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Pulcinella - Complete Ballet: 2. Serenata: Mentre l'erbetta pasce l'agnella (tenor)
Les Noces (The Wedding): Scene 1: The Tresses (At the Bride's House)
Les Illuminations Op. 18: IIIa. Phrase
Les Noces (The Wedding): Scene 2: At the Bridegroom's House
Anonymous: Music of the Gothic Era - Ars antiqua - Amor potest
El grillo e buon cantore (frottola)
Anonymous: Music of the Gothic Era - Ars antiqua - Alle, psallite cum luya
Anonymous: Music of the Gothic Era - Ars antiqua - In mari miserie
Saul (2002 Digital Remaster), Act I: O Lord, whose mercies numberless
Les Noces (The Wedding): Scene 3: The Departure of the Bride
de la Halle: De ma dame vient
Scaramella va alla guerra (villotta)
In mari miserie
Tritons
Leonin: Music of the Gothic Era - Notre Dame Period - 2. "Alleluya Pascha nostrum"
De ma dame vient
Alle, psallite cum luya
As You Like It: Under the Greenwood Tree: Under the Greenwood Tree
Les Noces (The Wedding): Scene 4: The Wedding Feast
Pérotin: Music of the Gothic Era - Notre Dame Period - Viderunt omnes
Anonymous: Music of the Gothic Era - Ars nova - Clap, clap, par un matin
Handel: Acis and Galatea - First Version - Oh, the pleasure of the plains
Oedipus Rex: Prologue
Amor potest
El mois de mai
Ce moys de may (rondeau)
Anon in Love: Fain would I change that note
Anonymous: Music of the Gothic Era - Ars antiqua - S'on me regarde
Anon in Love: Lady, when I behold the roses
Anon in Love: My love in her attire
Anonymous: Music of the Gothic Era - Ars antiqua - El mois de mai
Anonymous: Music of the Gothic Era - Ars nova - Zelus familie
Donna di dentro della tua casa (quodlibet)
Anon in Love: O stay, sweet love
Clap, clap, par un matin
Allegez moy, doulce plaisant brunette (1996 Digital Remaster): I - Original six-part chanson
Anonymous: Music of the Gothic Era - Ars antiqua - La mesnie fauveline
de Cruce: Aucun ont trouvé
St. Matthew Passion, BWV 244: Part I: Chorale: Kommt, ihr Tochter, helft mir klagen (Chorus)
Anon in Love: I gave her cakes and I gave her ale
Anonymous: Music of the Gothic Era - Ars antiqua - Dominator Domine
Anonymous: Music of the Gothic Era - Ars nova - Inter densas deserti
St. Matthew Passion, BWV 244: Part I: Sind Blitze, sind Donner in Wolken verschwunden? (Chorus)
Anon in Love: To couple is a custom
Handel: Acis and Galatea - First Version - Would you gain the tender creature
Handel: Acis and Galatea - First Version - Shepherd, what art thou pursuing
St. Matthew Passion, BWV 244: Part I: Chorale: Herzliebster Jesu, was hast du verbrochen (Chorus)
Oedipus Rex: Introducing Creon
Gilles: Messe des Morts - Introitus
Handel: Acis and Galatea - First Version - Consider, fond shepherd
St. Matthew Passion, BWV 244: Part I: Chorale: Ich bin's, ich sollte bussen (Chorus)
Oedipus Rex: Introducing Jocasta
St. Matthew Passion, BWV 244: Part I: Recitative: Du lieber Heiland du (Alto)
Oedipus Rex: Introducing Jocasta
St. Matthew Passion, BWV 244: Part I: Blute nur, du liebes Herz! (Soprano)
2. "Alleluya Pascha nostrum"
Machaut: Lasse! comment oublieray
Adieu mes amours (1976 Digital Remaster): I - Original four-part chanson from Petrucci's "Harmonice musices odhecaton A" (Venice, 1501)
Purcell: The Fairy Queen / Act 4 - Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all"
