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Daniel Reuss (born 2 July 1961, in Leiden) is a Dutch German conductor, primarily known as a choral conductor. Daniel Reuss studied with Barend Schuurman at the Rotterdam Conservatory in the Netherlands. In 1982, he founded the Oude Muziek Koor Arnhem, which attained a very high level of performance. It decided to expire in June 2007 after 25 years. From 1988 until 1998, Daniel Reuss also conduc...read more

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Lux aeterna
Kanon pokajanen: Ode I
I. Una hora non potuistis vigilare mecum
La déploration [sur la mort] de Johannes Ockeghem, IJ. 66: Nymphes des bois - Requiem æternam
I. Stabat mater dolorosa
Kanon pokajanen: Ode VI
In principio erat Verbum: III. Et verbum caro factum est
Kanon pokajanen: Ode IV
Nymphes des bois - Requiem æternam
Kanon pokajanen: Ode III
Cantica sacra sex et octo vocibus: Omnia tempus habent
Kanon pokajanen: Kontakion
III. O quam tristis et afflicta
Absolve quæsumus, Domine
Kanon pokajanen: Ode IX
II. Judas mercator pessimus
Absalon, fili mi
Kanon pokajanen: Ikos
Libera me, Domine
VI. Vidit suum dulcem natum
Kanon pokajanen: Ode VIII
Golgotha: Première Partie. N°1. Chœur d'introduction
In principio erat Verbum: II. Fuit homo missus a Deo
Pater noster - Ave Maria
Nimphes, nappés: Circumdederunt me
In principio erat Verbum: I. In principio erat Verbum
Miserere mei, Deus, IJ. 50: I. Miserere mei, Deus
De Profundis - Requiem æternam
Circumdederunt me
Messe : Gloria
VIII. Fac ut ardeat cor meum
Miserere mei, Deus, IJ. 50: III. Domine, labia mea aperies
II. Cujus animam gementem
Kanon pokajanen: Prayer after the canon
IV. Quae moerebat et dolebat
III. Jesum tradidit impius
VII. Eja mater, fons amoris
V. Tenebrae factae sunt
IV. Caligaverunt oculi mei
Musæ Jovis
Messe : Kyrie
Drei Phantasien nach Friedrich Hölderlin : I. Hälfte des Lebens
Miserere mei, Deus, IJ. 50: II. Auditui meo dabis gaudium
Planxit autem David: I. Planxit autem David
Planxit autem David: II. Montes Gelboe
I. In principio erat Verbum
II. Fuit homo missus a Deo
Media vita in morte sumus (Gregorian Antiphon)
V. Quis est homo, qui non fleret
VI. Sepulto Domino
Planxit autem David: III. Sagitta Jonathae
Planxit autem David: IV. Doleo super te
I. Miserere mei, Deus
Sonata for solo viola:1. Hora lunga
Patrocinium musices, prima pars: Media vita in morte sumus
VII. Ecce quomodo moritur justus
Drei Phantasien nach Friedrich Hölderlin: I. Hälfte des Lebens
I. Selig sind, die da Leid tragen (Live)
Im Gestein : III. Nacht
IX. Sancta mater, istud agas
III. Et verbum caro factum est
Mottetta sex vocum: Cum essem parvulus
Drei Phantasien nach Friedrich Hölderlin: II. Wenn aus der Ferne
Sacræ cantiones, liber quartus: Audi tellus
X. Fac ut portem Christi mortem
II. Denn alles Fleisch es ist wie Gras (Live)
Drei Phantasien nach Friedrich Hölderlin : II. Wenn aus der Ferne
Im Gestein : V. Schneebett
Primus Liber concentuum sacrorum: O mors quam amara
Messe : Agnus Dei
XII. Quando corpus morietur
Drei Phantasien nach Friedrich Hölderlin : III. Abendfantasie
I. Planxit autem David
Drei Phantasien nach Friedrich Hölderlin: III. Abendfantasie
IV. La Sainte Cène
Lagrime di S. Pietro: Vide homo
Messe : Sanctus
