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Robert Greenberg, Ph.D., is music historian-in-residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in music composition from the University of California, Berkeley, and has seen his compositions—which include more than 45 works for a wide variety of instrumental and vocal ensembles—performed all over the world, including New York, Sa...read more

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Introduction
The Middle Ages
Introduction to the Renaissance
01. Introduction and Words and Music, I
Sources
Introduction and Words and Music, II
Fugue
The Language of Music
Leopold and the Grand Tour
Introduction to the Baroque
Paris
02-4 Christmas, 1722
Baroque Opera, Part 1
Baroque Opera, Part 2
The Renaissance Mass
The Last Years
Style Features of Baroque Music
The Rise of German Nationalism in Music
Secular Music in the Late Renaissance
02-5 Christmas, 1722
Timbre, Continued
04-1 Fugue
03. A Brief History of Vocal Expression in Music, I
02-6 Christmas, 1722
02-7 Christmas, 1722
05. Invention of Opera and Monteverdi's Orfeo, I
02-1 Christmas, 1722
Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1
01. Let's Take It From the Top!
02-9 Christmas, 1722
Russian Nationalism
Flight from Salzburg and Arrival in Vienna
01-3 Introduction
02-8 Christmas, 1722
Early Twentieth-Century Modernism
Operas in Vienna
04. A Brief History of Vocal Expression in Music, II
05-1 Historical Overview
Timbre, Part 3
Beat and Tempo
01-2 Introduction
Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2
Baroque Instrumental Forms, Part 2
01. Introduction and Words and
03-8 Introduction to the Baroque Aesthetic
03-1 Introduction to the Baroque Aesthetic
Classical-Era Form - Sonata-Allegro Form I, Part 1
Classical-Era Form - Theme and Variations
Meter, Part 1
03-2 Introduction to the Baroque Aesthetic
The Concert Overture, Part 2
01. The Escape from Riga
Baroque Sacred Music, Part 1
06. Invention of Opera and Monteverdi's Orfeo, II
Baroque Instrumental Forms, Part 1
04-4 Fugue
03-3 Introduction to the Baroque Aesthetic
04-6 Fugue
The French Revolution and an Introduction to Beethoven
Classical-Era Form - Sonata-Allegro Form I, Part 2
Introduction to Romanticism
The Viennese Classical Style
Meter, Part 2
03-6 Introduction to the Baroque Aesthetic
01-4 Introduction
04-2 Fugue
03-7 Introduction to the Baroque Aesthetic
01-6 Introduction
The Concert Overture, Part 1
Classical-Era Form - Sonata-Allegro Form II
Classical-Era Form - Rondo
Nineteenth-Century German Opera - Richard Wagner
02. London, Paris, and Rienzi
Tonality, Key Signature, and the Circle of Fifths
03-4 Introduction to the Baroque Aesthetic
01-5 Introduction
Classical-Era Orchestral Genres - The Concerto
Classical-Era Form - Minuet and Trio II
03. What to Do about Germany?
09. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, I
05. The Invention of Opera and
Introduction and Words and Music, I
10. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, II
01-9 Introduction
01-8 Introduction
03-5 Introduction to the Baroque Aesthetic
04-5 Fugue
04-3 Fugue
02-2 Christmas, 1722
01-7 Introduction
04. The Rise of German Opera
05. The Flying Dutchman, Part 1
Intervals and Tunings
The Enlightenment
19. Verdi and Otello, I
Classical-Era Orchestral Genres - The Symphony
05-2 Historical Overview
04-7 Fugue
04-9 Fugue
02-3 Christmas, 1722
03-9 Introduction to the Baroque Aesthetic
Classical-Era Opera - The Development of Opera Buffa
05-4 Historical Overview
Baroque Sacred Music, Part 2
Pitch and Mode, Part 1
The Early Twentieth Century
Formal Challenges and Solutions in Early Romantic Music
07. Invention of Opera and Monteverdi's Orfeo, III
02. Introduction and Words and
05-6 Historical Overview
Classical-Era Form - Minuet And Trio
08. Invention of Opera and Monteverdi's Orfeo, IV
01. Beethoven and the Heroic Style, I
13. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, I
11. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, III
05-3 Historical Overview
25. German Opera Comes of Age
04-8 Fugue
23. Parsifal, Part 1
06. The Flying Dutchman, Part 2
20. Verdi and Otello, II
05-5 Historical Overview
14. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, II
03. A Brief History of Vocal E
12. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, IV
08. Mozart
Pitch and Mode, Part 2
22. The Ring, Part 6
24. Parsifal, Part 2
Lecture 1
Melody, Continued
II. Intermezzo: Dreams of Gold (slow)
15. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, III
12. Tristan and Isolde, Part 1
Intervals Revisited and Expanded
A Brief History of Vocal Expression in Music, II
15. Brahms, Bruckner, and the Viennese Symphony
04. Mannheim
09. Beethoven
I. Games (fast)
The Invention of Opera and Monteverdi's Orfeo, I
05-7 Historical Overview
21. Verdi and Otello, III
06-2 Style Features of High Baroque Music - A Musical Glossary
15. The Mastersingers of Nuremberg, Part 1
Nineteenth- Century Italian Opera - Giuseppe Verdi