Oedipus Rex: Introducing Tiresias
Fortuna desperata (1976 Digital Remaster): II - Six-part version (Agricola)
Ein Frohlich wesen (1976 Digital Remaster): I - Original three-part chanson
Saul (2002 Digital Remaster), ACT 1: O Lord, whose mercies numberless
St. Matthew Passion, BWV 244: Part II: Aria: Erbarme dich (Alto)
St. Matthew Passion, BWV 244: Part I: Recitative: Da ging hin der Zwolfen einer (Evangelist, Judas)
St. Matthew Passion, BWV 244: Part I: Recitative: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)
St. Matthew Passion, BWV 244: Part I: Aria: Buss und Reu (Alto)
Oedipus Rex: Introducing the Messenger
Oedipus Rex: Epilogue
Du tout plongiet - Fors seulemnet I'attente (after Johannes Ockeghem) (rondeau)
St. Matthew Passion, BWV 244: Part I: Recitative: Da nun Jesus war zu Bethanien (Evangelist)
St. Matthew Passion, BWV 244: Part I: Wozu dienet dieser Unrat? (Chorus)
St. Matthew Passion, BWV 244: Part I: Aria: Ich will dir mein Herze schenken (Soprano)
St. Matthew Passion, BWV 244: Part I: Chorale: Erkenne mich, mein Huter (Chorus)
St. Matthew Passion, BWV 244: Part I: Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano)
St. Matthew Passion, BWV 244: Part I: Recitative: Er sprach (Evangelist) - Gehet hin di die Stadt (Jesus)
St. Matthew Passion, BWV 244: Part I: Recitative: Petrus aber antwortete (Evangelist, Jesus, Petrus)
3 Facade Settings (arr. C. Palmer): Tango - Pasodoble
Febus mundo oriens
Music Of The Gothic Era - Notre Dame Period : 2. "Alleluya Pascha nostrum"
Purcell: The Fairy Queen / Act 4 - Song: "See my many Colour'd Fields"
Anonymous: Music of the Gothic Era - Ars nova - Febus mundo oriens
St. Matthew Passion, BWV 244: Part I: Chorale: Ich will hier bei dir stehen (Chorus)
St. Matthew Passion, BWV 244: Part I: Recitative: Er antwortete und sprach (Evangelist, Jesus, Judas)
Handel: Acis and Galatea - First Version - Mourn, all ye Muses
St. Matthew Passion, BWV 244: Part I: Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus)
3 Facade Settings (arr. C. Palmer): Long Steel Grass
St. Matthew Passion, BWV 244: Part I: Chorale: Was mein Gott will, das g'scheh allzeit (Chorus)
3 Facade Settings (arr. C. Palmer): Popular Song
Act 1 scene ii: The Chapel
Voices from the Sea - 'Live' in concert 3rd April 1985: Unwritten letter
Ghy syt die werste boven al
Missa sine nomine (1976 Digital Remaster): Kyrie
Credo super 'De tous biens'
Gabrieli: Symphoniae Sacrae II, 1615 - Quem vidistis pastores a 14
Shakespeare songs for tenor and string quartet, Op. 378: IV. Spring
Handel: Acis and Galatea - First Version - Galatea, dry thy tears
St. Matthew Passion, BWV 244: Part I: Recitative: Und er kam zu seinen Jungern (Evangelist, Jesus)
St. Matthew Passion, BWV 244: Part I: Recitative: Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas)
St. Matthew Passion, BWV 244: Part I: Chorale: O Mensch, bewein dein Sunde gross (Chorus)
Act 1 scene i: Courtroom
Fortuna desperata (1976 Digital Remaster): I - Original three-part chanson
Mijn morken gaf mij een jonck wijff (quodlibet)
Prenez sur moi vostre exemple amoureux (canon a 3)
St. Matthew Passion, BWV 244: Part II: Recitative: Mein Jesus schweigt zu falschen Lugen stille (Tenor)
St. Matthew Passion, BWV 244: Part II: Recitative: Die aber Jesum gegriffen hatten (Evangelist)
