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Mozart l'Egyptien: Concerto pour oud et piano no. 23
Mozart l'Egyptien: Lamma bada yatathenna/Symphonie No. 40
Mozart l'Egyptien: Ikhtitaf fi Assaraya (L'Enlèvement au sérail)
Mozart l'Egyptien: Mahdiyat (Berceuses)
Mozart l'Egyptien: Symphonie Egyptienne no. 25
Mozart l'Egyptien: Yaman hawa / Thamos roi d'egypte
Mozart l'Egyptien: Hamilu lhawa tahibou/Aria de Papageno no. 20
Mozart l'Egyptien: Dhikr / Requiem / Golgotha
Mozart l'Egyptien: Mawwall
Mozart l'Egyptien: Ouazat al kahira (L'oie du caire)
Mozart l'Egyptien: Double Quatuor en fa K. 496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et
Mozart l'Egyptien: Double Quatuor en fa K. 496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et sagat
De Courson: No. 23, Concerto for Oud and Piano (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488")
Mozart l'Egyptien: Double Quatuor en mi bemol K.374 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla,Doff
De Courson: Lamma Bada Yatathanna, for Voices and Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 40 in
Mozart l'Egyptien: Double Quatuor en mi bemol K.374 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla,Doff et sagat
De Courson: Yaman Hawa (After the "Overture" from "Thamos, König in Aegypten, K. 345")
De Courson: Double Quatuor en fa, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart'
De Courson: Mahdiyat (After Bernhard Flies's "Wiegenlied", attributed to Mozart as "K. 350")
De Courson: Symphonie Egyptienne, for Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 25 in G Minor, K.
De Courson: Hamilu Lhawa Tahibou (after Papageno's Aria, No. 20, from Mozart's "Magic Flute, K. 620")
De Courson: Mawwall
De Courson: Dhikr - Requiem - Golgotha, for Voices, Children's Chorus and Orchestra (After the "Introitus" from Mozart's "Requiem
De Courson: Ouazat Al Kahira (After Auretta's Aria, No. 2, from Mozart's "L'oca del Cairo, K. 422")
Mozart l'Egyptien: Concerto pour oud et piano no.23
De Courson: Double Quatuor en mi bémol, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After M
Lamma Bada Yatathanna, for Voices and Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 40 in G Minor, K. 550")
Mozart l'Egyptien: Lamma bada yatathenna/Symphonie No.40
Dhikr - Requiem - Golgotha, for Voices, Children's Chorus and Orchestra (After the "Introitus" from Mozart's "Requiem in D Minor, K. 626")
Mawwall
Mozart l'Egyptien: Yaman hawa/Thamos roi d'egypte
No. 23, Concerto for Oud and Piano (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488")
Double Quatuor en fa, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "Piano Trio No. 2 in G Major, K. 496")
Mahdiyat (After Bernhard Flies's "Wiegenlied", attributed to Mozart as "K. 350")
Yaman Hawa (After the "Overture" from "Thamos, König in Aegypten, K. 345")
Hamilu Lhawa Tahibou (after Papageno's Aria, No. 20, from Mozart's "Magic Flute, K. 620")
Symphonie Egyptienne, for Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 25 in G Minor, K. 183/173dB")
Mozart l'Egyptien: Dhikr/Requiem/Golgotha
Ouazat Al Kahira (After Auretta's Aria, No. 2, from Mozart's "L'oca del Cairo, K. 422")
Double Quatuor en mi bémol, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "6 Variations, K. 360/374b")
Mozart l'Egyptien: Double Quatuor en fa K.496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et sagat
Mozart l'Egyptien: Hamilu lhawa tahibou/Aria de Papageno no.20
Mozart l'Egyptien: Symphonie Egyptienne no.25
Mozart l'Egyptien: Double Quatuor en fa K.496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et s
Concerto For Oud And Piano No.23
Mozart l'Egyptien: Double Quatuor en mi bemol K.374 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et sagat
Ikhtitaf Fi Assaraya
Mozart l'Egyptien: Double Quatuor en mi bemol K.374 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Dof
De Courson: Lamma Bada Yatathanna, for Voices and Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 40 in G Minor, K. 550")
De Courson: Double Quatuor en fa, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "Piano Trio No. 2 in G Major, K. 496")
Quazat Al Kahira [L´oca Del Cairo]
Concerto For Oud & Piano N°.23
Mozart L'Egyptien: Mawwall (Egypt / France)
De Courson: Dhikr - Requiem - Golgotha, for Voices, Children's Chorus and Orchestra (After the "Introitus" from Mozart's "Requiem in D Minor, K. 626")
De Courson: Double Quatuor en mi bémol, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "6 Variations, K. 360/374b")
De Courson: Symphonie Egyptienne, for Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 25 in G Minor, K. 183/173dB")
Symphonie Egyptienne N° 25
Yaman Hawa - Thamos, King Of Egypt
Egyptian Symphony N°.25
Lamma bada yatathenna/Symphonie No.40
Symphonie Egyptienne no.25
Hamilu lhawa tahibou/Aria de Papageno no.20
Ouazat al kahira (L'oie du caire)
Double Quatuor en mi bemol K.374 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et sagat
Concerto pour oud et piano no.23
Ikhtitaf Fi Assaraya (L'enlèvement au sérail)
Mahdiyat (Lullabies)
Double Quartet In E Flat, K.374
Lama Bada Yatathenna-Symphonie N°40
Yaman hawa/Thamos roi d'egypte
Double Quatuor en fa K.496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et sagat
Mahdiyat (Berceuses)
Dhikr/Requiem/Golgotha
Concert for Oud & Piano no 23
Lamma Bada Yatathenna/Symphonie No 40
Mozart l'Egyptien: Double Quatuor en fa K.496 pour clarinette, violon, alto, violoncelle, arghul, rababa, Kawala, tabla, Doff et
Dhikr / Requiem / Golgotha
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