Listen & view John Tomlinson's lyrics & tabs

Götterdämmerung, DRITTER AUFZUG/ACT 3, Zweite Szene/Scene 2: Trauermusik (Orchester)

Bluebeard's Castle: Prologue & Opening

Bluebeard's Castle: First Door (The Torture Chamber)

Bluebeard's Castle: Fifth Door (Bluebeard's Kingdom)

Bluebeard's Castle: Fourth Door (The Secret Garden)

Bluebeard's Castle: Sixth Door (Tears)

Bluebeard's Castle: Third Door (The Treasury)

Bluebeard's Castle: Second Door (The Armoury)

Bluebeard's Castle: Seventh Door (Bluebeard's Former Wives)

Monteverdi: L'Orfeo / Act 3 - O tu ch'innanzi morte

Handel: Messiah / Part 1 - 4. Accompagnato: Thus saith the Lord

Messiah / Part 2-38. Air: "Why do the nations so furiously rage together?"

Handel: Messiah / Part 1 - 10. Accompagnato: For behold, darkness shall cover

Verdi: La traviata / Act 1 - "Dell'invito trascorsa è già l'ora"

38. Air: "Why do the nations so furiously rage together?"

Handel: Messiah / Part 2 - 38. Air: "Why do the nations so furiously rage together?"

Le Nozze Di Figaro - Non Piu Andrai Farfallone Amoroso

Messiah / Part 1: 4. Accompagnato: Thus saith the Lord

11. Air: The people that walked in darkness

Alcina - Opera in three acts HWV34, Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)

Messiah / Part 1: 11. Air: The people that walked in darkness

Handel: Messiah / Part 3 - 45. Accompagnato: Behold, I tell you a mystery

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana)

Alcina - Opera in three acts HWV34, Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)

10. Accompagnato: For behold, darkness shall cover

Bartók: Cantata Profana, BB.100, Sz.94 - The Nine Splendid Stags - 1. Molto moderato

Handel: Messiah / Part 3 - 46. Air: The trumpet shall sound

Alcina - Opera in three acts HWV34, Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)

Alcina - Opera in three acts HWV34, Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)

L'Orfeo / Act 3: O tu ch'innanzi morte

Puccini: Tosca / Act 3 - "Mario Cavaradossi?" - "A voi"

Handel: Messiah / Part 1 - 11. Air: The people that walked in darkness

Messiah / Part 1: 10. Accompagnato: For behold, darkness shall cover

Alcina - Opera in three acts HWV34, Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)

Bartók: Cantata Profana, BB.100, Sz.94 - The Nine Splendid Stags - 2. Andante

Messiah, HWV 56 / Pt. 3 : 46. "The trumpet shall sound"

Handel: Hercules / Act 3 - Recit. acc: "O Jove! what land is this"

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 1, Overture: Musette

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 1, Overture: Menuet

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 1, Overture: [Largo] - Allegro

Bartók: Cantata Profana, BB.100, Sz.94 - The Nine Splendid Stags - 3. Moderato

Messiah, HWV 56 / Pt. 1 : 11. "The people that walked in darkness"

Monteverdi: L'Orfeo / Act 3 - "Ben mi lusinga" - "Ahi, sventurato amante" - Sinfonia - "Ei dorme"

Third Day: Götterdämmerung, Prologue: O heilige Götter! (Brünnhilde/Siegfried)

Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)

Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)

Non Piu Andrai

Third Day: Götterdämmerung, Act III: Zurück vom Ring! (Hagen)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)

Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)

Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)

Twilight of the Gods, Zuruck Vom Ring!

Groß Glück und Heil...Heil dir, Gunther!

Third Day: Götterdämmerung, Act III: Trauermarsch (Orchester)

Die Sieben Todsünden, '(The) Seven Deadly Sins': Zorn (Anger): Das geht nicht vorwärts

Handel: Hercules / Act 1 - Recit: "Thanks to the powers above"

Alcina - Opera in three acts HWV34, Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)

Die Sieben Todsünden, '(The) Seven Deadly Sins': Introduction: Meine Schwester und ich stammen aus Louisiana

Messiah / Part 2 - 38. Air: "Why do the nations so furiously rage together?"

