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Grey Larsen is a musician of many talents and accomplishments. He is a performer, recording artist, composer, teacher, author, producer, and a mastering and recording engineer. Grey is most well-known as one of the world's foremost players and exponents of the Irish flute. To many musicians and music lovers, his recordings are classics. Read more on Last.fm. User-contributed text is available un...read more

flute irish folk Irish Folk

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Top Tracks of Grey Larsen

The Cat that Ate the Candle/Petticoat Loop/The Corry Boys
First Snow
Child of My Heart/Star Above the Garter/My Love in the Morning
Another Jig Will Do/The Ship Doctor/I'm the Boy for Bewitching T
The Dovetail Jigs
The Blackbird/The Gold Ring
Hovering Hawks
Big Sky
Plum Creek
The Gathering
Night In Quebec
The Frozen Beach
Oldenfjord
The South Shore
The Cliffs of Moher
The Frost Is All Over
The Blarney Pilgrim
Sleepy Creek
The Battering Ram
The Monaghan Jig
Tom Billy's Jig
The Star of County Down
Whelan's Jig
The gravel walk
Tripping Up the Stairs
Contentment Is Wealth
Jimmy Ward's Jig
Scotsman Over the Border
Figure 1-1: The Seven So-Called Church Modes.
Old Joe's Jig
Roaring Mary
The Steam Packet
The Drunken Landlady
The Banshee
The Humours of Ballyloughlin
The Home Ruler
The Bank of Ireland
The Rose in the Heather
The Torn Jacket
Who Will Help Me Through the Woods? (Qui Me Passera le Bois?)
The Shaskeen
The Glen Allen Reel
The Walls of Liscarroll/Maguire's Kick/The Lark on the Strand
A Fig For A Kiss
Christmas Eve
Willie Coleman's Jig
The Boys of Ballisodare
The Star Above the Garter
Maids of Ardagh
The Rights of Man
The Whinny Hills of Leitrim
Figure 7-15: A Version Of The Lonesome Jig, Which Makes Use Of Cuts Only On Repeated Notes And Stepwise Ascending Notes.
Figure 1-2: Comparisons Between The Ionian And Mixolydian Modes, And The Aeolian And Dorian Modes.
John Stenson's Reel
Sheebeg Sheemore
Fig 20-1 First Two Parts Of The Reel The Gravel Walk Showing Possible Single And Dou Ble Tonguing Patterns
Hardiman The Fliddler
O Good Ale
Lord Mayo
Figure 10-5. The Jig The Sporting Pitchfork With Long Rolls On G, F-Sharp, And E.
Fig 20-3 A Rendition Of The Jig The Sporting Pitchfork Showing Possible Single, Double And Triple Tonguing Patterns
The Orange Tree (L'Oranger)
Lad O'Beirne's Rel
Figure 8-16. A Version Of The Hornpipe Bantry Bay Using Cuts And A Variety Of Strikes.
Figure 7-16. A Version Of The Slip Jig The Boys Of Ballisodare That Makes Use Of Examples Of Every Class Of Cuts.
Figure 8-15. A Version Of The Hornpipe Bantry Bay Using Cuts, And Strikes Only On Repeated Notes And Descending Stepwise Notes.
S 8. adding more cuts on leapwise ascending notes. whistle
The Walls of Liscarroll, Maguire's Kick, The Lark on the Strand
Tuttle's Reel, Notated In E Dorian, Sounding In D Dorian
Figure 10-6. The Jig The Sporting Pitchfork With Long Rolls On B, A, G, F-Sharp, And E.
The Lonesome Jig With Cuts, Fig 7-15, P 83
Fig 21-1 (Staff Three) Third Of Three Settings Of The Jig The Banks Of Lough Gowna
Figure 15-9. A Setting Of The Reel The Skylark Using Short Double Cut Rolls On A, G, F-Sharp, And E.
Lad O'Beirne's Reel
Tuttle's Reel
The Sunny Banks
The Bunch Of Green Rushes / The Queen Of May
Fig 21-1 (Staff Two) The Second Of Three Settings Of The Jig The Banks Of Lough Gowna
Figure 16-11. A Setting Of The Jig Garrett Barry Which Makes Use Of Short And Long Cranns On D.
Figure 19-10. A Setting Of The Jig Garrett Barry Showing How Melodic Variants Can Be Used To Replace Short And Long Cranns.
Figure 12-8. A Setting Of The Sporting Pitchfork Using Condensed Long Rolls On B, A, G, F-Sharp, And E.
