
Mass in B Minor, BWV 232: Credo: Et expecto resurrectionem (Chorus)
Mass in B Minor, BWV 232: Dona nobis pacem (Chorus)
Jubilate: Gar in i hans portar
Mass in B Minor, BWV 232: Credo: Et in unum Dominum (Soprano I and Alto)
Jubilate: Frogdens Herranom
Mass in B Minor, BWV 232: Cum Sancto Spiritu
Mass in B Minor, BWV 232: Gloria: Qui tollis peccata mundi (Chorus)
Die Zeit, Op. 13, No. 5, J. 97
12 Seguidillas: No. 9. El que quisiera amando
Italien (Text: Franz Grillparzer)
12 Seguidillas: No. 1. Cesa de atormentarme
En hostens kvall (An Autumn's Evening), Op. 13b: II. Om till din badd (If To Your Bed)
Abschied, Op. 89: No. 1. —
12 Seguidillas: No. 4. Preparame la tumba
Acis and Galatea, HWV 49b: Recitative and Aria
Ich hatte viel Bekummernis, BWV 21: Aria: Seufzen, Tranen, Kummer, Not
Mass in B Minor, BWV 232: Credo: Credo in unum Deum (Chorus)
9 German Arias, HWV 202-210: Flammende Rose, Zierde der Erden, HWV 210
12 Seguidillas: No. 6. Muchacha, y los verguenza
Mass in B Minor, BWV 232: Laudamus te
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 6. Lied beim Rundtanz
Mass in B Minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus)
Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma (Chorus)
9 German Arias, HWV 202-210: In den angenehmen Buschen, HWV 209
Fichtenbaum und Palme (Fir Tree and Palm)
Ich wandle unter Blumen (I wander among the flowers)
9 German Arias, HWV 202-210: Susser Stille, sanfte Quelle, HWV 205
Loreley: Lorelei
Mass in B Minor, BWV 232: Gloria: Gratias agimus tibi (Chorus)
9 German Arias, HWV 202-210: Meine Seele hort im Sehen, HWV 207
Mass in B Minor, BWV 232: Credo: Et incarnatus est (Chorus)
Songe No. 48. Sullivan och Vallivan (Sullivan and Vallivan)
Mass in B Minor, BWV 232: Credo: Et expecto resurrectionem (Chorus)
Mass in B Minor, BWV 232: Dona nobis pacem (Chorus)
Jubilate: Gar in i hans portar
Songe No. 1. Den lyssnande Maria
Messiah, HWV 56: Part II: He trusted in God that He would deliver Him (Chorus)
Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus)
Messiah, HWV 56: Part II: Their sound is gone out into all lands (Chorus)
Mass in B Minor, BWV 232: Credo: Et in unum Dominum (Soprano I and Alto)
Jubilate: Frogdens Herranom
Mass in B Minor, BWV 232: Cum Sancto Spiritu
Mass in B Minor, BWV 232: Gloria: Qui tollis peccata mundi (Chorus)
Die Zeit, Op. 13, No. 5, J. 97
Messiah, HWV 56: Part II: Recitative: Thy rebuke hath broken His heart (Tenor)
Messiah, HWV 56: Part III: Aria: The trumpet shall sound (Bass)
12 Seguidillas: No. 9. El que quisiera amando
Italien (Text: Franz Grillparzer)
Messiah, HWV 56: Part I: Recitative: Then shall the eyes of the blind be opened (Alto)
Mass in B Minor, BWV 232: Sanctus (Chorus)
12 Seguidillas: No. 1. Cesa de atormentarme
En hostens kvall (An Autumn's Evening), Op. 13b: II. Om till din badd (If To Your Bed)
Abschied, Op. 89: No. 1. —
12 Seguidillas: No. 4. Preparame la tumba
Acis and Galatea, HWV 49b: Recitative and Aria
Ich hatte viel Bekummernis, BWV 21: Aria: Seufzen, Tranen, Kummer, Not
Messiah, HWV 56: Part II: Aria: Thou shalt break them with a rod of iron (Tenor)
Mass in B Minor, BWV 232: Credo: Credo in unum Deum (Chorus)
9 German Arias, HWV 202-210: Flammende Rose, Zierde der Erden, HWV 210
Messiah, HWV 56: Part I: Recitative: For behold, darkness shall cover the earth (Bass)
Messiah, HWV 56: Part I: Pifa
12 Seguidillas: No. 6. Muchacha, y los verguenza
Mass in B Minor, BWV 232: Laudamus te
Songe No. 15. Hjartats blomma (The Heart's Flower)
6 Lieder, Op. 37 (text by J.W. von Goethe, Schmidt, and J.G. Salis-Seewis): No. 6. Lied beim Rundtanz
Mass in B Minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus)
Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma (Chorus)
Mass in B Minor, BWV 232: Sanctus
9 German Arias, HWV 202-210: In den angenehmen Buschen, HWV 209
Messiah, HWV 56: Part I: Recitative: There were shepherds abiding in the field (Soprano)
Fichtenbaum und Palme (Fir Tree and Palm)
Ich wandle unter Blumen (I wander among the flowers)
Messiah, HWV 56: Part I: Aria: But who may abide the day of His coming (Alto)
Messiah, HWV 56: Part I: Recitative: Comfort ye my people (Tenor)
9 German Arias, HWV 202-210: Susser Stille, sanfte Quelle, HWV 205
Loreley: Lorelei
Morgenlied, Op. 4, No. 2, D. 685
Messiah, HWV 56: Part I: Aria: He shall feed His flock like a shepherd (Alto, Soprano)
Mass in B Minor, BWV 232: Gloria: Gratias agimus tibi (Chorus)
9 German Arias, HWV 202-210: Meine Seele hort im Sehen, HWV 207
Mass in B Minor, BWV 232: Credo: Et incarnatus est (Chorus)
Messiah, HWV 56: Part II: Recitative: He was cut off out of the land of the living (Tenor)
Mass in B Minor, BWV 232: Quoniam tu solus sanctus
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