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Introduction
The Middle Ages - Darkness, Change, and Diversity
Sources - The Ancient World and the Early Church
Introduction to the Baroque
Introduction to the Renaissance
The Renaissance Mass - Josquin des Prez, Palestrina, and the Counter Reformation
Style Features of Baroque Music and a Brief Tutorial on Pitch, Motive, Melody & Texture
Fugue
Secular Music in the Late Renaissance and the Search for Expression - The Madrigal
The Rise of German Nationalism in Music
Baroque Opera, Part 1
The High Baroque
Baroque Opera, Part 2
The Enlightenment and an Introduction to the Classical Era
Baroque Instrumental Forms, Part 1 - Passacaglia
The Viennese Classical Style, Homophony and the Cadence
Baroque Sacred Music, Part 1 - The Oratorio
Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Baroque Sacred Music, Part 2 - The Lutheran Church Cantata
Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1
Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2
Introduction to Romanticism
Classical-Era Form - Theme and Variations
Early Twentieth-Century Modernism - The Search for a New Musical Language - Stravinsky
Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin
Classical-Era Form - Minuet and Trio: Baroque Antecedents
Early Twentieth-Century Modernism - The Search for a New Musical Language - Debussy
Classical-Era Form - Sonata-Allegro Form I, Part 1
Early Twentieth-Century Modernism - The Search for a New Musical Language - Schönberg
Russian Nationalism
Classical-Era Form - Rondo
The Early Twentieth Century and the Modernist Movement - An Introduction
Classical-Era Form - Minuet and Trio II
The French Revolution and an Introduction to Beethoven
Nineteenth-Century German Opera - Richard Wagner
Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1
Classical-Era Form - Sonata-Allegro Form II
Classical-Era Orchestral Genres - The Symphony - Music for Every Person
Classical-Era Orchestral Genres - The Concerto
Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2
Classical-Era Form - Sonata-Allegro Form I, Part 2
Classical-Era Opera - Mozart and the Operatic Ensemble
Nineteenth-Century Italian Opera - Giuseppe Verdi
The Concert Overture, Part 1
Sources
Romantic Nationalism - Post-1848 Musical Nationalism
Nineteenth-Century German Opera - Nationalism and Experimentation
The Concert Overture, Part 2
Nineteenth-Century Italian Opera - Bel Canto Opera
Classical-Era Opera - The Development of Opera Buffa
The Middle Ages
The Renaissance Mass
Intro to Reinassance
Secular Music in Late Renaissa
Style Features of Baroque Musi
The Rise of German Nationalism
Early 20th Century - Stravinsk
Baroque Sacred Music, Part 2
Sonata-Allegro Form I
Early 20th Century - Debussy
Baroque Sacred Music, Part 1
The French Revolution and an I
Berlioz' Symphonie Fantastique
Early 20th Century - Schönberg
Enlightenment & Classical Era
Early 20th Century Modernists
Beethoven's Symphony No. 5 in
The Concerto
Baroque Instrumental Forms Pt1
Romantic Nationalism
Mozart and the Operatic Ensemb
Classical Rondo
Baroque Instrumental Forms Pt2
German Opera - Wagner
The Viennese Classical Style
Sonata-Allegro Form II
Development of Opera Buffa
The Symphony
Miniatures: Lieder and Chopin
Classical Minuet & Trio
Classical Theme & Variations
German Opera - Nationalism
Italian Opera - Verdi
Part V: Nineteenth-Century Romanticism
Sources - The Ancient World an
Italian Opera - Bel Canto Oper
Secular Music in Late Renaissance - The Madrigal
Early Twentieth-Century Modernism - The Search for a New Musical Language - Schцnberg
Style Features of Baroque Music and a Brief Tutorial on Pitch, Motive, Melody, and Texture
Classical Minuet & Trio II
sf
Secular Music in Late Renaissance
Part II: The High Baroque
Lect.05 The Renaissance Mass
006-422- TTC - Great Music - Introduction
Lect.04 Introduction to the Renaissance
Lect.06 The Madrigal
004-422- TTC - Great Music - Introduction
Part III: The Classical Era I
002-422- TTC - Great Music - Introduction
005-422- TTC - Great Music - Introduction
003-422- TTC - Great Music - Introduction
007-422- TTC - Great Music - Introduction
Lect.15 The Waldstein and the Heroic Style
Lect.15 The Waldstein and the Heroic Style
Lect.07 An Introduction to the Baroque Era
Lect.09 National Styles—Italy and Germany
Lect.08 Style Features of Baroque-era Music
Lect.03 The Middle Ages
Lect.01 Great Masters: Mozart—His Life and Music - Introduction
Lect.02 Leopold and the Grand Tour
21 String Quartet in C# Minor, Op. 131, Part 1
The Middle Ages - Darkness, Change and Diversity
19. Objectivity Under Attack
010-422- TTC - Great Music - Sources
011-422- TTC - Great Music - Sources
008-422- TTC - Great Music - Introduction
144 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
129 Baroque Instrumental Forms, Part 1 - Passacaglia
03-01
Introduction to the Renaissance 9
137 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Introduction to the Renaissance 5
136 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Early Twentieth-Century Modernism - The Search for a New Musical Language - Sch鰊berg
03-03
128 Baroque Instrumental Forms, Part 1 - Passacaglia
03-02
05-08
140 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
012-422- TTC - Great Music - Sources
009-422- TTC - Great Music - Introduction
141 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Nineteenth-Century German Opera - Richard Wagner 3
03-05
126 Baroque Sacred Music, Part 2 - The Lutheran Church Cantata
Introduction to the Renaissance 6
120 Baroque Sacred Music, Part 2 - The Lutheran Church Cantata
Introduction to the Renaissance 8
142 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Nineteenth-Century German Opera - Richard Wagner 2
143 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
013-422- TTC - Great Music - Sources
Part VI: From Romanticism to Modernism: 1848 to 1913
03-04
001-422- TTC - Great Music - Introduction
Introduction to the Renaissance 7
Part IV: The Classical Era II and the Age of Revolution - Beethoven
125 Baroque Sacred Music, Part 2 - The Lutheran Church Cantata
139 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
Introduction 8
Introduction 9
03-07
03-06
138 Baroque Instrumental Forms, Part 2 - Ritornello Form and the Baroque Concerto
127 Baroque Instrumental Forms, Part 1 - Passacaglia
The Last Years
Classical-Era Opera - Mozart a
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