Im Gestein : IV. Zuversicht
Cantiones sacræ sex vocum: Ad Dominum cum tribularer
II. Montes Gelboe
Im Gestein : I. Flügelnacht I
III. Herr, lehre doch mich (Live)
XI. Inflammatus et accensus
IV. Wie lieblich sind deine Wohnungen (Live)
Golgotha, Première Partie: N°1. Chœur d'introduction
Messe : Credo
III. Sagitta Jonathae
Im Gestein: III. Nacht
Im Gestein: V. Schneebett
Im Gestein: IV. Zuversicht
Im Gestein: I. Flügelnacht I
Sept Répons des Ténèbres, FP 181 pour soprano, chœur & orchestre : I. Una hora non potuistis vi
III. Domine, labia mea aperies
II. Auditui meo dabis gaudium
Im Gestein: II. Die Halde
Solomon: Act III - No.42 Symphony: arrival of the Queen of Sheba
Du fonds de ma pensee (Ps. 130)
Cantiones sacræ sex vocibus compositæ: Circumdederunt me dolores mortis
Im Gestein: VI. Flügelnacht II
Solomon: Act II, scene 1 - No.23 Chorus of Israelites "From the censer curling rise"
Golgotha: Première Partie. N°4. La Sainte Cène
V. Ihr habt nun Traurigkeit (Live)
Im Gestein : VI. Flügelnacht II
No. 35 Duet. First Harlot, Solomon: Thrice Bless'd The King
No. 30 Recitative. Solomon, Second Harlot: What Says The Other To Th'imputed Charge?
No. 31 Air. Second Harlot: Thy Sentence, Great King
No. 41 Chorus Of Priests: Swell, Swell The Full Chorus To Solomon's Praise
IV. Doleo super te
Cantiones sacræ sex vocum: Recordare Jesu pie
Sonata for solo viola: 3. Facsar
Solomon: Act III - No.43 Recitative. Queen of Sheba, Solomon "From Arabia's spicy shores"
Golgotha: Première Partie. N°2. Les Rameaux
VI. Denn wir haben hie keine bleibende Statt (Live)
VII. Selig sind die Toten (Live)
Act III. No. 42 Symphony: Arrival Of The Queen Of Sheba
Resveillez-vous, chacun fidèle
No. 38 Air. Zadok: See The Tall Palm That Lifts The Head
Stabat Mater pour soprano, chœur mixte & orchestre : I. Stabat mater dolorosa
Stabat Mater pour soprano, chœur mixte & orchestre : VIII. Fac ut ardeat cor meum
Stabat Mater pour soprano, chœur mixte & orchestre : V. Quis est homo, qui non fleret
Stabat Mater pour soprano, chœur mixte & orchestre : IV. Quae moerebat et dolebat
Stabat Mater pour soprano, chœur mixte & orchestre : II. Cujus animam gementem
Stabat Mater pour soprano, chœur mixte & orchestre : III. O quam tristis et afflicta
No. 33 Air. First Harlot: Can I See My Enfant Gor'd
Messe: Kyrie
No. 43 Recitative. Queen Of Sheba, Solomon: From Arabia's Spicy Shores
No. 40 Air. First Harlot: Beneath The Vine, Or Fig-Tree's Shade
No. 34 Accompagnato. Solomon: Israel, Attend To What Your King Shall Say
No. 36 Chorus Of Israelites: From The East Unto The West
X. La Résurrection
Sept Répons des Ténèbres, FP 181: II. Judas mercator pessimus
Cantiones sacræ sex vocum: Deficiat in dolore vita mea
Selectissimæ cantiones: Libera me Domine
Cantiones sacræ sex vocum: Vidi calumnias
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91)
Te Deum laudamus
Sonata for solo viola:2. Loop
Im Gestein : II. Die Halde
Sept Répons des Ténèbres, FP 181 pour soprano, chœur & orchestre : II. Judas mercator pessimus
I. Hora lunga
Solomon: Act II, scene 3 - No.40 Air. First Harlot "Beneath the vine, or fig-tree's shade"
Golgotha: Première Partie. N°3. Le discours au temple
Oster Vorspiel
Kleine Karfreitagsmotette
Solomon: Act I - No.1 Overture