St. Matthew Passion, BWV 244: Part II: Aria: Ach! Nun ist mein Jesus hin! (Alto, Chorus)
Vespro della Beata Vergine (1610): Concerto - Nigra sum
St. Matthew Passion, BWV 244: Part I: Recitative: Und ging hin ein wenig (Evangelist, Jesus)
St. Matthew Passion, BWV 244: Part I: Aria: Ich will bei meinem Jesu wachen (Tenor, Chorus)
St. Matthew Passion, BWV 244: Part I: Aria: Gerne will ich mich bequemen (Bass)
St. Matthew Passion, BWV 244: Part I: Recitative: Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus)
St. Matthew Passion, BWV 244: Part I: Recitative: O Schmerz, hier zittert das gequalte Herz (Tenor)
Serenade Op. 31: 1. Pastoral: The day's grown old (Charles Cotton)
Pulcinella - Complete Ballet: 2. Serenata: Mentre l'erbetta pasce l'agnella (tenor)
St. Matthew Passion, BWV 244: Part II: Chorale: Mir hat die Welt truglich gericht' (Chorus)
St. Matthew Passion, BWV 244: Part II: Chorale: Bin ich gleich von dir gewichen (Chorus)
Haec Deum caeli
De profundis a 5
Benedicta es caelorum regina
St. Matthew Passion, BWV 244: Part II: Recitative: Und wiewohl viel falsche Zeugen herzutraten (Evangelist, Witness, High Priest)
Handel: Acis and Galatea - First Version - Must I my Acis still bemoan
St. Matthew Passion, BWV 244: Part II: Aria: Aus Liebe will mein Heiland sterben (Soprano)
St. Matthew Passion, BWV 244: Part I: Recitative: Der Heiland fallt vor seinem Vater nieder (Bass)
Gabrieli: Symphoniae Sacrae II, 1615 - In ecclesiis a 14
Ein Frohlich wesen (1976 Digital Remaster): III - Four-part chanson (Obrecht)
Anonymous: Music of the Gothic Era - Ars antiqua - En mai, quant rosier sont
Inviolata integra et casta es Maria
St. Matthew Passion, BWV 244: Part II: Recitative: Und der Hohepriester antwortete (Evangelist, High Priest, Jesus)
St. Matthew Passion, BWV 244: Part II: Recitative: Des Morgens aber hielten alle Hohepriester (Evangelist, Judas)
St. Matthew Passion, BWV 244: Part III: Chorale: O Haupt voll Blut und Wunden (Chorus)
Vespro della Beata Vergine (1610): Psalm 112 - Laudate pueri
St. Matthew Passion, BWV 244: Part I: Aria and Chorus: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus)
St. Matthew Passion, BWV 244: Part I: Recitative: Und siehe, einer aus denen (Evangelist, Jesus)
Lady Macbeth of Mtsensk (2002 Digital Remaster), Act 3, Dritter Akt, Troisième Acte, Scene 7, Siebte Szene, Septième Scène: U Izmaýlovoy seychás pir goróy (Sergeant, Policemen, Policman, Teacher)
St. Matthew Passion, BWV 244: Part II: Chorale: Wer hat dich so geschlagen (Chorus)
Missa 'Ave sanctissima Maria' (1976 Digital Remaster): Sanctus
Anonymous: Music of the Gothic Era - Ars nova - Quant je le voi
St. Matthew Passion, BWV 244: Part II: Aria: Geduld! Geduld! (Tenor)
St. Matthew Passion, BWV 244: Part II: Recitative: Und er warf die Silberlinge in den Tempel (Evangelist)
St. Matthew Passion, BWV 244: Part III: Chorale: Wenn ich einmal soll scheiden (Chorus)
St. Matthew Passion, BWV 244: Part II: Chorale: Wie wunderbarlich ist doch diese Strafe! (Chorus)
St. Matthew Passion, BWV 244: Part II: Recitative: Da hub er an, sich zu verfluchen (Evangelist)
Purcell: The Fairy Queen / Act 2 - Trio: "May the God of Wit inspire"
Act 2 scene i: The Courtroom
Purcell: Circe - Their necessary aid you use
Three Comic Songs: Happy Ending
Seufzer, D198
Triste España sin ventura!