Tosca / Act 3 : "Mario Cavaradossi?" - "A voi"

Handel: Messiah, HWV 56 / Pt. 1 - 10. "For behold, darkness shall cover"

Claudio Monteverdi: L'Orfeo / Act 3 - O tu ch'innanzi morte

Third Day: Götterdämmerung, Prologue: Hornruf (Schnell) Siegfrieds Rheinfahrt (Orchester)

Messiah / Part 3: 46. Air: The trumpet shall sound

Bellini: La Sonnambula / Act 1 - Viva Amina!

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)

I Capuleti e i Montecchi, Act I - Scene 1: O di Capellio, generosi amici (Tebaldo/Coro/Cappellio/Lorenzo)

Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)

Götterdamerung: Hoi-ho (extract with voice over)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 2: Aria: Ma quando tornerai (Alcina)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)

Messiah, HWV 56 / Pt. 1 : 10. "For behold, darkness shall cover"

Die Sieben Todsünden, '(The) Seven Deadly Sins': Faulheit (Sloth): Müssiggang ist aller Laster Anfang

Handel: Messiah, HWV 56 / Pt. 2 - 38. "Why do the nations so furiously rage together?"

I Capuleti e i Montecchi, Act I - Scene 1: Si: m'abbraccia

O tu ch'innanzi morte

45. Accompagnato: Behold, I tell you a mystery

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 8: Recit.: Reina, sei tradita (Oronte, Alcina)

Bluebeard's Castle: Hajnalban az elsöt leltem - Negyediket éjjel leltem

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 2: Recit.: Qual odio ingiusto contro me? (Bradamante, Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)

Handel: Hercules / Act 2 - Recit: "You are deceived! Some villain has belied"

Die Sieben Todsünden, '(The) Seven Deadly Sins': Stolz (Pride): Als wir aber ausgestattet waren

Handel: Messiah, HWV 56 / Pt. 1 - 11. "The people that walked in darkness"

Messiah, HWV 56 / Pt. 2 : 38. "Why do the nations so furiously rage together?"

Handel: Messiah, HWV 56 / Pt. 3 - 46. "The trumpet shall sound"

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 3: Aria: Sta nell'Ircana pietrosa tana (Ruggiero)

Third Day: Götterdämmerung, Act III: Grane, mein Ross (Brünnhilde)

Buona notte, mia figlia

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scenes 4 & 5: Aria: Ama, sospira (Morgana)

Handel: 10. Accompagnato: For behold, darkness shall cover

Messiah / Part 1: 10. Accompagnato: For behold, darkness shal...

Die Sieben Todsünden, '(The) Seven Deadly Sins': Habsucht (Avarice): Wie hier in der Zeitung steht

I Capuleti e i Montecchi, Act I - Scene 1: L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)

Die Sieben Todsünden, '(The) Seven Deadly Sins': Völlerei (Gluttony): Das ist ein Brief aus Philadelphia

I Capuleti e i Montecchi, Act I - Scene 2: Propizia è l'ora (Lorenzo/Giulietta/Romeo)

Narration 1

Messiah / Part 3: 45. Accompagnato: Behold, I tell you a mystery

I Capuleti e i Montecchi, Act I - Scene 3: Che miro?

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 2: Aria: Vorrei vendicarmi (Bradamante)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, 1986Scene 1: Aria: Qual portento mi richiama (Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 8: Aria: Ah! mio cor! schernito sei! (Alcina)

Messa da Requiem: I. Requiem & Kyrie (quartet, chorus)

Handel: Messiah, HWV 56 / Pt. 3 - 45. "Behold, I tell you a mystery"

Duke Bluebeard's Castle: Sixth Door, The Lake of Tears

Monteverdi: L'Orfeo / Act 3 - "O tu ch'innanzi morte"

Der Fliegende Hollander (The Flying Dutchman) (Sung in English): Overture

Götterdämmerung, Act III: Trauermarsch (Orchester)

Messiah / Part 2: 38. Air: "Why do the nations so furiously rage together?"