No. 51 Solo. Solomon And Israelites: Thus Rolling Surges Rise
Sept Répons des Ténèbres, FP 181 pour soprano, chœur & orchestre : IV. Caligaverunt oculi mei
No. 47 Solo. Solomon And Israelites: Now A Diff'rent Measure Try
Stabat Mater pour soprano, chœur mixte & orchestre : XI. Inflammatus et accensus
Stabat Mater pour soprano, chœur mixte & orchestre : IX. Sancta mater, istud agas
Messe: Gloria
Messe: Agnus Dei
No. 52 Recitative. Queen Of Sheba: Thy Harmony's Divine, Great King
No. 44 Air. Queen Of Sheba: Ev'ry Sight These Eyes Behold
Mass - 5. Agnus Dei
Mass for unaccompanied double choir: V. Agnus Dei
De profundis
Ainsi qu'on oit le cerf bruire (Ps. 42)
Beati pauperes
Stabat Mater: V. Quis est homo, qui non fleret
Magnificat
III. Abendfantasie
Psaume 141 : Issand ma hüüan Su poole - pour choeur mixte a cappella
Awakening (Ärkamine), for mixed choir and chamber orchestra
Golgotha: Seconde Partie. N°6. Méditation
II. Wenn aus der Ferne
I. Hälfte des Lebens
Golgotha: Seconde Partie. N°10. La Résurrection
Mass for unaccompanied double choir: V. Agnus Dei
Golgotha: Seconde Partie. N°7. Jésus devant le Sanhédrin
Warum ist das Licht gegeben den Mühseligen? : I. Warum ist das Licht gegeben. Langsam und ausdrucksvoll
Solomon: Act III - No.45 Recitative. Solomon "Sweep, sweep the string"
III. Facsar
Solomon: Act I, scene 1 - No.3 Air. Levite "Praise ye the Lord for all his mercies past"
PSAUME 141 : ISSAND MA HUUAN SU POOLE
Solomon: Act I, scene 1 - No.2 Chorus of Priests "Your harps and cymbals sound"
Fünf Gesänge, Op. 104 : I. Nachtwache I
Le Roi David, H 37, Part. 1: Introduction
No. 48 Recitative. Solomon: Then At Once From Rage Remove
Solomon: Act I, scene 2 - No.22 Chorus "May no rash intruder disturb their soft hours"
Solomon: Act III - No.44 Air. Queen of Sheba "Ev'ry sight these eyes behold"
Solomon: Act III - No.46 Solo. Solomon and Israelites "Music, spread thy voice around"
Solomon: Act I, scene 1 - No.10 Air. Solomon "What though I trace each herb and flow'r"
8 Geistliche Gesange, Op. 138 (text by M. Claudius, Anonymous and P. Herbert): No. 1. Der Mensch lebt und bestehet nur eine kleine Zeit
8 Geistliche Gesange, Op. 138 (text by M. Claudius, Anonymous and P. Herbert): No. 4. Unser lieben Frauen Traum
Ostermorgen
Arkamine (Awakening)
Liberi Dei
8 Geistliche Gesange, Op. 138 (text by M. Claudius, Anonymous and P. Herbert): No. 3. Nachtlied
Vivit!
Cantate: V. A lyke-wake dirge. Versus 3. Second interlude - From Whinnymuir when thou may'st pass
Golgotha: Première Partie. N°5. Gethsémané
No. 49 Chorus Of Israelites: Draw The Tear From Hopeless Love
No. 60 Duet. Queen Of Sheba, Solomon: Ev'ry Joy That Wisdom Knows
No. 61 Double Chorus: Praise The Lord With Harp And Tongue!
No. 46 Solo. Solomon And Israelites: Music, Spread Thy Voice Around
No. 56 Air. Solomon: How Green Our Fertile Pastures Look
Sept Répons des Ténèbres, FP 181 pour soprano, chœur & orchestre : VI. Sepulto Domino
Cappella Amsterdam presents
Cantate: III. A lyke-wake dirge. Versus 2. First interlude - If ever you gav'st hos'n and shoon
Messe: Credo
Messe: Sanctus
Cantate: I. A lyke-wake dirge. Versus 1. Prelude - This ae nighte
No. 54 Air. Zadok: Golden Columns, Fair And Bright
No. 57 Recitative. Queen Of Sheba: May Peace In Salem Ever Dwell!