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 : 1b. Christe eleison
Missa 'La bassadanza' (1976 Digital Remaster): Agnus Dei
Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all"
Nesciens mater virgo virum
St. Matthew Passion, BWV 244: Part II: Recitative: Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus)
St. Matthew Passion, BWV 244: Part II: Recitative: Petrus aber sass draussen im Palast (Evangelist, Maids, Peter)
Song: "See my many Colour'd Fields"
St. Matthew Passion, BWV 244: Part III: Recitative: Und da sie ihn verspottet hatten (Evangelist)
St. Matthew Passion, BWV 244: Part III: Der du den Tempel Gottes zerbrichst (Chorus)
St. Matthew Passion, BWV 244: Part III: Recitative: Da nahmen die Kriegsknechte (Evangelist)
St. Matthew Passion, BWV 244: Part III: Wir setzen uns mit Tranen nieder (Chorus)
St. Matthew Passion, BWV 244: Part III: Recitative: Am Abend, da es kuhle war (Bass)
Act 1 sc iv: The Throne Room (bar 467)
Pulcinella: Serenata
Gabrieli: Symphoniae Sacrae II, 1615 - Magnificat a 14
Missa 'Et ecce terrae motus' (1976 Digital Remaster): Gloria
Variations for piano: Variation 3
O bone Jesu
St. Matthew Passion, BWV 244: Part II: Chorale: Befiehl du deine Wege (Chorus)
St. Matthew Passion, BWV 244: Part III: Recitative: Ja! freilich will in uns das Fleisch und Blut (Bass)
de Pusiex: Rachel plorat filios
Dominator Domine
St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder! (Bass)
St. Matthew Passion, BWV 244: Part II: Recitative: Erbarm es Gott! (Alto)
St. Matthew Passion, BWV 244: Part II: Sein Blut komme uber uns (Chorus)
St. Matthew Passion, BWV 244: Part II: Recitative: Er hat uns allen wohlgetan (Soprano)
St. Matthew Passion, BWV 244: Part III: Aria: Komm, susses Kreuz, so will ich sagen (Bass)
Impromptu No. 2 in F minor, Op. 31: Impromptu No. 2 in F minor, Op. 31
Gilles: Messe des Morts - Kyrie
Vespro della Beata Vergine (1610): Sonata sopra "Santa Maria"
St. Matthew Passion, BWV 244: Part III: Recitative: Und siehe da, der Vorhang im Tempel zerriss (Evangelist)
St. Matthew Passion, BWV 244: Part III: Recitative: Ach Golgatha! (Alto)
St. Matthew Passion, BWV 244: Part III: Recitative: Und von der sechsten Stunde an (Evangelist, Jesus)
St. Matthew Passion, BWV 244: Part III: Recitative: Und es waren viel Weiber (Evangelist)
Handel: Anthem for the Foundling Hospital - Blessed are they that considereth the poor and needy
Purcell: Bonduca - Britons strike home
Act 1 sc iv: The Throne Room
Ballad of Heroes, Op. 14: III. Recitative and Choral - Marty
Adam de la Halle: De ma dame vient
St. Matthew Passion, BWV 244: Part II: Recitative: Auf das Fest aber hatte der Landpfleger (Evangelist, Pilate, Pilate's Wife, Chorus)
Ave sanctissima Maria
St. Matthew Passion, BWV 244: Part III: Andern hat er geholfen (Chorus)
St. Matthew Passion, BWV 244: Part III: Pilatus sprach zu ihnen (Evangelist, Pilate)
St. Matthew Passion, BWV 244: Part II: Aria: Konnen Tranen meiner Wangen (Alto)
St. Matthew Passion, BWV 244: Part III: Recitative: Und da sie an die Statte kamen (Evangelist)
St. Matthew Passion, BWV 244: Part III: Recitative: Und Joseph nahm den Leib (Evangelist)