Duke Bluebeard's Castle: Third Door, The Treasure Room

I Capuleti e i Montecchi, Act I - Scene 3: Soccorso, sostegno accordagli (Tebaldo/Lorenzo/Giulietta/Romeo/Capellio)

Messa da Requiem, II. Dies irae: Dies irae (chorus)

Die Sieben Todsünden, '(The) Seven Deadly Sins': Unzucht (Lechery): Und wir fanden einen Mann

Die Sieben Todsünden, '(The) Seven Deadly Sins': Finaletto: Darauf kehrten wir zurück nach Louisiana

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 6: Recit.: Non scorgo nel tuo viso (Alcina, Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 7: Aria: Tra speme e timore (Oberto)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, 1986Scene 1: Aria: Col celarvi a chi v'ama un momento (Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 7: Recit.: Reina: io cerco in vano (Oberto, Alcina)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)

Die Sieben Todsünden, '(The) Seven Deadly Sins': Neid (Envy): Und die letzte Stadt

Handel: Hercules / Act 2 - Recit: "Yes, I congratulate" - Aria: "Alcides' name"

"Ben mi lusinga" - "Ahi, sventurato amante" - Sinfonia - "Ei dorme"

Handel: Hercules / Act 1 - Recit: "Now farewell, arms!" - Aria: "The god of battle quits the boody field"

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scenes 9 & 10: (9) Recit.: Or, che dici, Morgana? (Oronte, Morgana) - (10) Recit.: All'offesa, il disprezzo giunge l'ingrata? (Oronte)

Verdi: La forza del destino / Act 1 - Buona notte, mia figlia

Die Zauberflote (The Magic Flute), K. 620 (Sung in English): Die Zauberflote, K. 620, Act II: Sarastro's Prayer: O Isis and Osiris, listen

Messiah, HWV 56 / Pt. 1 : 5. "Thus saith the Lord"

Der Hirt auf dem Felsen, D. 965 "The Shepherd on the Rock"

Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1 - 10. "For behold, darkness shall cover"

Rossini: William Tell - Italian version / Act 1 - "Oh! quale alta d'intorno" - "Pastori intorno ergete il canto!"

Handel: Messiah, HWV 56 - The Trumpet Shall Sound

Rossini: William Tell - Italian version / Act 1 - "Contro l'ardor del giorno"

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Prologue: Bluebeard's castle, a myth, a legend (Minstrel)

I Capuleti e i Montecchi, Act II - Scene 1: Prendi, gl'istanti volano

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): First Door: The Torture Chamber: What's there? What's there? (Bluebeard)

46. Air: The trumpet shall sound

Duke Bluebeard's Castle: Fourth Door, The Garden

Messiah - The People that walked in darkness

Narration 2

Narration 3

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)

Interview: Early life and formative years

Götterdämmerung: Hier sitz'ich zur Wacht (with voice over)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 6: Aria: Mio bel tesoro (Ruggiero)

I Capuleti e i Montecchi, Act II - Scene 1: Deh! padre mio (Lorenzo/Giulietta/Capellio/Coro)

I Capuleti e i Montecchi, ATTO PRIMA Scena 1: O di Capellio, generosi amici (Tebaldo/Coro/Cappellio/Lorenzo)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scenes 8-11, Ballet: Tamburino

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 5: Recit.: Niuna forza lo arresta (Oronte, Alcina)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 4: Aria: All'alma fedel (Bradamante)

Handel: 4. Accompagnato: Thus saith the Lord

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)

I Capuleti e i Montecchi, ATTO PRIMA Scena 3: Che miro?

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)

Messiah, HWV 56 / Pt. 3 : Handel: Messiah, HWV 56 / Pt. 3 - 46. "The trumpet shall sound"

Duke Bluebeard's Castle: Second Door, The Armoury

Duke Bluebeard's Castle: Fifth Door, Bluebeard’s Vast & Beautiful Kingdom

Auf dem Strom, D. 943 "On the River"

I Capuleti e i Montecchi, Act I - Scene 3: Deh! per pietà, t'arresta (Lorenzo/Romeo/Coro)

Götterdämmerung, Act III: Grane, mein Ross (Brünnhilde)

Handel: Messiah, HWV 56 - Behold, I Tell You A Mystery

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Second Door: The Armoury: What's there? (Bluebeard)

Götterdämmerung, Act 2, Erste Szene/Scene 1: Schläfst du, Hagen, mein Sohn? (Alberich/Hagen)

Messiah / Part 2: 38. Air: "Why do the nations so furiously r...