Figure 15-4. A Setting Of The Reel The Skylark Using Long Double Cut Rolls On A, G, F-Sharp, And E.
Figure 11-7. A Setting Of The Sporting Pitchfork Using Short Rolls On B, A, G, F-Sharp, And E.
Figure 15-13. A Setting Of The Reel The Skylark Using Condensed Long Double Cut Rolls On F-Sharp, And E.
Figure 12-7. A Setting Of The Sporting Pitchfork Using Condensed Long Rolls On G, F-Sharp, And E.
Figure 13-10. A Setting Of The Sporting Pitchfork Using Condensed Short Rolls On B, A, G, F-Sharp, And E.
Figure 13-9. A Setting Of The Sporting Pitchfork Using Condensed Short Rolls On G, F-Sharp, And E.
S 3. cuts in jig on repeated notes falling on 1st & 2nd subdivisions of pulse. whistle
S 10. cuts in reel on stepwise descending notes falling on secondary pulse. flute
Study 4 A Variety Of Cuts On Repeated Notes In A Jig
Wind That Shakes the Barley
Figure 19-13. Three Melodic Variants Of The Beginning Of Fourth Part Of The Reel The Gravel Walk Showing Various Ways To Ornament Melodic Cells Centered On C-Natural.
The Wife of a Drunken Soldier (L'Ivrogne Pilier du Cabaret)
Study 14 A Variety Of Cuts In A Reel, Including Mid-Note Cuts
Church Modes, Fig 1-1, P 17
Poll Ha’penny
Figure 16-6. A Setting Of The Reel The Trip To Durrow Which Makes Use Of Long Cranns On D And E.
Study 18 Strikes On Repeated Notes In A Jig
Compare Modes, Fig 1-2, P 18
Study 15 A Largery Variety Of Cuts In A Reel
Cuts, Exercises 7-12 Thru 7-14, Pp 78-79
Figure 11-6. A Setting Of The Sporting Pitchfork Using Short Rolls On G, F-Sharp, And E.
Cuts, Exercises 7-20 Thru 7-22 Pp 81-82
Lady on the Island / The Humours of Lisadel / The Monaghan Twig
S 42. stepwise ascending short rolls in jig. flute
The Monaghan Jig. whistle
S 18. strikes in repeated notes in jig. whistle
S 19. strikes in reel on stepwise descending notes. whistle
The Wind That Shakes the Barley/Dusk Among the Willows
Lady on the Island/The Humours of Lisadel/The Monaghan Twig
Very Kind and Gracious
Lord Mayo-Give Me Your Hand
Laferty's Reel
Martin Wynne's #2
The Right of Man
S 28. added finger slides on notes descending by a third. flute
Sweet Iniscara/The Morning Star/Scotch Mary/Music in the Glen
7-15
The Walls of Liscarroll...
Michael J. Kennedy Plays the Cuckoo's Nest
Scotsman Over the Border (Flute)
Whelans Jig
The Thrush in the Straw/The Banks of Lough Gowna
Old Tipperary/Garret Barry's/Tom Greyhan's Jig
The Billy's Jig
Ballydesmond Polka #1
The Cuckoo's Nest/Fitzgerald's Hornpipe/The Indian on the Rock
Whelan's Jig (Whistle)
Billy McCormack’s
Farewell to Lisheen
Cuts, Exercises 7-1 Thru 7-6, Pp 75-76
The Mountain Road
John Stenson's Reel/Palm Sunday
Michael Kennedy Schottisches: Untitled/Untitled/Pretty Molly Bra
Strikes, Exercise 8-20, P 109
Bantry Bay Using Cuts & Strikes, Fig 8-14, P 110
John Stetson's Reel
Have A Drink With Me
Cuts, Exercises 7-7 Thru 7-11, Pp 77-78
Study 22 Strikes In A Jig On Ascending Notes That Cross The Register Break
Step 48 Jig Containing A Variety Of Short Rolls
The Rights of Man (Whistle)
Figure 15-17. A Setting Of The Reel The Skylark Using Condensed Short Double Cut Rolls On A, G, F-Sharp, And E.
