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Takemitsu:Dream/Window (for orch)
Stravinsky: Requiem Canticles (1965-66) - Prelude
How Slow the Wind
The Prince of the Pagodas, op.57 (1956) - Act I - Prelude
The Prince of the Pagodas, op.57 (1956) - Act I - The Rage of the Kings
Takemitsu:Twill by Twilight "In memory of Morton Feldman" (for large Orch.)
Takemitsu: Day Signal (1987) - Signals from Heaven I - Antiphonal Fanfare for two brass groups
Stravinsky: Requiem Canticles (1965-66) - Postlude
Archipelago S.
Day Signal (Signals from Heaven I)
Twill by Twilight
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - The Pagoda Palace: Transformation
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 1 - Appearance of Belle Rose and the Salamander
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Apotheosis
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Belle Rose, exhausted, borne in by the Frogs
Takemitsu:Day Signal "Signals from Heaven I": Antiphonal Fanfare for two Brass Groups
Night Signal (Signals from Heaven II)
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Pas de Deux: Male and Female Flames
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Variation: Sea Horses
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Variation: Male Flame
Takemitsu:How Slow the Wind (Chamber Orch.)
The Prince of the Pagodas, op.57 (1956) - Act I - The Kings and Belle Rose
The Prince of the Pagodas, op.57 (1956) - Act I - Belle Epine and the Four Kings
The Prince of the Pagodas, op.57 (1956) - Act I - Variation of Princess Belle Epine
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Entrée: Sea Horses, Fish Creatures and Waves
Takemitsu:Archipelago S. (for 21 instr)
The Prince of the Pagodas, op.57 (1956) - Act I - Variation of the King of the North
The Prince of the Pagodas, op.57 (1956) - Act I - Variation of the King of the West
Green (November Steps II)
Takemitsu:Night Signal "Signals from Heaven II": Antiphonal Fanfare for two Brass Groups
Requiem Canticles - Prelude
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Coda
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation III. Pas de Trois
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Pas de Six
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation III. Boy's solo
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 1: The Palace of the Middle Kingdom - Empress Belle Epine
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation I. Pas de Deux
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation III. Coda
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Pas de Caractere. The Emperor and the Fool
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation V. Belle Rose
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Finale
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Variation IV. The Prince
The Prince of the Pagodas, op.57 (1956) - Act III, Scene 2 - Pas de Deux. Belle Rose and the Prince of the Pagodas
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 2 - The Salamander
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 2 - Pas de Deux: The Prince and Belle Rose
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 2 - Belle Rose hunts for the Prince
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Variation: Female Flame
Takemitsu: How Slow the Wind (1991) for chamber orchestra
The Prince of the Pagodas, op.57 (1956) - Act I - The Kings bow before the Emperor
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Waltz: Clouds, Stars and Moon
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land - Introduction: Belle Rose borne in by the Frogs
Ritual Fragment
Stravinsky: Requiem Canticles (1965-66) - Interlude
Three Occasions for Orchestra: I. A Celebration of Some 150x100 Notes
Knussen: Higglety Pigglety Pop!, op.21 - or, There must be more to Life / Scene 7 - Ash-Tree - Adagio: A little meditation
Three Occasions for Orchestra: III. Anniversary
Three Occasions for Orchestra: II. Remembrance
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XVI (Third Pas-de-deux And Murder)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XV (The Chorus Girls' Third Dance)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XIII-XIV (The Courtroom; The Waiter Sworn In)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene I (Prelude)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene IX-X (The Courtroom; The Honeymoon Couple)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene VIII (Pas-de-deux Continued; First Murder)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XI (The Chorus Girls Dance With Doves)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene V (The Night-Club Hostess Sworn In)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scenes II-IV (The Courtroom; Dance...)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene VII (First Pas-de-deux)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XVII-XVIII (The Verdict; The Courtroom)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XII (Second Pas-de-deux And Murder)
Copland: Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene VI (The Chorus Girls' First Dance)
Undine: 1. Lento
Undine: 2 c. Vivace
Undine: 2 b. Andante
Undine: 2 a. Allegretto
Henze: Undine - 2 a. Allegretto
Henze: Undine - 2 b. Andante
Henze: Undine - 1. Lento
Khorovod
Act I: Variation of the King of the North
Requiem Canticles - Exaudi
Requiem Canticles - Tuba mirum
Requiem Canticles - Dies irae
The Way to Castle Yonder, op.21a: - The Ride to Castle Yonder
The Way to Castle Yonder, op.21a: - Kleine Trauermusik
The Way to Castle Yonder, op.21a: The Journey to The Big White House
Two Organa, op.27: 1. Notre Dame des Jouets
Two Organa, op.27: 2. Organum to honour the 20th anniversary of the Schoenberg Ensemble
1.04a Die Nymphe Undine erscheint
1.09 Tirrenio, König des Mittelmeeres, hindert Palemons Weg durch einen Wasse...
1.08 Verwandlung zum Wald. Undine und Palemon tanzen durch den Wald
1.04b Adagio
1.05 Undines Schattentanz
1.02b Palemon nähert sich seiner Verlobten Beatrice, um ihr ein Amulett zu üb...