17. The Ring, Part 1
Melody
Classical-Era Opera - Classical-Era Opera
11. The Escape from Dresden, Exile, and Essays
02. The Concerto and the Orchestra
Romantic Nationalism
10. Opera Seria and Mozart's Idomeneo, II
05-8 Historical Overview
03. The Pre-Classical Symphony
13-2 Vivaldi, Bach, and the Concerto, Part I - Vivaldi and the Venetian Opera
The Invention of Opera and Monteverdi's Orfeo, II
12. Mendelssohn and Schumann
05. Classical Masters
06-7 Style Features of High Baroque Music - A Musical Glossary
13-1 Vivaldi, Bach, and the Concerto, Part I - Vivaldi and the Venetian Opera
11-1 Bach's Inheritance, Part II - The Development of the Italian Style
01. Holiday Music
11-3 Bach's Inheritance, Part II - The Development of the Italian Style
22. Verdi and Otello, IV
05-9 Historical Overview
The Enlightenment and an Introduction to the Classical Era
Formal Challeges and Solutions in Early Romantic Music - The Program Symphony, Part 2
09. Lohengrin, Part 1
Lecture 2
06. The Invention of Opera and
Formal Challeges and Solutions in Early Romantic Music - The Program Symphony, Part 1
03-1 Introduction to the Baroq
Nineteenth- Century Italian Opera - Bel Canto Opera
29. Russian Opera, I
23. French Opera, I
Nineteenth-Century German Opera - Nationalism and Experimentation
14. Nationalism and the Symphony
The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, I
26. Richard Wagner and Tristan und Isolde, I
04. A Brief History of Vocal E
Texture and Harmony, Part 1
06-3 Style Features of High Baroque Music - A Musical Glossary
06-9 Style Features of High Baroque Music - A Musical Glossary
05. Symphony No. 1—Beethoven as Classicist—Tradition and Innovation, I
01 • A Blessing of Inconceivable Richness
06. Franz Joseph Haydn, I
02. Beethoven and the Heroic Style, II
10. Schubert
A Brief History of Vocal Expression in Music, I
The Invention of Opera and Monteverdi's Orfeo, IV
08-9 Style Features of High Baroque Music, Part III - A Musical Glossary (cont-)
10-5 Lutheranism, the Chorale and the Chorale Prelude
10-7 Lutheranism, the Chorale and the Chorale Prelude
10-4 Lutheranism, the Chorale and the Chorale Prelude
11-2 Bach's Inheritance, Part II - The Development of the Italian Style
06-8 Style Features of High Baroque Music - A Musical Glossary
10-8 Lutheranism, the Chorale and the Chorale Prelude
The Rise of Opera Buffa and Mozart's The Marriage of Figaro, I
17. The Bel Canto Style and Rossini's The Barber of Seville, I
18. The Ring, Part 2
10. Lohengrin, Part 2
Lecture 5
28. Late Romantic German Opera—Richard Strauss and Salome
19. The Ring, Part 3
13. Tristan and Isolde, Part 2
1A. Music as a Mirror
The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, IV
The Ancient World And The Early Church
07-8 Style Features of High Baroque Music, Part II - A Musical Glossary (cont-)
III. Dances (very fast)
07-4 Style Features of High Baroque Music, Part II - A Musical Glossary (cont-)
09. Opera Seria and Mozart's Idomeneo, I
16. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, IV
08-6 Style Features of High Baroque Music, Part III - A Musical Glossary (cont-)
10-6 Lutheranism, the Chorale and the Chorale Prelude
The Rise of Opera Buffa and Mozart's The Marriage of Figaro, II
07-3 Style Features of High Baroque Music, Part II - A Musical Glossary (cont-)
11-4 Bach's Inheritance, Part II - The Development of the Italian Style
06-4 Style Features of High Baroque Music - A Musical Glossary
10-1 Lutheranism, the Chorale and the Chorale Prelude
07-6 Style Features of High Baroque Music, Part II - A Musical Glossary (cont-)
11-5 Bach's Inheritance, Part II - The Development of the Italian Style
06-6 Style Features of High Baroque Music - A Musical Glossary
06-5 Style Features of High Baroque Music - A Musical Glossary
07-5 Style Features of High Baroque Music, Part II - A Musical Glossary (cont-)
10-9 Lutheranism, the Chorale and the Chorale Prelude
10-3 Lutheranism, the Chorale and the Chorale Prelude
Introduction to the Baroque Aesthetic
Sources - The Ancient World and the Early Church
06-1 Style Features of High Ba
21. The Ring, Part 5
1d
14. Miracles
07. Dresden and Tannhäuser, Part 1
10-1 Lutheranism, the Chorale
1b
20. The Ring, Part 4
16. The Mastersingers of Nuremberg, Part 2
Lecture 6
07. The Invention of Opera and
Richard Wagner and Tristan und Isolde, I
32. Verismo, Puccini, and Tosca, II
07. Franz Joseph Haydn, II
16. Gustav Mahler
24. Dmitri Shostakovich and His Tenth Symphony
31. Verismo, Puccini, and Tosca, I
The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, III
18. The Bel Canto Style and Ro
18. The Symphony in Russia
German Opera Comes of Age
17. The Bel Canto Style and Ro
07. Symphony No. 2—Beethoven at the Edge, I
08. The Invention of Opera and
Richard Wagner and Tristan und Isolde, II
30. Russian Opera, II
26. Richard Wagner and Tristan
19. Charles Ives
A Born Pianist
27. Richard Wagner and Tristan und Isolde, II
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