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Verdi: Il Trovatore / Act 1 - "Che più t'arresti?"
Carmina Burana: XXIII. Cour d'amours: Dulcissime (Sweetest Boy)
Verdi: Il Trovatore / Act 1 - "Di tale amor"
Verdi: Il Trovatore / Act 1 - "Tacea la notte" - "Quanto narrasti di turbamento"
Carmina Burana: XV. Cour d'amours: Amor volat undique (Love Flies Everywhere)
Carmina Burana: XXI. Cour d'amours: In trutina (On the Scales)
Carmina Burana: XVII. Cour d'amours: Stetit puella (There Stood a Girl)
Dido and Aeneas - Act 1 : "Fear no danger to ensue"
Purcell: Dido and Aeneas - Act 1 - "Fear no danger to ensue"
Acis and Galatea, HWV 49 : Happy We
"Fear no danger to ensue"
Serenade to Music (original version with 16 soloists)
"O Fortuna"
Purcell: Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 - "Fear no danger to ensue"
Purcell: The Fairy Queen - Ed. Benjamin Britten, Imogen Holst and Peter Pears - Act 2 - See, even Night herself is here
The Wandering Scholar H176 (Op. 50): When boughs are green in April (Louis)
Sinfonia antartica: II. Scherzo (Moderato)
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten / Act 1 - "Shake the cloud from off your brow"
The Wandering Scholar H176 (Op. 50): The most beautiful piece (Alison)
Handel: Acis and Galatea - First Version - Ye verdant plains
Henry Purcell: Dido and Aeneas - Act 1 - "Fear no danger to ensue"
The Wandering Scholar H176 (Op. 50): Before that I was twenty (Pierre)
"Apri le luci, e mira"
Bizet: Carmen / Act 3 - "Écoute, compagnon, écoute!"
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "Fear no danger to ensue"
Handel: Acis and Galatea - First Version - Happy we
The Wandering Scholar H176 (Op. 50): The time, then, was well chosen (Philippe)
The Wandering Scholar H176 (Op. 50): Someone is coming! (Alison)
The Wandering Scholar H176 (Op. 50): So learnèd a clerk (Alison)
Carmen / Act 3 : "Écoute, compagnon, écoute!"
Verdi: "Tacea la notte" - "Quanto narrasti di turbamento"
Verdi: "Che più t'arresti?"
Verdi: "Di tale amor"
"Dulcissime"
Handel: Acis and Galatea - First Version - Hush, ye pretty warbling quire
Handel: Acis and Galatea - First Version - As when the dove laments her love
Il Trovatore / Act 1: "Che più t'arresti?"
Acis and Galatea - First Version: Wretched lovers
Acis and Galatea - First Version: Hush, ye pretty warbling quire
The Wandering Scholar H176 (Op. 50): As I was walking (Pierre)
The Wandering Scholar H176 (Op. 50): Heigho, a pretty knave! (Alison)
The Wandering Scholar H176 (Op. 50): Ho there, old dog (Louis)
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 3 - "See the flags and streamers curling"
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "Ah! Belinda, I am prest"
Prelude (Notte con lume di luna)
Acis and Galatea - First Version: As when the dove laments her love
"Ah! che quest'alma amante" - "Il primo ardor"
"Coperta la frode"
Handel: Acis and Galatea - First Version - Mourn, all ye Muses
Carmen / Act 3 : "Mêlons! Coupons!"
Carmen / Act 3 : "Quant au douanier, c'est notre affaire!"
"Stetit puella"
"In trutina"
Die Schöpfung, Hob.XXI:2 / Part 1 : Die Himmel erzählen die Ehre Gottes
"Amor volat undique"
Handel: Acis and Galatea - First Version - Oh, the pleasure of the plains
Handel: Acis and Galatea - First Version - Wretched lovers
Handel: Acis and Galatea - First Version - The flocks shall leave the mountains
Bizet: Carmen / Act 3 - "Mêlons! Coupons!"
Handel: Acis and Galatea - First Version - Heart, the seat of soft delight
Acis and Galatea - First Version: Ye verdant plains
Henry Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "Fear no danger to ensue"
Die Schöpfung, Hob.XXI:2 / Part 1 : Und Gott machte das Firmament...Mit Staunen sieht das W
Handel: Acis and Galatea - First Version - Cease, o cease
The Wandering Scholar H176 (Op. 50): Monster! Villain! (Louis)
Acis and Galatea - First Version: Oh, the pleasure of the plains
Acis and Galatea - First Version: Mourn, all ye Muses
Requiem Op.48 (1989 Digital Remaster): Offertoire
The Wandering Scholar H176 (Op. 50): He'll lie all day in the sun (Louis)
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - Prelude for the Witches - "Wayward Sisters"
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 2 - "Stay, Prince, and hear great Jove's command"
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "See your royal guest appears"
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "Whence could so much virtue spring?"