Day signal (1987) - Signals from heaven I
1.02a Jäger und Gäste haben sich vor dem Schloss versammelt
1.06b Undine flieht in den Wald, Palemon folgt ihr, Beatrice ruft um Hilfe
1.10b Doch Palemon hält Undine fest in seinen Armen
Water-ways
1.10a Tritonen und Nymphen werden herbeigerufen, um das Paar zu trennen
1.03 In einem meditierenden Tanz verleiht Palemon seinen Gedanken Ausdruck
1.07 Die verwirrten Gäste verfolgen Palemon
1.02c Die stolze Beatrice weist das Amulett zurück
1.06a Palemon vergisst Beatrice und versucht, sich Undine zu nähern
1.01 Lento - Andante
2.01 Seeleute machen ein Boot fertig, Palemon und Undine gehen an Bord.
Day signal (1987) - Signals from heaven I
1.02a Jäger und Gäste haben sich vor dem Schloss versammelt
1.11e Der Eremit zeigt Beatrice den Weg, doch die Tritonen zerstreuen sie
1.06b Undine flieht in den Wald, Palemon folgt ihr, Beatrice ruft um Hilfe
3.03a Pas de seize. Entrée - Die Hochzeitsgäste treten auf
1.10b Doch Palemon hält Undine fest in seinen Armen
3.04 Scène - Tirrenio und die Masken treten ein
Water-ways
1.10a Tritonen und Nymphen werden herbeigerufen, um das Paar zu trennen
Undine: 4 b. Adagio
3.03c Pas de seize. Variation - Tanz der Männer
1.03 In einem meditierenden Tanz verleiht Palemon seinen Gedanken Ausdruck
3.03d Pas de seize. Variation - Beatrices Tanz
1.07 Die verwirrten Gäste verfolgen Palemon
2.08 Beatrice weist das Amulett zurück. Tirrenio holt Undine. Sturm, Gewitter...
2.04a Das Boot auf dem offenen Meer
3.02a Palemon erscheint in einer Vision die weinende Undine
1.11c Er traut sie in Anwesenheit von Tirrenio und seinem Gefolge
2.03 Das Boot legt ab. Verwandlung zum offenen Meer
1.02c Die stolze Beatrice weist das Amulett zurück
1.06a Palemon vergisst Beatrice und versucht, sich Undine zu nähern
Undine: 5. Andante con moto
Undine: 3. Moderato
2.05a Pas de trois - Palemon will Undine das Amulett schenken, doch Beatrice ...
1.01 Lento - Andante
Undine: 4 a. Adagio
2.05b Variation - Tirrenio holt sich das Amulett
2.02 Beatrice kommt dazu und geht auch an Bord des Boots
2.07 Undine holt für Beatrice ein Korallenamulett aus dem Wasser
The Flood - Prelude, Te Deum laudamus
The Prince of the Pagodas, op.57 (1956) - Act II, Scene 1 - Belle Rose borne in by the Frogs
Fourth Sonata: Part II (1)
Fourth Sonata: Beginning (Part I) = 60
Meridian - 1
Melencolia I - 1
Fourth Sonata: Part II (2)
Fourth Sonata: Sempre molto legato e pianissimo (Part III)
Fourth Sonata: Molto sostenuto (Part II (2))
Suns Dance: 1. Allegro (= 152)
Suns Dance: 3. (oboe)
Suns Dance: 2. Tempo giusto (contrabassoon)
Meridian - 4
Variations (1963-64): Aldous Huxley in memoriam
Broken Symmetry: 3. (Trio 1: Threnody)
Broken Symmetry: 2. (Introduction II)
Suns Dance: 4. Allegro assai
Flourish with Fireworks
Meridian - 6
Melencolia I - 2
Meridian - 5
Takemitsu: Twill by Twilight (1988) - In Memory of Morton Feldman - for large orchestra
Takemitsu: Twill by Twilight (1988) - In Memory of Morton Feldman - for large orchestra
Suns Dance: 7. Tutti (= 152)
Broken Symmetry: 4. Tempo giusto (Scherzo 1)
Broken Symmetry: 10. Feroce (Scherzo & Trio 4)
Suns Dance: 8. Poco meccanicamente
Suns Dance: 6. (bass clarinet)
Broken Symmetry: 12. Pesante (Scherzo & Trio 6)
Broken Symmetry: 7. Spettrale (Trio 3: Monody)
Broken Symmetry: 8. Sostenuto ma agitato (Scherzo 3)
Suns Dance: 9. Tempo giusto
Broken Symmetry: 5. (Trio 2: Parody)
Suns Dance: 10. (piccolo and bass)
Suns Dance: 5. Tempo giusto (viola)
Broken Symmetry: 13. Molto vivo (Stretto)
Suns Dance: 11. Coda
Broken Symmetry: 11. Molto vigoroso (Scherzo & Trio 5)
Broken Symmetry: 9. Subito sostenuto (Centre)
Dialogues (2003)
Broken Symmetry: 6. Vigoroso (Scherzo 2)
Broken Symmetry: 14. Coda
Act II, Scene 1: Belle Rose borne in by the Frogs
Act II, Scene 1: Coda
A Reliquary for Igor Stravinsky (1974-75): Reliquary
A Reliquary for Igor Stravinsky, for orchestra: Reliquary
Variations: Aldous Huxley in Memoriam, for orchestra
A Reliquary for Igor Stravinsky, for orchestra: Variation
Meridian - 10
Meridian - 7
Meridian - 8
Meridian - 3
Melencolia I - 4
Quotation of Dream - Say Sea, Take Me!