St. Matthew Passion, BWV 244: Part III: Aria: Sehet, Jesus hat die Hand (Alto, Chorus)
Variations for piano: Variaition 4
Lasse! comment oublieray
Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 : 3b. Et incarnatus est
Ballad of Heroes, Op. 14: II. Scherzo - Dance of Death - Mar
Ballad of Heroes, Op. 14: I. Funeral March - Martyn Hill
Schubert: Seufzer, D 198
Gabrieli: Symphoniae Sacrae II, 1615 - Suscipe a 12
Aucun ont trouvé
Traditional: Alle, psallite cum luya
Intemerata Dei mater
Brief Encounters: Vivace
Three Comic Songs: My second thoughts condemn
St. Matthew Passion, BWV 244: Part III: Herr, wir haben gedacht (Chorus)
Zelus familie
Gilles: Messe des Morts - Sanctus
Purcell: Bonduca - Divine Andante, president of war
Pulcinella - Ballet with song in one act: Serenata: Mentre l'erbetta pasce l'agnella (tenor)
St. Matthew Passion, BWV 244: Part III: Aria: Mache dich, mein Herze, rein (Bass)
Brief Encounters: Vivace
Three Comic Songs: My second thoughts condemn
Purcell: The Old Bachelor - Thus to a ripe consenting maid
St. Matthew Passion, BWV 244: Part III: Recitative: Nun ist der Herr zur Ruh gebracht (Bass, Tenor, Alto, Soprano, Chorus)
Act 2 scene iii: The Chapel
Dies natalis, Op. 8: V. The Salutation. Aria
Waiting: Tango - for viola and double bass: Waiting: Tango - for viola and double bass
Traditional: In mari miserie
Traditional: Amor potest
Laudemus nunc Dominum
IIIa. Phrase
Ballad of Heroes, Op. 14: II. Scherzo - Dance of Death
Anonymous: Music of the Gothic Era - Ars nova - Degentis vita
Vespro della Beata Vergine (1610): Magnificat
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Christe Eleison
Gilles: Messe des Morts - Offertorium
Claire de Lune, from Suite Bergamasque: Claire de Lune, from Suite Bergamasque
Act 2 scene iv: The Market-place in Boston, Lincolnshire
Vespro della Beata Vergine (1610) (1995 - Remaster): Deus in adjutorium
Purcell: Bonduca - Hear us, great Rugwith
Où Voulez-Vous Aller?
Purcell: Circe - Come every demon
La Fille Aux Cheveux De Lin (From Préludes, Book I)
Haydn: Missa Sancta Caeciliae (Missa cellensis, 1766) - Christe Eleison
Act 1 sc iv: The Throne Room (bar 648)
Lady Macbeth of Mtsensk (2002 - Remaster), Act III, Scene 7: U Izmaýlovoy seychás pir goróy (Sergeant, Policemen, Policman, Teacher)
Serenade Op. 31: 2. Nocturne: The splendour falls on castle walls (Alfred, Lord Tennyson)
Serenade Op. 31: Prologue (horn solo)
Trois Gymnopédies
Gabrieli: Symphoniae Sacrae II, 1615 - Magnificat a 17
Priere pour nous autres charnels (arr. by H. Dutilleux)
Magister Piero: Con dolce brama
Nocturne Op. 60: On a poet's lips I slept (Shelley)
Léonin: Music of the Gothic Era - Notre Dame Period - 2. "Alleluya Pascha nostrum"
Purcell: The Rival Sisters or The Violence of Love (z609) - Take not a woman's anger ill
Départ
Purcell: Amphitryon, or The Two Sosias - Celia, that I once was blest
Les Illuminations Op. 18: I. Fanfare
Le Colibri
Brief Encounters: Presto
Three Comic Songs: Over the heather
Variations for piano: Variation 5
Variations for piano: Variation 6
Lord Maxwell's Goodnight
Ballad of Heroes, Op. 14: I. Funeral March
Brief Encounters: Lento
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