Handel: Acis and Galatea - First Version - Whither, fairest, art thou running
Requiem Op.48 (1989 Digital Remaster): Introit and Kyrie
"Fortune plango vulnera"
"Ingrato Polinesso!" - "Neghittosi, or voi che fate?"
"Se tanto piace al cor"
"Perfidi! io son tradita!"
The Fairy Queen - Ed. Benjamin Britten, Imogen Holst and Peter Pears - Act 2 : "See, Even Night Herself Is Here"
Ariodante HWV 33 / Act 1 : "Apri le luci, e mira"
Carmina Burana / 3. Cour d'amours : "Dulcissime"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : "Fear no danger to ensue"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten / Act 1 : "Shake the cloud from off your brow"
Handel: Acis and Galatea - First Version - Galatea, dry thy tears
Haydn: The Creation (Die Schöpfung) - Sung in German (Trans. G. van Sweiten) - Part 1 (Sung in German) - Die Himmel erzählen die Ehre Gottes
Bizet: Carmen / Act 2 - "Les tringles des sistres tintaient"
Bizet: Carmen / Act 3 - "Quant au douanier, c'est notre affaire!"
Acis and Galatea - First Version: Must I my Acis still bemoan
Handel: Acis and Galatea - First Version - Must I my Acis still bemoan
Carmina Burana / 3. Cour d'amours : "Stetit puella"
Handel: Ariodante HWV 33 / Act 1 - "Apri le luci, e mira"
Die Schöpfung, Hob.XXI:2 / Part 2 : Und Gott sprach...Auf starkem Fittiche
Il Trovatore / Act 1 : "Che più t'arresti?"
Handel: Ariodante HWV 33 / Act 1 - "Ah! che quest'alma amante" - "Il primo ardor"
Acis and Galatea - First Version: Heart, the seat of soft delight
Giuseppe Verdi: Il Trovatore / Act 1 - "Che più t'arresti?"
Requiem Op.48 (1989 Digital Remaster): Pie Jesu
"Ami dunque, o signora?" - "Ginevra?"
Handel: Ariodante HWV 33 / Act 1 - "Orgogliosa beltade!"
Ariodante HWV 33 / Act 2 : "Se tanto piace al cor"
"Sta'lieta, o principessa!" - "Mio Re!"
Ariodante HWV 33 / Act 1 : "Conosco il merto tuo"
Handel: Ariodante HWV 33 / Act 1 - "Apri le luci, e mira"
Ariodante HWV 33 / Act 1 : "Ah! che quest'alma amante" - "Il primo ardor"
Entrée des Songes funestes
"Dite spera, e son contento"
Il Trovatore / Act 1
Ariodante HWV 33 / Act 3 : "Perfidi! io son tradita!"
Musette I (Lentement)
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 2 : "Stay, Prince, and hear great Jove's command"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : "See your royal guest appears"
Carmen / Act 2 : "Vivat, vivat le torero!"
Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Wretched lovers
Ye verdant plains
Happy we
"Scherza infida in grembo al drudo"
Handel: Ariodante HWV 33 / Act 1 - "Apri le luci, e mira"
Handel: Ariodante HWV 33 / Act 2 - "Se tanto piace al cor"
Handel: Acis and Galatea, HWV 49 - Ye Verdant Plains
Handel: Acis and Galatea, HWV 49 - Hush, Ye Pretty Warbling Quire
Handel: Acis and Galatea, HWV 49 - Oh, The Pleasure Of The Plains
Handel: Acis and Galatea, HWV 49 - As When The Dove Laments Her Love
Carmen / Act 3 - "Quant au douanier, c'est notre affaire!"
Handel: Acis and Galatea, HWV 49 - Happy We
Carmina Burana / 3. Cour d'amours : "Amor volat undique"
Carmina Burana / 3. Cour d'amours : "In trutina"
Handel: Ariodante HWV 33 / Act 1 - "Conosco il merto tuo"
Die Schöpfung, Hob.XXI:2 / Part 1 : Und Gott sprach...Nun beut die Flur
Die Entführung aus dem Serail, K.384 / Act 2 - "Ich gehe, doch rate ich dir"
Die Schöpfung, Hob.XXI:2 / Part 2 : Und Gott sah jedes Ding...Vollendet ist das grosse Wer
Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Verdi: Il Trovatore / Act 2 - "Ah, se l'error t'ingombra...Perchè piangete?"