II. The Pagodas
3.07d Finale. Pas de deux. Palemon küsst sie und bricht tot zusammen
3.07c Finale. Variation. Palemon versucht, Undine zu halten
A Reliquary for Igor Stravinsky (1974-75): Coda
Act I: The Kings bow before the Emperor
Act I: Entry of the Pages and the Four Kings
Variations
Three Occasions for Orchestra: Anniversary
Reliquary
A Reliquary for Igor Stravinsky (1974-75): Variation
Act I: The Kings and Belle Rose
A Reliquary for Igor Stravinsky (1974-75): Variation continued
Act I: Entry of the Four Winged Frogs
Three Occasions for Orchestra: A Celebration of some 100 x 150 Notes
Act I: Belle Epine and the Four Kings
Act I: March and Courtiers dance
Three Occasions for Orchestra: Remembrance
A Reliquary for Igor Stravinsky (1974-75): Lament
Act I: Prelude
Act I: The Palace of the Emperor of the Middle Kingdom: The Fool and the Dwarf
Reliquary
Abraham & Isaac - And Abraham Lifted Up His Eyes and Looked
Requiem Canticles - Lacrimosa
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Postlude
A Reliquary for Igor Stravinsky (1974-75): Variation
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Exaudi
Act I: Variation of the King of the East
Act I: The Kings and Belle Rose
Act II, Scene 1: Pas de Deux: Male and Female Flames
Act II, Scene 1: Variation: Female Flame
Act II, Scene 1: Belle Rose, exhausted, borne in by the Frogs
Act I: Variation of the King of the South
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Rex tremendae
A Reliquary for Igor Stravinsky (1974-75): Variation continued
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Lacrimosa
Act I: Variation of Princess Belle Rose and Pas de Deux
Act I: Entry of the Four Winged Frogs
Three Occasions for Orchestra: A Celebration of some 100 x 150 Notes
A Reliquary for Igor Stravinsky, for orchestra: Variation continued
Act I: Belle Epine and the Four Kings
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Interlude
Act I: March and Courtiers dance
Abraham & Isaac - After These Things God Tested Abraham
Act II, Scene 1: Entree: Sea Horses, Fish Creatures and Waves
Three Occasions for Orchestra: Remembrance
A Reliquary for Igor Stravinsky, for orchestra: Coda
Act II, Scene 1: Waltz: Clouds, Stars and Moon
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Libera me
A Reliquary for Igor Stravinsky (1974-75): Lament
Act I: Prelude
Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Introduction: Belle Rose...
Act III: 1. Recitativo
Act II, Scene 1: Variation: Fish Creatures
Act II, Scene 1: Variation: Sea Horses
The Flood, musical play for 3 vocal soloists, narrator, caller, speakers, chorus & orchestra: Prelude. Te Deum laudamus
Act I: The Palace of the Emperor of the Middle Kingdom: The Fool and the Dwarf
Requiem Canticles, for 2 vocal soloists, chorus & orchestra: Prelude
Tree Line
Opening
Riverrun
Act II, Scene 2- The Pagodas
Copland: Prelude for Chamber Orchestra
Act I- The Palace of the Emperor of the Middle Kingdom- The Fool and the Dwarf
Comedy of Change - IV. -
Comedy of Change - II. -
Comedy of Change - I.
Matthews: Fourth Sonata (1974-75) - 1. Beginning (Part I) = 60
Concerto for Orchestra: Ia. Introduction (Misterioso)
Matthews: Fourth Sonata (1974-75) - 2. Part II (1)
Concerto for Orchestra: I. Allegro non troppo
Comedy of Change - III.
‎Stravinsky: Variations (1963-64) - Aldous Huxley in memoriam
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