No. 53 Recitative. Zadok: Thrice Happy King, To Have Achiev'd
No. 58 Air. Queen Of Sheba: Will The Sun Forget To Streak
No. 14 Duet. Queen, Solomon: Welcome As The Dawn Of The Day
No. 14 Duet. Queen, Solomon: Welcome As The Dawn Of The Day
No. 18 Air. Solomon: Haste, Haste To The Cedar Grove
No. 13 Recitative. Solomon, Queen: Thou Fair Inhabitant Of Nile
Mass - 2. Gloria
Mass - 1. Kyrie
Mass - 4. Sanctus
Mass - 3. Credo
No. 22 Chorus: May No Rash Intruder Disturb Their Soft Hours
Stabat Mater: I. Stabat mater dolorosa
Sept Répons des Ténèbres, FP 181: IV. Caligaverunt oculi mei
Stabat Mater: II. Cujus animam gementem
A Dieu ma voix j'ai haussee (Ps. 77)
Sus mon ame qu'on benie le souverain (Ps. 146)
Sept Répons des Ténèbres, FP 181: VII. Ecce quomodo moritur justus
Stabat Mater: III. O quam tristis et afflicta
Stabat Mater: VII. Eja mater, fons amoris
Stabat Mater: VIII. Fac ut ardeat cor meum
Sept Répons des Ténèbres, FP 181: VI. Sepulto Domino
Stabat Mater: IV. Quae moerebat et dolebat
Fünf Gesänge, Op. 104: I. Nachtwache I
Fünf Gesänge, Op. 104: III. Letztes Glück
Solomon: Act II, scene 3 - No.41 Chorus of Priests "Swell, swell the full chorus to Solomon's praise"
Golgotha: Seconde Partie. N°8. Jésus devant Pilate
The Wanderer's Evening Song (Rändaja õhtulaul), for mixed choir a cappella
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee")
Stabat Mater: IX. Sancta mater, istud agas
Stabat Mater: XI. Inflammatus et accensus
1er Tableau. Chœur: "Quand le temps arriva"
Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!")
Prologue. Chœur: "Seigneurs, vous plaît-il"
3 Choruses, Op. 6: No. 2. Zur Nacht
Eks teie tea (Know Ye Not)
The Wolf's Trail (Vlčí stopa)
3 Choruses, Op. 39 (text by August H. Plinke): 3 Choruses, Op. 39: No. 2. Abendlied
The Wild Duck (Kačena divoká)
Ascendit in coelum
Le Roi David, H 37, Part. 1: Cantique du berger David
Le Roi David, H 37, Part. 1: Chant de victoire
Solomon: Act III - No.47 Solo. Solomon and Israelites "Now a diff'rent measure try"
Vier Lieder: II. Heimweg
No. 24 Recitative. Solomon: Prais'd Be The Lord
Solomon: Act I, scene 2 - No.17 Recitative. Solomon "My blooming fair"
Solomon: Act II, scene 1 - No.24 Recitative. Solomon "Prais'd be the Lord"
Solomon: Act I, scene 2 - No.18 Air. Solomon "Haste, haste to the cedar grove"
Solomon: Act I, scene 1 - No.9 Recitative. Solomon "Bless'd be the Lord"
Solomon: Act I, scene 2 - No.19 Recitative. Queen "When thou art absent from my sight"
Solomon: Act II, scene 1 - No.26 Recitative. Levite "Great Prince, thy resolution's just"
Solomon: Act III - No.48 Recitative. Solomon "Then at once from rage remove"
Solomon: Act II, scene 2 - No.28 Recitative. Attendant, Solomon "My sovereign liege" / Scene 3 - First Harlot "Thou son of David"
Solomon: Act I, scene 2 - No.21 Recitative. Zadok "Search round the world"
Solomon: Act II, scene 3 - No.33 Air. First Harlot "Can I see my enfant gor'd"
Insula Deserta
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