Listen & view Dale Kavanagh's lyrics & tabs

Canadian-born Dale Kavanagh is acclaimed as one of the guitar world´s most gifted interpreters. Between 1986 and 1988 Ms. Kavanagh was a top prize-winner in Spain’s “Segovia Competition,” Italy’s “Gargnano Competition,” Switzerland’s “Neuchatel Competition,” and First and Special Prize winner in Finland’s “Scandinavian International Guitar Competition.” Dale Kavanagh ...read more

Classical classical guitar acoustic female guitarists instrumental

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Top Tracks of Dale Kavanagh

Guitar Concerto: 2nd Movement

Fantasia para un gentilhombre: I. Adagietto

Diferencias Sobre la Folia de España y Fuga: Fuga

Nocturne for Guitar, Op. 19, "Reverie"

2 Concert Etudes: No. 1, Arpeggio Study

3 Preludes: No. 2. Gently Rocking

Chaconne in G Major, HWV 435 (Arr. for 2 Guitars)

3 Preludes: No. 1. Rubato

3 Preludes: No. 2, Gently Rocking

Invocación y danza

Fantasia para un Gentilhombre: Adagietto

3 Preludes: No. 3. Moderato

2 Etudes: No. 1. Arpeggio Study

Toronto '98: I. Bayberry Crescent

Campanellas, Op. 24

Toronto '98: III. Abbywood Trail

I. Allegro con spirito

Toronto '98: II. Gibson Avenue

2 Etudes: No. 2

Terpsichore (arr. D. Kavanagh): Courante

3 Pieces: Melissa

Chaconne in G Major, HWV 435 (arr. Amadeus Guitar Duo for 2 guitars)

Invocacion y danza - Invocación y danza

Guitar Concerto (arr. D. Kavanagh): Guitar Concerto: 2nd movement

Toccata in Blue

Variations and Fugue on 'La Folia' de España: Fugue

3 Pieces: A la Fueco

Cancion y Danza No. 1

Fantasia para un gentilhombre: II. Adagio

Trilogy: Calata

Nocturnal, Op. 70 (Slow and quiet (molto tranquillo))

Terpsichore (arr. D. Kavanagh): Ballet

Impressions: No. 2, Honoring Agustín Barrios

3 Preludes: No. 1, Rubato, Flexible

No. 1. Arpeggio study

III. Allegro gentile

Trilogy: Adagio, lirico

Terpsichore (arr. D. Kavanagh): La Volta

3 Pieces: Comtemplation

3 Pieces: No. 1, Melissa

Lulla by Melissa

No. 2, Gently Rocking

Invocacion y danza

III. Abbywood Trail

3 Pieces: No. 2, Contemplation

Reflexoes No. 7: Lento

II. Gibson Avenue

Fantasia para un gentilhombre: III. Allegretto

Fantasia para un gentilhombre: IV. Allegro con brio

Concierto de Aranjuez : II. Adagio

Walking on the Water

Fantasia para un gentilhombre: V. Allegro ma non troppo

Trilogy: Ragtime

I. Bayberry Crescent

Reflexoes No. 7: Molto lento

No. 3. Moderato

Guitar Sonata No. 37 in A major, MS 84: Guitar Sonata No. 37

Domeniconi - Toccata In Blue

III. A la Fueco

3 Pieces: No. 3, A la fueco

Lullaby for Zoi, Op. 23

Toronto 98: I. Gibson Avenue

Reflexoes No. 7: Vivissimo

Variations After an Anatolian Folk Song: Theme

Three Pieces: Melissa

Chaconne (After J.S. Bach's Violin Partita No. 2 In D Minor, BWV 1004: V. Ciaccona)

IX. Slow & Quiet

Zenamon - Demian - 1. Dos Mundos (moderato)

Variations, Op. 62

Kol Nidrei (after a Jewish Folksong)

