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Part I: Sinfonia
Bereden vag for Herran
String Quartet No. 2 in F sharp minor, Op. 10: I. Massig
Crucifixus
Part I: Aria: But who may abide the day of His coming (Alto)
Qui tollis peccata mundi
Part I: Aria: Every valley shall be exalted (Tenor)
Part I: And the glory of the Lord shall be revealed (Chorus)
String Quartet No. 2 in F sharp minor, Op. 10: III. Litanei
Part I: Recitative: Thus saith the Lord (Bass)
Part I: And He shall purify the sons of Levi (Chorus)
Part I: Aria: The people that walked in darkness have seen a great light (Bass)
Part I: Recitative: There were shepherds abiding in the field (Soprano)
Part I: For unto a child is born (Chorus)
Part I: Recitative: Comfort ye my people (Tenor)
Part I: Pifa
Part I: Aria: O thou that tellest good tidings to Zion (Alto and Chorus)
String Quartet No. 2 in F sharp minor, Op. 10: IV. Entruckung
String Quartet No. 2 in F sharp minor, Op. 10: II. Sehr rasch
Midsommarvaka (Midsummer Vigil), Op. 19, "Swedish Rhapsody No.1"
Mass in B Minor, BWV 232: Sanctus (Chorus)
String Quartet No. 2 in F sharp minor, Op. 10: II. Sehr rasc
Hosianna
Part I: Recitative: For behold, darkness shall cover the earth (Bass)
Part I: Glory to God in the highest (Chorus)
Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano)
String Quartet No. 2 in F sharp minor, Op. 10: IV. Entruckun
Greensleeves
Symphony No. 4 in C Minor, Op. 39, "from the Outskirts of the Archipelago (Fran Havsbandet)"
Acuerdate, bien mio
Como ha de resolverse
El que quisiera amando
Stille Nacht (Silent Night) (arr. H. Miessner for choir) - Stille Nacht (Silent Night)
Rest Sweet Nimphs (Rest Sweet Nymphs)
Part I: Aria: He shall feed His flock like a shepherd (Alto, Soprano)
Part II: Behold the Lamb of God (Chorus)
Trad: Bereden Vag For Herran
A Tale from the Archipelago (en Skargardssagen), Op. 20 [a Tale from the Archipelago]
Elegy
De Amor en la Prisiones
Prepararme la tumba
Cesa de atormentarme
Drapa, Op. 27, "In memoriam King Oscar II"
Studio 9 para la Guitara
Morgenlied
Abschied Op 89;1
Las mujeres y cuerdas
Muchacha, y la verguenza
Abschied Op 89,3
Mis descuidados ojos
Nachtstuck
Si deces que mis ojos
Studio 22
Nachtstuck
Si deces que mis ojos
Osanna (Chorus) (con Eby, Anders)
Kyrie: Kyrie eleison (Chorus) (con Eby, Anders)
Greensleeves - Anonymous
Faine would I wed - Thomas Cam
Stille Nacht (Silent Night) (arr. H. Miessner for choir) - Stille Nacht
Bereden vag for herran (Prepare a Way for the Lord) - Bereden väg för herran
Quelle est cette odeur agreable? (Whence is that Goodly Fragrance Flowing?) - Quelle est cette odeur agréable?
Gratias agimus tibi
Joy to the World (arr. J. Rutter) - Joy to the World
In darkness let mee dwell - Jo
Like as the Lute - John Danyel
Book of Songs, Book 3: Farewell, unkind, farewell: Farewell Unkind Farewell
Acis And Galatea, Hwv 49b (Excerpts): Recitative And Aria
II. Bist du bei mir, BWV 508/Liebster Herr Jesu, wo bleibst du so lange, BWV 484 - Bist du bei mir,
I. Liebster Herr Jesu, BWV 484/Liebster Herr Jesu, wo bleibst du so lange, BWV 484 - Bist du bei mir
Faire if you expect admiring -
Lau Sommernacht (Warm Summer NIght)
Prelude (Norwegian Nystev, Traditional)
Like as the Lute - Christina Hogman (soprano) Jakob Lindberg (lute)
Postlude (Norwegian Nystev, Traditional)
The Passion of St. Thomas More, Act II Scene 5
The Passion of St. Thomas More, Act I Scene 2
Deare, If You Change (Dear, If You Change) - Christina Hogman (soprano) Jakob Lindberg (lute)
Lied beim Rundetanz
The Passion of St. Thomas More, Act II Scene 1
Trio Sonata in C Minor, HWV 386a: III. Andante
Hanflinhgs Liebeswerbung
Can Shee Excuse My Wrongs (Can She Excuse My Wrongs)
Die Zeil
Nar det lider mot jul (Christmas draws nigh)
Dedication
Instrumental Prelude
The Passion of St. Thomas More, Act II Scene 2
Getrennte Liebe
Epilogue
Masque (Instrumental)
The Passion of St. Thomas More, Act II, Scene 3
The Passion of St. Thomas More, Act II Scene 4
Mignon's Lied
The Passion of St. Thomas More, Act I Scene 3
The Passion of St. Thomas More, Act I Scene 1
II. Andante
I. Lento - Allegro non troppo
IV. Finale. Allegro con brio
I. Ganglat fran Leksand - Sonens ganglat (Moderato - Più allegro)