Thaïs (1995 Digital Remaster), DIEUXIEME ACTE/ACT TWO/ZWEITER AKT, Deuxième Scène/Scene 2/Zweite Szene: Père, Dieu m'a parle par ta voix!
Acis and Galatea - First Version: Happy we
Acis and Galatea - First Version: Cease, o cease
Acis and Galatea - First Version: The flocks shall leave the mountains
Haydn: Die Himmel erzählen die Ehre Gottes - Die Himmel erzählen die Ehre Gottes
Acis and Galatea - First Version: Galatea, dry thy tears
Vespro della Beata Vergine (1610): Psalm 112 - Laudate pueri
Oh, the pleasure of the plains
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Sinfonia antartica: I. Prelude (Allegro maestoso)
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Mozart: Die Entführung Aus Dem Serail, K 384 - Welche Wonne, Welche Lust
Handel: Ariodante HWV 33 / Act 3 - "Ingrato Polinesso!" - "Neghittosi, or voi che fate?"
"Orgogliosa beltade!"
"Conosco il merto tuo"
"Lo stral ferì nel segno"
Requiem Op.48 (1989 Digital Remaster): Agnus Dei
Thaïs (1995 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT, Première Scène/Scene 1/Erste Szene: Ah! des gouttes de sang coulent de ses pieds blancs (Thaïs/Athanaël)
Requiem Op.48 (1989 Digital Remaster): Libera me
Requiem Op.48 (1989 Digital Remaster): In paradisum
Handel: Ariodante HWV 33 / Act 1 - "Ah! che quest'alma amante" - "Il primo ardor"
Acis and Galatea - First Version - As when the dove laments her love
Act 1 - "Che più t'arresti?"
Act 1 - "Tacea la notte" - "Quanto narrasti di turbamento"
Acis and Galatea, HWV 49 : Handel: Acis and Galatea, HWV 49 - Happy We
Acis and Galatea - First Version - Hush, ye pretty warbling quire
Acis and Galatea - First Version - The flocks shall leave the mountains
Acis and Galatea - First Version - Wretched lovers
Acis and Galatea - First Version - Oh, the pleasure of the plains
Acis and Galatea - First Version - Happy we
"Vedi! le fosche notturne spoglie" (Anvil Chorus)
Der kleine Sandmann bin ich
Acis and Galatea - First Version - Ye verdant plains
Ariodante HWV 33 / Act 2 : Handel: Ariodante HWV 33 / Act 2 - "Se tanto piace al cor"
Acis and Galatea - First Version - Heart, the seat of soft delight
Acis and Galatea - First Version - Galatea, dry thy tears
Acis and Galatea - First Version - Mourn, all ye Muses
Acis and Galatea - First Version - Must I my Acis still bemoan
Ariodante HWV 33 / Act 3 : "Arrida il cielo alla giustizia" - "Ferma, signor" - "E Dalinda dov'è?"
Ariodante HWV 33 / Act 3 : "Dite spera, e son contento"
Carmen / Act 3 - "Mêlons! Coupons!"
George Frideric Handel: Acis and Galatea - First Version - Happy we
"Che più t'arresti?"
Carmina Burana, scenic cantata for soloists, choruses & orchestra: Fortuna Imperatrix Mundi, No 2: Fortune Plango Vulnera
Ariodante HWV 33 / Act 1 : "Dalinda, in occidente"
George Frideric Handel: Acis and Galatea - First Version - Cease, o cease
George Frideric Handel: Acis and Galatea - First Version - Wretched lovers
George Frideric Handel: Acis and Galatea - First Version - As when the dove laments her love
Serenade to Music (1987 Digital Remaster)
Carmina Burana, scenic cantata for soloists, choruses & orchestra: Fortuna Imperatrix Mundi, No 1: O Fortuna
Mozart: Die Entführung Aus Dem Serail, K 384 - Act 2: Ach Belmonte! Ach, Mein Leben!
"Dopo notte, atra e funesta"
"Welche Wonne, welche Lust"
Overture: Allegro - Adagio
Entrée des Songes agréables affligés
Musette II (Andante)
Purcell: Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1 - "Fear no danger to e
Il Trovatore / Act 1 - "Che più t'arresti?"