"Variations" after an anatolian folk song: Theme

Folia De Espana: Theme

Zarabanda lejana

Diferencias Sobre la Folia de España y Fuga: Thema

Toronto 98: II. Bayberry Cresent

Terspichore: III. La Volta

3 Pieces: No. 3, Fueco

Demian: Abraxas - Lento

Chaconne (after BWV 1004 by J.S. Bach)

No. 2. Gently rocking

Variationen über ein anatolisches Volkslied, Op. 15: Finale

Zenamon - Reflexoes No. 7 - 2. Vivissimo

Nocturnal, Op. 70: Uneasy (Ansioso)

Variations After an Anatolian Folk Song: Finale

Demian: Dos mundos: Moderato

Variations After an Anatolian Folk Song: Variations 1-5

Demian: Dos mundos: Moderato

Toronto 98: III. Abbeywood Trail

Tres Piezas Espanolas: 2. Passacaglia

3 Preludes: No. 3, Moderato

Domeniconi - Trilogy - 1. Calata

Variationen über ein anatolisches Volkslied, Op. 15: Thema

Invocation Et Danse

Nocturnal, Op. 70: Musingly (Meditativo)

Impressions: No. 1, Honoring Malcolm Arnold

Variationen über ein anatolisches Volkslied, Op. 15: Vars. 1-5

Zenamon - Reflexoes No. 7 - 3. Molto Lento

Nocturnal, Op. 70: Restless (Inquieto)

"Variations" after an anatolian folk song: Finale

Zenamon - Demian - 2. El Senal De Caim (violento)

Zenamon - Demian - 3. Krommer (poco meno)

"Variations" after an anatolian folk song: Variations 1-5

Folias of Spain: Theme

Kavanagh - Fundy

Folias of Spain: Var. 5-10

Folias of Spain: Var. 1-4

Folias of Spain: Fugue

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: I. Musingly

Carlo Domeniconi: Trilogy (Adagio, Lirico)

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IX. Slow and quiet

Domeniconi - Trilogy - 2. Adagio, Lirico

Zenamon - Reflexoes No. 7 - 1. Lento

Domeniconi - Trilogy - 3. Ragtime

Grande Ouverture, Op. 61 : Grand Overture, Op. 61

Forreando, Caprichoso

Kavanagh - Three Pieces - 1. Melissa

Diferencias Sobre la Folía de España y Fuga: Vars. 16-20

Diferencias Sobre la Folía de España y Fuga: Vars. 1-4

2 Concert Etudes: No. 2, Etude rítmico

Second Movement From The Guitar Concerto

Kavanagh - Three Pieces - 2. Contemplation

Zenamon - Demian - 5. Eva (largo)

Varioations, Op. 45 On Folia Di Spagna

Three Preludes: Gently rocking

Nocturnal, Op. 70: March-like (Quasi una Marchia)

Nocturnal, Op. 70: Very agitated (Molto agitato)

Zenamon - Demian - 4. Abraxas (lento)

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IV. Uneasy

Folia de Espana: Variations 1-4

Demian: Krommer: Poco meno

Demian: El senal de Caim: Violento

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: III. Restless

Demian: Pistorius: Sonando

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: II. Very agitated

Demian: Abraxas: Lento

Demian: Krommer: Poco meno

Demian: El senal de Caim: Violento

Demian: Dos Mundos - Moderato

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: III. Restless

Grande Ouverture, op. 61

Demian: Pistorius: Sonando

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: II. Very agitated

Demian: Pistorius - Sonando

Demian: Eva - Largo

Demian: Abraxas: Lento

Demian: Krommer - Poco Meno

Junto al Generalife

Sonatina (1. Allegretto)

Fantasia para un Gentilhombre: Allegro con brio

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): IX. Slow & Quiet

Tres piezas españolas: Fandango

Sonatina: 3. Rondo

Fantasia para un Gentilhombre: Allegretto

Nocturnal, Op. 70: Dreaming (Sognante)

3 Piezas españolas: No. 1, Fandango

Nocturnal, Op. 70: Passacaglia (Misurato)