Messiah / Part 1 - 10. Accompagnato: For behold, darkness shall cover

Götterdämmerung, Prologue: Hornruf (Schnell) Siegfrieds Rheinfahrt (Orchester)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Sixth Door: Tears: Tell me truly, tell me Bluebeard (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Fourth Door: The Secret Garden: Oh! Lovely flowers! Oh! Beautiful scents (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Second Door: The Armoury: Trembling seizes all my castle (Bluebeard)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Seventh Door: Bluebeard's Former Wives: Look upon the other women (Bluebeard)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Third Door: The Treasury: Glittering gold! (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Fifth Door: Bluebeard's Kingdom: Ah! (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Sixth Door: Tears: Silent tranquil peaceful waters … (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Opening: Here I am in Bluebeard's castle (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Fifth Door: Bluebeard's Kingdom: Look! Brightness has filled my castle (Bluebeard)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Opening: Ah! I can see 7 doorways (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Opening: Tell me why you came here, Judith (Bluebeard)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Opening: Will you enter? Look around you (Bluebeard)

Götterdämmerung, Prologue: O heilige Götter! (Brünnhilde/Siegfried)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): First Door: The Torture Chamber: Oh, I heard your castle sighing (Judith)

Duke Bluebeard's Castle: First Door, Bluebeard's Torture Chamber

"Mario Cavaradossi?" - "A voi"

Duke Bluebeard's Castle: Seventh Door, Bluebeard’s Wives

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scenes 8-11: Chorus: Dall'orror di notte cieca

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 2: Recit.: Molestissimo incontro! (Ruggiero, Alcina)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scenes 9 & 10: Aria: È un folle, è un vile affetto (Oronte)

George Frideric Handel: Messiah / Part 2 - 38. Air: "Why do the nations so furiously rage together?"

Handel: 46. Air: The trumpet shall sound

Handel: 45. Accompagnato: Behold, I tell you a mystery

I Capuleti e i Montecchi, Act I - Scene 3: Accorriam ... Romeo! (Coro/Tebaldo/Capellio/Romeo/Giulietta/Lorenzo)

Fidelio, Op. 72 (Sung in English): Act I: Pizarro's Revenge: Now, now for my victory!

Das Rheingold: Der Ring des Nibelungen, "Das Rheingold", Part I: Wotan's Monologue: The bridge leads you

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in English): Die Entfuhrung aus dem Serail, K. 384, Act III: Osmin's Revenge: When they lead you to the scaffold

I Capuleti e i Montecchi, ATTO PRIMA Scena 1: L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)

I Capuleti e i Montecchi, Act II - Scene 3: Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)

I Capuleti e i Montecchi, ATTO PRIMA Scena 1: Si: m'abbraccia

Messa da Requiem, II. Dies irae: Liber scriptus (mezzo, chorus)

Bellini: La Sonnambula / Act 1 - Io più di tutti, o Amona

Messa da Requiem, II. Dies irae: Tuba mirum (bass, chorus)

Messa da Requiem, II. Dies irae: Confutatis (bass, chorus)

Alcina HWV34 : Acte III, Scènes 8-11, Ballet : Tamburino and Chorus : Doppo tante amare pene

Recit. acc: "O Jove! what land is this"

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scenes 8-11: Chorus: Doppo tante amare pene

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 7: Recit.: Le lusinghe, gl'inganni, non udir più (Bradamante, Alcina, Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 6: Recit.: Già vicino è il momento (Oberto, Alcina)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scenes 8-11, Ballet: Entrée

Auch ich war ein Jüngling

Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1 - 11. "The people that walked in darkness"

Messiah, HWV 56 / Pt. 3 : Handel: Messiah, HWV 56 / Pt. 3 - 45. "Behold, I tell you a mystery"

L'Orfeo / Act 3 - O tu ch'innanzi morte

Rossini: William Tell - Italian version / Act 1 - Delle antiche virtudi l'esempio rinnovate

Messa da Requiem, II. Dies irae: Lacrymosa (quartet, chorus)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Sixth Door: Tears: I know what's behind it Bluebeard (Judith)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Sixth Door: Tears: My last door will stay unopened (Bluebeard)