III. Drottningens av Saba festmarsch (Allegro maestoso)
I. Invocation (Besvarjelse)
III. Lento - Allegro - Presto molto agitato
II. Polska fran Orsa
Credo: Crucifixus etiam pro nobis (Chorus) (con Eby, Anders)
I. Lento - Allegro non troppo
No. 1. Cesa de atormentarme
IV. Finale. Allegro con brio
V. Steklat (Allegretto)
Agnus Dei (Alto) (con Eby, Anders)
Gloria: Qui sedes ad dextram Patris (Alto) (con Eby, Anders)
Gloria: Qui tollis peccata mundi (Chorus) (con Eby, Anders)
Gloria: Quoniam tu solus Sanctus (Bass) (con Eby, Anders)
Credo: Et expecto resurrectionem (Chorus) (con Eby, Anders)
Benedictus (Tenor) (con Eby, Anders)
I. Ganglat fran Leksand - Sonens ganglat (Moderato - Più allegro)
Credo: Patrem omnipotentem (Chorus) (con Eby, Anders)
Credo: Credo in unum Deum (Chorus) (con Eby, Anders)
III. Drottningens av Saba festmarsch (Allegro maestoso)
I. Invocation (Besvarjelse)
Gloria: Domine Deus, Rex coelestis (Soprano I and Tenor) (con Eby, Anders)
III. Lento - Allegro - Presto molto agitato
Kyrie: Christe eleison (Soprano I and II) (con Eby, Anders)
Qui tollis peccata mundi (feat. Ohrwall, Anders)
Revelation Cantata, Op. 31: Andante religioso
II. Polska fran Orsa
Gloria: Et in terra pax (Chorus) (con Eby, Anders)
VI. Polka
Gloria: Gratias agimus tibi (Chorus) (con Eby, Anders)
Credo: Confiteor unum baptisma (Chorus) (con Eby, Anders)
Sanctus (Chorus) (con Eby, Anders)
Gloria: Laudamus te (Soprano II) (con Eby, Anders)
Credo: Et incarnatus est (Chorus) (con Eby, Anders)
Credo: Et in unum Dominum (Soprano I and Alto) (con Eby, Anders)
VII. Final (Polska)
Gloria: Cum Sancto Spiritu (Chorus) (con Eby, Anders)
Credo: Et resurrexit tertia die (Chorus) (con Eby, Anders)
Gloria: Gloria in excelsis Deo (Chorus) (con Eby, Anders)
Mass in B Minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus)
Quelle est cet odeur agreable? (arr. R. Sund) - Quelle est cet odeur agreable?
Joy to the World (arr. J. Rutter): Joy to the World
Harke all you ladies - Thomas
The peacefull western winde -
Part II: Aria: He was despised and rejected of men (Alto)
Part I: His yoke is easy, His burthen is light (Chorus)
Part II: Aria: But thou didst not leave His soul in Hell (Tenor)
Patrem omnipotentem
Part II: Aria: How beautiful are the feet of Him that bringeth glad tidings of salvation (Soprano)
His golden locks - John Dowlan
Faire, sweet, cruell - Thomas
Part II: All we like sheep have gone astray (Chorus)
The peacefull westerne winde
Preparame la tumba
Part II: And with His stripes we are healed (Chorus)
Farewell unkind farewell - Joh
Can shee excuse my wrongs - Jo
Patrem omnipotentem
Part II: Aria: How beautiful are the feet of Him that bringeth glad tidings of salvation (Soprano)
His golden locks - John Dowlan
Part I: Recitative: Behold, a virgin shall conceive (Alto)
Faire, sweet, cruell - Thomas
Part II: Let us break their bonds asunder (Chorus)
Part II: All we like sheep have gone astray (Chorus)
Part II: Recitative: All they that see Him Laugh Him to scorn (Tenor)
The peacefull westerne winde
Preparame la tumba
Agnus Dei (Alto)
Part II: Surely, He hath borne our griefs and carried our sorrows (Chorus)
Part II: And with His stripes we are healed (Chorus)
Part I: Recitative: Then shall the eyes of the blind be opened (Alto)
I. En hostens kvall (An Autumn´s Evening)
Farewell unkind farewell - Joh
Part II: Their sound is gone out into all lands (Chorus)
Can shee excuse my wrongs - Jo
Part II: Aria: Thou shalt break them with a rod of iron (Tenor)
Verklarte Nacht (Transfigured Night), Op. 4 (version for string orchestra)
II. Sehr rasch
I. Massig
Chamber Symphony No. 1, Op. 9
Faire if You Expect Admiring
III. Litanei
Ich hatte viel Bekummernis, BWV 21: Aria: Seufzen, Tranen, Kummer, Not/Ich hatte viel Bekummernis, B
9 German Arias (Neun Deutsche Arien), HWV 202-210: In den angenehmen Buschen, HWV 209
Studio 9 para la guitarra
Deare, if you change - John Do
9 German Arias (Neun Deutsche Arien), HWV 202-210: Kunft ger Zeiten eitler Kummer, HWV 202
Abschied Op. 89:1
Die Zeit Op. 13:5
My love hath vow'd - Thomas Ca
Lied beim Rundetanz, Op. 37, No. 6
9 German Arias (Neun Deutsche Arien), HWV 202-210: Das zitternde Glanzen der spielenden Wasser, HWV 203
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