Banish Misfortune
Killarney Boys Of Pleasure
Clarke C, Frost Is All Over
Study 40 A Jig Containing Long Rolls That Begin On Each Of The Three Subdivisions Of The Pulse
George White’s Favorite
Kit O’Mahoney’s
Martin Kirwan’s March
Lord Inchiquin
I’m The Boy For Bewitching Them
Din Tarrant’s
Get Up Old Woman And Shake Yourself
Fitzgerald’s
George Brabazon
Din Tarrant’s
Get Up Old Woman And Shake Yourself
The Pleasures Of Hope
The Blackbird (Set Dance)
The Ship Doctor
Fitzgerald’s
The First Of May
Cedulie's Reel (Reel A Cedulie)
George Brabazon
Michael Kennedy Jigs: Untitled/Untitled/Haste to the Wedding
S 47. leapwise descending short rolls in reel. whistle
S 43. stepwise descending short rolls in jig. flute
Tom Billy's Jig. flute
S 49. variety of short rolls in reel. whistle
21-2. The Drunken Landlady, 1st 2 bars. reel. whistle
The Humours of Ballyloughlin (Flute)
Jimmy Ward's Jig (Whistle)
A Fig for a Kiss (Flute)
The Drunken Landlady (Flute)
The Boys of Ballisodare (Whistle)
The Shaskeen (Flute)
Tripping Up the Stairs (Flute)
The Walls of Liscarroll / Maguire's Kick / The Lark on the Strand
Old Joe's Jig (Whistle)
The Glen Allen Reel (Flute)
The Mountain Road (Flute)
The Banshee (Whistle)
Tom Billy's Jig (Flute)
The Star Above the Garter (Whistle)
The Monaghan Jig (Whistle)
Willie Coleman's Jig (Whistle)
The Battering Ram (Whistle)
The Blarney Pilgrim (Whistle)
Roaring Mary (Flute)
Hardiman the Fiddler (Flute)
The Rose in the Heather (Flute)
The Whinny Hills of Leitrim (Flute)
Gravel Walk
The Frost Is All Over (Flute)
The Home Ruler (Whistle)
Hardiman the Fiddler
Lad O'Beirne's Reel (Whistle)
The Cliffs of Moher (Whistle)
Figure 15-13: A Setting of the Reel 'The Skylark' Using Condensed Long Double Cut Rolls on F-Sharp
The Gravel Walk (Whistle)
John Stenson's Reel (Whistle)
Maids of Ardagh (Flute)
Christmas Eve (Whistle)
Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using Cuts and a Variety of Strikes (Whistle)
Figure 10-5: the Jig 'The Sporting Pitchfork' With Long Rolls on G, F-Sharp and E (Whistle)
Rose in the Heather
Lord Mayo (Flute) and Give Me Your Hand (Flute)
The Green Cottage
Corney Is Coming
The Cloon
The Return from Fingal
Langstrom's Pony
The Rainy Day
Bill Harte's
Lannigan's Ball
An Trí is a Rian (The Three and Their Impact)
Tear the Calico
The Rambler
Snug in a Blanket
Jack Regan’s
The Hag With the Money
Figure 34
From Galway to Dublin
Galway Bay
Terry Teahan’s
Farrell O’Gara
The Peeler’s Jacket
The Day I met Tom Moylan/Josie McDermott's/The Collier's Reel
Tripping Up the Stairs (Flute)
The Walls of Liscarroll / Maguire's Kick / The Lark on the Strand
Old Joe's Jig (Whistle)
The Glen Allen Reel (Flute)
The Mountain Road (Flute)
The Banshee (Whistle)
Tom Billy's Jig (Flute)
The Star Above the Garter (Whistle)
The Monaghan Jig (Whistle)
Willie Coleman's Jig (Whistle)
The Battering Ram (Whistle)
The Blarney Pilgrim (Whistle)
Roaring Mary (Flute)
Hardiman the Fiddler (Flute)
The Rose in the Heather (Flute)
The Whinny Hills of Leitrim (Flute)
Gravel Walk
The Frost Is All Over (Flute)
The Home Ruler (Whistle)
Hardiman the Fiddler
Lad O'Beirne's Reel (Whistle)
The Cliffs of Moher (Whistle)
Figure 15-13: A Setting of the Reel 'The Skylark' Using Condensed Long Double Cut Rolls on F-Sharp
The Gravel Walk (Whistle)
John Stenson's Reel (Whistle)
Maids of Ardagh (Flute)
Christmas Eve (Whistle)
Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using Cuts and a Variety of Strikes (Whistle)
Figure 10-5: the Jig 'The Sporting Pitchfork' With Long Rolls on G, F-Sharp and E (Whistle)
Rose in the Heather
Lord Mayo (Flute) and Give Me Your Hand (Flute)
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