Nocturnal, Op. 70: Slow and quiet (molto tranquillo)

Fantasia para un Gentilhombre: Adagio

Chansons et danses: Cancion y Danza No. 1

Three Preludes: Rubato - flexible

Three Pieces: A la Fueco

Diferencias Sobre la Folía de España y Fuga: Vars. 5-10

chaconne (after j.s. bach's bwv 1004)

Tres piezas españolas: Passacaglia

Terspichore: Ballet

Terspichore: Courante

Zenamon - Demian - 7. El Principio Del Fin (lento)

Carlo Domeniconi: Trilogy (Calata)

Carlo Domeniconi: Trilogy (Ragtime)

Reverie nocturne, Op. 19: Nocturne for Guitar, Op. 19, "Reverie"

Folias of Spain: Var 11-15

Folias of Spain: Var. 16-20

Toccata In Blue - Studio

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VII. Gently rocking

Demian: El Senal De Caim - Violento

Sonata in A Minor: Allegro moderato

Rêverie - Nocturne for Guitar, op. 19 (Studio)

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VIII. Passacaglia

Demian: El principio del fin: Lento

Demian: Eva: Largo

Jaime Mirtenbaum Zenamon: Demian (Dos Mundos (Moderato))

Demian: Dos Mundos (moderato)

Three Pieces: A La Fucco

Fantasie para un Gentilhombre - Concerto for guitar and orchestra: Adagietto

Guitar Sonatina, Op. 52, No. 1: I. Allegretto

Giuliani: Grande Ouverture

Varioations, Op. 45 on "Folia di Spagna" (Studio)

Rodrigo - Zapateado

Fantasie para un Gentilhombre - Concerto for guitar and orchestra: Adagietto

III. Allegretto

Concierto de Aranjuez/1: Allegro con spirito

I. Tempo de bolero

Concierto de Aranjuez/2: Adagio

Two Etudes: Arpeggio study

Fantasia para un Gentilhombre: Allegro ma non troppo

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): II. Very Agitated

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): VII. Gently Rocking

Réverie - Nocturne for Guitar, Op. 19 (Studio)

‎Fantasia para un Gentilhombre: I. Adagietto

Sonatina (2. Lento)

Concierto Madrigal/04: Pastorcico Tu Que Vas

Sonatina: 1. Allegretto

Sonatina (3. Rondo)

Concierto Andaluz/1: Tempo di Bolero

Concierto Madrigal/01: Fanfare

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): VIII. Passacaglia

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): III. Restless

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): V. March-Like

Concierto de Aranjuez/3: Allegro gentile

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): IV. Uneasy

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): VI. Dreaming

Diferencias Sobre la Folía de España y Fuga: Vars. 11-15

Nocturnal After John Dowland, Op. 70 (Reflections on "Come, Heavy Sleep"): I. Musingly

Concierto Madrigal/07: Fandango

Concierto Andaluz/2: Adagio. Cadenza

‎Diferencias Sobre la Folia de España y Fuga: Fuga

Concierto Andaluz/3: Allegretto

Concierto Madrigal/10: Caccia a la Espagnola

Giuliani: Variations

Guitar Sonatina, Op. 52, No. 1: I. Allegretto

Concierto De Aranjuez: II. Adagio

Guitar Sonatina, Op. 52, No. 1: II. Lento

Terspichore: La Volta

'Var' Uber Ein Anatolisches Volkslied: Thema

Guitar Sonata in A minor (arr. J. Bream): IV. Rondo: Allegretto

Guitar Sonata In a Minor (arr. J. Bream): I. Allegro Moderato

Guitar Sonata in A minor (arr. J. Bream): III. Minuetto: Quasi Scherzo

Introduccion y Forreando Caprichoso: I. Introduccion

Folia De Espana: Fugue

Folia de Espana: Variations 11-15

Variations for Guitar, Op. 62

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VI. Dreaming

Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: V. March-like

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