1. Akt: Nr. 10. Aria: "Non piu andrai farfallone amoroso" (Figaro)

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Seventh Door: Bluebeard's Former Wives: Daybreak - when I found the first one (Bluebeard)

The Magic Flute

Messiah / Part 3 - 45. Accompagnato: Behold, I tell you a mystery

Bellini: La Sonnambula / Act 1 - Non più nozze

I Capuleti e i Montecchi, ATTO SECONDO Scene 1: Deh! padre mio (Lorenzo/Giulietta/Capellio/Coro)

Rossini: William Tell - Italian version / Act 1 - "Egro e tremante"

Fidelio, Op. 72 (Sung in English): Act I: Aria: If you don't have any money

A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62 (Sung in English): Seventh Door: Bluebeard's Former Wives: Midnight - when I found the fourth floor (Bluebeard)

Der Freischutz, J. 277: Act I: Song: On this earth we could not bear (Hier im ird'schen Jammertal)

Der Freischutz, J. 277: Act I: Aria: Go! Go! The fatal die is cast!

Götterdämmerung, Act III: Zurück vom Ring! (Hagen)

Der Fliegende Hollander (The Flying Dutchman) (Sung in English): Scene 2: Yohohoey! I see a ship, as black as night (Senta, Girls, Mary)

Messa da Requiem: IV. Sanctus (double chorus)

Recit: "You are deceived! Some villain has belied"

Messa da Requiem, III. Offertorio: Hostias (quartet)

Sir, I Was Disobedient

Messa da Requiem, II. Dies irae: Mors stupebit (bass)

Messa da Requiem, II. Dies irae: Rex tremendae (quartet, chorus)

Bellini: La Sonnambula / Act 2 - Lasciami: aver compreso assai dovresti

Bellini: La Sonnambula / Act 2 - De'lieti auguri a voi son grata

Handel: Acis and Galatea - Arr. Mozart K.566 / Act 2 - Rec.: Ich ras, ich schmelz, ich brenne! - Aria: Du röter als die Kirsche

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scenes 11 & 12: (11) Recit.: Ed è ver che mi narri? (Oberto, Bradamante) - (12) Recit.: Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 6: Aria: Barbara! Io ben lo so (Oberto)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Appendix 1: Aria: Bramo di trionfar (Ruggiero)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 6: Chorus: Sin per le vie del sole

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 7: Trio: Non è amor, nè gelosia (Alcina, Bradamante, Ruggiero)

Handel: 38. Air: "Why do the nations so furiously rage together?"

I Capuleti e i Montecchi, ATTO PRIMA Scena 3: Deh! per pietà, t'arresta (Lorenzo/Romeo/Coro)

Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scenes 8-11: (8) Recit.: Prendi, e vivi (Ruggiero, Oronte) - (9) Recit.: Ah mio Ruggier, che tenti? (Alcina, Ruggiero, Bradamante) - (10) Recit.: Misera, ah, no! (Alcina, Morgana) - (Final scene) Recit.: A che tardi? (Melisso, Ruggiero, Oronte, Brad., Alcina, Morgana)

Der Waffenschmied - Komische Oper in drei Akten: Entr'act

Le Nozze Di Figaro-Non Piu Andrai Farfallone Amoroso

Opening: Will You Enter? Look Around You (Bluebeard)

Second Door: The Armoury: What's There? (Bluebeard)

Opening: Tell Me Why You Came Here, Judith (Bluebeard)

Messiah, HWV 56 / Pt. 2 : Handel: Messiah, HWV 56 / Pt. 2 - XXXVIII. "Why Do the Nations so Furiously Rage Together?"

Second Door: The Armoury: Trembling Seizes All My Castle (Bluebeard)

In a Persian Garden: In a Persian Garden: Myself when young

Samson, HWV 57: Samson, HWV 57, Act II: Aria: Honour and arms scorn such a foe

Bluebeard's Castle (sung in English): Opening: Tell me why you came here, Judith (Bluebeard)

Giulio Cesare In Egitto (Julius Caesar), HWV 17: Act I Scene 4: Ne'er Reject a Tender Lover (Achillas)

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