The flocks shall leave the mountains
Acis and Galatea - Must I my Acis still bemoan
Acis and Galatea - First Version - Cease, o cease
George Frideric Handel: Acis and Galatea - First Version - Oh, the pleasure of the plains
George Frideric Handel: Acis and Galatea - First Version - Mourn, all ye Muses
George Frideric Handel: Acis and Galatea - First Version - The flocks shall leave the mountains
Mozart: Die Entführung Aus Dem Serail, K 384 - Act 1: Hier Soll Ich Dich Denn Sehen
Carmen / Act 3 - "Écoute, compagnon, écoute!"
Sinfonia Antartica: V. Epilogue (Alla Marcia)
No, no, I'll take no less
Die Himmel erzählen die Ehre Gottes
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : Purcell: Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 - "Fear no danger to ensue"
Handel: Ariodante HWV 33 / Act 2 - "Se tanto piace al cor"
Handel: Ariodante HWV 33 / Act 1 - "Ah! che quest'alma amante" - "Il primo ardor"
Carmen / Act 3: "Mêlons! Coupons!"
Carmina Burana / 3. Cour d'amours: "Amor volat undique"
"Dalinda! ecco risorge"
"Manca, oh Dei!"
Die Schöpfung, Hob.XXI:2 / Part 1 : Haydn: Die Schöpfung, Hob.XXI:2 / Part 1 - Die Himmel erzählen die Ehre Gottes
Carmina Burana / 3. Cour d'amours: "Dulcissime"
Orff: Carmina Burana / Fortuna Imperatrix Mundi - "O Fortuna"
Carmina Burana / 3. Cour d'amours: "Stetit puella"
Carmina Burana / 3. Cour d'amours: "In trutina"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : Purcell: Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 - "Fear no danger to ensue"
"Stay, Prince, and hear great Jove's command"
"See, Even Night Herself Is Here"
"Wayward Sisters"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2 : Purcell: The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2 - "See, Even Night Herself Is Here"
"Whence could so much virtue spring?"
Entrée des Songes agréables
Carmina Burana / 3. Cour d'amours : Orff: Carmina Burana / 3. Cour d'amours - "Amor volat undique"
Vaughan Williams: Symphony #7, "sinfonia Antarctica" - 4. Intermezzo
"Shake the cloud from off your brow"
Carmen / Act 3 : Bizet: Carmen / Act 3 - "Écoute, compagnon, écoute!"
"See your royal guest appears"
Dido And Aeneas: Act Two: Ritornelle - Thanks To These Lonesome Vales
"Ah! Belinda, I am prest"
"Estuans interius"
"See the flags and streamers curling"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2 : "See, Even Night Herself Is Here"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : Prelude for the Witches - "Wayward Sisters"
Carmina Burana / 3. Cour d'amours : "Tempus est iocundum"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 3 : "See the flags and streamers curling"
"Were diu werlt alle min"
Bach: St. Matthew Passion, BWV 244 - Wir Setzen Uns Mit Tränen Nieder
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : "Ah! Belinda, I am prest"
Dido and Aeneas - Realised: Imogen Holst Benjamin Britten - Act 1 : "Whence could so much virtue spring?"
Haydn: Die Schöpfung, Hob.XXI:2 / Part 1 - Die Himmel erzählen die Ehre Gottes
Requiem, Op. 48: IV. Pie Jesu
Gloria, FP 177: I. Gloria in excelsis deo
Haydn: Armida / Act 1 - "Se tu seguir mi vuoi"
Toreador Song: Vivat! Vivat le Torero!....Votre Toast (Carmen)
Gloria, FP 177: V. Domine Deus, Agnus Dei
Haydn: Armida / Act 1 - "Ah, si scenda per poco"
Gloria, FP 177: IV. Domine fili unigenite
"Pare, ovunque m'aggiri" - "E qual propizia stella"
Requiem, Op. 48: IV. Pie Jesu (FLAC)
Gloria, FP 177: III. Domine Deus
Gloria, FP 177: VI. Qui sedes ad dexteram Patris
Gloria, FP 177: II. Laudamus te
Handel: Ariodante HWV 33 / Act 2 - "Sta'lieta, o principessa!" - "Mio Re!"
Orff: Carmina Burana / 3. Cour d'amours - "Stetit puella"
Carmina Burana, scenic cantata for soloists, choruses & orchestra: Cour D'Amours, No 25: O Fortuna
Carmina Burana, scenic cantata for soloists, choruses & orchestra: Cour D'Amours, No 19: Si Puer cum Puellula
Handel: Ariodante HWV 33 / Act 2 - "Se tanto piace al cor"
Handel: Ariodante HWV 33 / Act 1 - "Ah! che quest'alma amante" - "Il primo ardor"
Carmen / Act 3: "Mêlons! Coupons!"
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